Views of Harwich in Essex, with detailed notes:

• pencil and ink sketches on paper
• loose
• 35.1 x 24.5 cm
• [on sketch] 'Landguard ft' (ink note)
• [on sketch] 'R Orwell' (ink note)
• [on sketch] 'you must shew this as a point in distance' (ink note)
• [on sketch] 'Languard Fort / 3 miles' (ink note)
• [on sketch] 'grass fields' (ink note)
• [on sketch] 'osses' (ink note)
• [on sketch] 'grass slope' (ink note)
• [on sketch] 'old houses' (ink note)
• [on sketch] '...hi]gher / ...]an down' (ink note)
• [on sketch] 'Martello towers / sunk in ditch level / with ground. / This is a much larger tower / than the common Martellos / would hold 3000 men' (ink note)
• [on sketch] '1 White Church' (ink note)
• [on sketch] '2 white Lighthouse' (ink note)
• [on sketch] '3 pretty library / 4 cement works / 5 Distant land / 6 flag staff / 7 panorama when I (underlined) was there / Camera (?)' (ink note)
• [on sketch] '8 promenade see the posts at the end / and a crane' (ink note)
• [on sketch] 'Harwich 10 years ago / monumental objects are all coeval slate | stone' (ink note)
• [on sketch] 'another stone / White l[ight]house lower down on the / shore - or on a promenade / tis octagon I think' (ink note)

Handwritten notes recording contacts at various institutions whom the former owners of the album may have consulted in relation to the album's contents.

• 14 x 9 cm
• [annotation]: 'See Mr Gibb Smith / V&A. / Capt. Hollis Smith / of Parker Galleries / suggested I bring the / book & you'd introduce / me to the right person / John Halton(?) in Library, / or Print Room -'

Handwritten note regarding Mrs May C Buckton (see Lane MSS 8.0a), who was one of the former owners of the album.

• blue ink, ballpoint
• 14 x 9 cm
• [annotation] 'Mrs May C Buckton / died 1950ish age 100 yrs / widow of Bishop / Buckton, sometime / Bishop of Gibraltar / (or Malta?)'

Note with annotations in two different hands referencing the album's contents and previous ownership.

• 12.4 x 10 cm
  • Upper annotation, later than the following note
    • blue ink, ballpoint
    • [Note] 'Pictures by C W Lane Edward Lane? / or Richard Ladd? / some pictures of his in Tate'
  • Lower annotation, earlier than the preceding note
    • Black or dark blue ink
    • 'Passed on with much / pleasure to Kitten and / Rosemary from May C / Buckton, knowing the / book will have such a / good home'

Emblem of Tyne Sailors' Home:

• pencil drawing on tracing paper
• loose
• 13.6 x 18.9 cm
• [on drawing] 'ESTO PERPETUA' (pencil note)
• [on drawing] 'SAILORS HOME' (erased pencil note)
• [on drawing] 'TYNE SAILORS HOME' (pencil note)
• [on drawing] '21 OCT 1856' (pencil note)

Emblem designs: Colossus of Rhodes(?), fasces and god holding Nike:

• pencil sketches on paper
• loose
• 10.7 x 10.8 cm
• [on sketch] 'SINGULUS' (pencil note)
• [on sketch] '(?) / FACILE' (pencil note)

1) Two typescripts with pages from the published edition, and handwritten notes and editing marks, together with a small box of glass negatives of plates marked 'Plates for Part 2'. Both titled ''Egypt's Beginnings', being the third edition of The Cultures of Prehistoric Egypt by Elise J. Baumgartel.' Also notes on the manuscript by Barry Kemp, dated 1975.
2) Collected notes and photographs relating to Predynastic material in The Brooklyn Museum. Two reports: one a copy of 'Report of Henry de Morgan on his researches in the Nile Valley between Esneh and Gebel-Silsilèh, during the winter of 1907-1908'; the other, no title or date, addressed 'To A. Augustus Healy, Esq., President of the Brooklyn of Arts & Sciences' [sic].
3) Seven card index boxes:
a) Naqada and Ballas Site Index [4 boxes]: Identified contents of grave groups from numbered tombs in Predynastic cemetery at Naqada, also Naqada town site, and Ballas (excav. Petrie, 1895), with current museum location; arranged by tomb number and cross referenced to Naqada and Ballas (London, 1896). The card index was created by Elise J. Baumgartel as the basis for her Petrie's Naqada Excavation. A Supplement (London, 1970); subsequently maintained and updated by Joan Crowfoot Payne, ‘Appendix to Naqada Excavations Supplement’, JEA 73 (1987), 181-9.
b) Petrie’s Naqada Site Records [2 boxes] (sketches of numbered graves showing disposition of bodies and grave goods): photocopies of the entries in site notebooks, filed by tomb number.
c) Petrie’s Ballas Site Records [1 box] (sketches of numbered graves showing disposition of bodies and grave goods): photocopies of the entries in site notebooks, filed by tomb number.

Elevations of different Egyptian buildings and columns:

• pencil sketches on paper
• loose
• 11.7 x 16.2 cm

Elevations and plans of differing Egyptian buildings:

• pencil sketches on paper
• loose
• 11.7 x 16.2 cm

Oblong base of quartzite monument with tapering sides (called 'obelisk'), with dedication texts of Seti I and Ramesses II to Horus of Mesen commemorating Ramesses I, once at Tell Abu Seifa in el-Qantara, and now in Ismailia Museum, 2249; left side, right part, with remains of a scene at top with seated deity, and remains of six columns of text below and two lines of text at the bottom [drawn separately]:

• pencil drawing
• mounted, together with Lloyd MSS 123
• 18.8 x 25.8 cm
• [on recto of drawing] 'No 1 a / 1 ft 6 in / x 4 ft. 8 in / a/ a - 1ft. 9 in - 2ft. 6 in' (pencil note)
• [on recto of drawing] 'Obelisk at Abu Saiffie. 12th Feb 1843. / x' (pencil note)
• [on mount] '66' (pencil note)

Oblong base of quartzite monument with tapering sides (called 'obelisk'), with dedication texts of Seti I and Ramesses II to Horus of Mesen commemorating Ramesses I, once at Tell Abu Seifa in el-Qantara, and now in Ismailia Museum, 2249; left side, left part, with scene at top with kneeling Ramesses I wearing the atef-crown, followed [presented?] by Horus (holding palm-rib) and a goddess, and remains of four columns of text below and two lines of text at the bottom [drawn separately]:

• pencil drawing
• mounted, together with Lloyd MSS 107
• 17.8 x 25.8 cm
• [on recto of drawing] 'No 1 b. / 5f. 2 in / 1ft 6 in / a / a - 1ft. 7 in - 1f. 8 in / 1ft. / x' (pencil note)
• [on mount] '50' (pencil note)

Oblong base of quartzite monument with tapering sides (called 'obelisk'), with dedication texts of Seti I and Ramesses II to Horus of Mesen commemorating Ramesses I, once at Tell Abu Seifa in el-Qantara, and now in Ismailia Museum, 2249; front, with remains of five columns of text and two lines of text at the bottom:

• pencil drawing
• mounted, together with Lloyd MSS 108
• 17.8 x 25.8 cm
• [on recto of drawing] 'Half of the underside of the Obelisk at Abu Saiffie. / 13th Feb 1843. / x' (pencil note)
• [on mount] '49' (pencil note)

Oblong base of quartzite monument with tapering sides (called 'obelisk'), with dedication texts of Seti I and Ramesses II to Horus of Mesen commemorating Ramesses I, once at Tell Abu Seifa in el-Qantara, and now in Ismailia Museum, 2249; front, with remains of a scene with kneeling Seti I offering water to Horus:

• pencil drawing
• mounted, together with Lloyd MSS 133
• 17.8 x 25.8 cm
• [on recto of drawing] 'The underside of the Obelisk at Abu Saiffie / 13th Feb 1843. / x' (pencil note)
• [on mount] '76' (pencil note)

Oblong base of quartzite monument with tapering sides (called 'obelisk'), with dedication texts of Seti I and Ramesses II to Horus of Mesen commemorating Ramesses I, once at Tell Abu Seifa in el-Qantara, and now in Ismailia Museum, 2249; fragments from [at least] two sides with remains of scenes of kings kneeling before deities:

• pencil drawings
• mounted, together with Lloyd MSS 125
• 25.7 x 17.7 cm
• [on recto of drawing] 'a / a / Fragments of the Obelisk at Abu Saiffie. / a and a are different sides of the angle. / 12th Feb 1843. / x' (pencil note)
• [on mount] '68' (pencil note)

Oblong base of quartzite monument with tapering sides (called 'obelisk'), with dedication texts of Seti I and Ramesses II to Horus of Mesen commemorating Ramesses I, once at Tell Abu Seifa in el-Qantara, and now in Ismailia Museum, 2249; back, with remains of scene at top with a kneeling king offering to a seated [deity], and remains of four columns of text below with two lines of text at the bottom:

• pencil drawing
• mounted, together with Lloyd MSS 121
• 17.8 x 25.8 cm
• [on recto of drawing] 'Upper side. / Obelisk at Abu Saiffie / 12th Feb 1843. / x' (pencil)
• [on mount] '64' (pencil note)

West bank of the Nile with moored boat at El Tut:

• watercolour
• mounted, together with Lloyd MSS 044
• 12.6 x 8.9 cm
• [on mount] 'Near El Tut W Bank of the Nile' (ink note)
• [on mount] '43' (pencil note)
• [on verso of watercolour] not legible (pencil note)

Pool with wading birds, probably black-winged stilt (Himantopus himantopus) or pied avocet (Recurvirostra avosetta) at El Menair:

• watercolour
• mounted, together with Lloyd MSS 039, Lloyd MSS 040 and Lloyd MSS 041
• 12.2 x 17.5 cm
• [on mount] 'Longshanks. El Menair going from Abu Zaable.' (ink note)
• [on mount] '42' (pencil note)
• [on recto of watercolour] 'El Menair. 18th Jan. 1843' [date faded] (pencil note)
• [on verso of watercolour] 'Longshanks. / El Menair going to Belbeis from / Abu Zaable. 18th Jan: 1843' (ink note)

Pigeon towers at El Kfasa:

• watercolour
• mounted, together with Lloyd MSS 040, Lloyd MSS 041 and Lloyd MSS 042
• 8.9 x 12.7 cm
• [on mount] 'Pigeon Houses at E'Kfasa. Small Village.' (ink note)
• [on mount] '39' (pencil note)
• [on verso of watercolour] 'Pigeon Houses at E'Kfasa a small village / S W of xxx. 16 April 1843.' (pencil note)

Eight sketches of shabtis in Dr Lee's collection:

• seven pencil sketches on paper pieces mounted on paper and one sketch on paper
• loose
• 22.8 x 29.4 cm
• [above sketches] 'Plate II' (pencil note)
• [above sketches] 'HARTWELL MUSEUM' (pencil note)
• [on sketch] 'alabaster' (pencil note)
• [on sketch] 'painted wood' (pencil note)
• [on sketch] 'Hard wood' (pencil note)
• [on sketch] 'alabaster' (pencil note)
• [on sketch] 'porcelain' (pencil note)
• [on sketch] 'painted wood' (pencil note)
• [on sketch] '1 / 2 / 3 / 4 / 5 / 6' (pencil note)
• [on sketch] '1 / 2 / 3 / 4 / 5 / 6 / 7 / 8' (pencil note)
• [on sketch] '1 / 2 / 3 / 4 / 5' (pencil note)

Eight Muses (Polyhymnia/Polymnia repeated twice):

• pencil sketches on tracing paper
• mounted, together with Bonomi MSS 46.19
• 22.7 x 11.8 cm
• [on sketch] 'Clio' (pencil note)
• [on sketch] 'Thalia' (pencil note)
• [on sketch] 'Erato' (pencil note)
• [on sketch] 'Euterpe' (pencil note)
• [on sketch] 'Polymnia' (pencil note)
• [on sketch] 'Calliope' (pencil note)
• [on sketch] 'Terpsichore' (pencil note)
• [on sketch] 'Urania' (pencil note)

General view of the Egyptian village of Rasheed (Rosetta) with a mosque in the centre and the Nile beyond.

• black ink, monochrome watercolour
• mounted
• 17.6 x 9.7 cm
• [Lane's annotation on verso of album page, at top left corner]: 'The Southern Entrance to Rasheed, or Rosetta.' (pencil note)

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the production date of the postcard is not known, but it was almost certainly in the 1920s.
• An Egyptian team member carrying a tray containing the four 'candlesticks' (Carter 41a-d), transporting them from the tomb's Antechamber to the Laboratory. Each 'candlestick' is in the form of an anthropomorphic ankh with arms raised to either hold a bronze torch-cup or a small pottery cup.

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the production date of the postcard is not known, but it was almost certainly in the 1920s.
• Members of the Egyptian team manoeuvring a large carrying tray out through the entrance to the modern enclosure wall constructed shortly after Tutankhamun's tomb was discovered. The team are carrying two black shrine-like boxes (Carter 37) and (Carter 38) and a gabled-roofed box (Carter 32), transporting them from the tomb's Antechamber to the Laboratory.

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the production date of the postcard is not known, but it was almost certainly in the 1920s.
• Members of the Egyptian team manoeuvring a large carrying tray out through the entrance to the modern enclosure wall constructed shortly after Tutankhamun's tomb was discovered. The team are carrying two black shrine-like boxes (Carter 37) and (Carter 38) and a gabled-roofed box (Carter 32), transporting them from the tomb's Antechamber to the Laboratory.

Egyptian sistrum and floral motifs:

• pencil sketches on paper
• partially mounted, together with Bonomi MSS 4.3 [Top and Middle]
• 5.4 x 5.5 cm
• [on sketches] 'Job before 28 days' (pencil note)
• [on mount] '3' (pencil note)

Egyptian single feather fan:

• pencil sketch/tracing on tracing paper
• loose
• 5.5 x 13.5 cm
• [on sketch] 'p / w / q / w / p / y / y' (pencil note)

Egyptian scene with mirrored figures of Thoth (not identified):

• inked pencil sketch on tracing paper
• mounted, together with Bonomi MSS 49.16-17 and Bonomi MSS 49.19-22
• 14.0 x 11.7 cm

Egyptian princess (Solomon's future queen) receiving gifts from women of Tyre and Jews:

• pencil sketch on paper
• loose
• 39.5 x 25.2 cm
• [on sketch] 'No 4' (ink note)
• [on sketch] 'Jews' (ink note)
• [on sketch] 'women of Tyre' (ink note)
• [on sketch] 'Egyptian princess / Solomon's future queen / Temple of Bubastis' (ink note)
• [on verso] '4' (pencil note)

Egyptian princess (Solomon's future queen) receiving gifts from women of Tyre [and Jews]:

• pencil sketch on paper
• loose, adjacent to page 6
• 39.5 x 24.8 cm

Egyptian name in hieroglyphs of Medinet el-Faiyum (Shedet - Crocodilopolis):

• pencil sketch on paper
• partially mounted, together with Bonomi MSS 4.3 [Top and Bottom]
• 5.3 x 6.1 cm
• [on mount] '3' (pencil note)