Print and bound publication:

• De Keersmaecker, Roger O. (2004), Travellers' graffiti from Egypt and the Sudan, III: Philae: The kiosk of Trajan. Berchem (Antwerp): Graffito Graffiti (OEB 179470).
• Kiosk of Trajan [see TopBib vi.250].
• Most of the graffiti date to the nineteenth century.
• It includes: inserted loose pages between p. 64-65 (= PDF not numbered) with printed resources from the Internet [a WorldCat search on the publication and a 2019 Wikipedia page on Trajan's Kiosk]; and an extra p. 72 (omitted from PDF) containing "Additional Information from Andrew Oliver, USA" on the graffiti by Joseph Crenier and Friedrich Maximilian Hessemer on the monument.

Print and bound publication:

• De Keersmaecker, Roger O. (2005), Travellers' graffiti from Egypt and the Sudan, IV: Elkab: the rock tombs. Berchem (Antwerp): Graffito Graffiti (OEB 177623).
• El-Kab: the rock tombs [see TopBib v.176-185].
• Most of the graffiti date to the nineteenth century.
• It includes: the insertion of numbers, sometimes crossed out and corrected, on the pages with illustrations, together with a loose page at the end of the publication containing a list of the numbers given to the illustrations and two sticky notes attached to the title page and the verso of p. 6 (in the PDF, the illustrations are all moved to the end); inserted loose page between p. 2-3 with a review of this book by A. Bednarski published on www.PalArch.nl, webbased Netherlands scientific journal (2006) (see PDF p. 93); and a loose envelope between p. 12-13 containing an invitation from KU Leuven to a 2017 Egyptology lecture by Willy Clarysse.

Print and bound publication:

• De Keersmaecker, Roger O. (2010), Travellers' graffiti from Egypt and the Sudan, IX: Thebes: the Ramesseum. Mortsel (Antwerp): Graffito-Graffiti (OEB 165004).
• The Ramesseum [see TopBib ii.2.431-443].
• Most of the graffiti date to the nineteenth century.
• It includes: a loose page glued to p. 2 containing a review of the book by Gabriele Höber-Kamel and published in Kemet 2011 (2), p. 87, which is also present inserted at the end as p. 135, but with the number crossed out and replaced by "134"; and an attached page after p. 131 with the author's biographical information (omitted from the PDF).
• The PDF includes additional pages not present in the print volume: a review of the book by Deborah Manley published in ASTENE Bulletin 46, 2010-2011 (p. 131-133).

Print and bound publication:

• De Keersmaecker, Roger O. (2006), Travellers' graffiti from Egypt and the Sudan, V: Thebes: the Temples of Medinet Habu. Mortsel (Antwerp): Graffito Graffiti (OEB 175493).
• Theban Temples: Medinet Habu [ii2.460-532].
• Most of the graffiti date to the nineteenth century.
• It includes: the insertion of numbers on the pages with illustrations together with a loose page between p. 4-5 containing a list of numbers probably given to the illustrations (in the PDF, the majority of the illustrations are moved to the end); a sticky note attached to the verso of p. 32 with the annotation "S. 41 EST Mc VICKAE H / 1838 / PL XXVII / M Me VICKAE / 1838"; a loose entrance ticket to Medinet Habu between p. 37-38; inserted loose pages at the end with "Additional information" on Edward Joy Morris, Henry B. Humphrey, Lieutenant James MacKenzie, Captain J. Clunes, P. C. Trench, W. F. Williams, Duncan Pirie, M. Joseph, Giovanni Fiamingo, William Nathaniel Peach and Miles Ponsonby, numbered as p. 69-75; and the printed version of an unidentified drawing.

Print and bound publication:

• De Keersmaecker, Roger O. (2008), Travellers' graffiti from Egypt and the Sudan, VI: Thebes: the mortuary temple of Sethos I (Qurna), the temple of Hathor (Deir el-Medina). Mortsel (Antwerp): Graffito Graffiti (OEB 170639).
• Temple of Sethos I (Qurna Temple) [see TopBib ii2.407-421] and Temple of Hathor (Deir el-Medina) [see TopBib ii2.401-407].
• Most of the graffiti date to the nineteenth century.

Print and bound publication:

• De Keersmaecker, Roger O. (2009), Travellers' graffiti from Egypt and the Sudan VII: Karnak, Great Temple of Amun: Festival Temple-pillared hall (Tuthmosis III). Hypostyle-great columns 1-12 in central aisle (Ramesses III and IV), smaller columns 75 and 76 (Ramesses II and IV, Sethos I). Berchem (Antwerp): Graffito Graffiti (OEB 167462).
• Karnak, Great Temple of Amun: Festival Temple (Pillared Hall) [see TopBib ii2.110-111], Hypostyle-great columns 1-12 in central aisle (Ramesses III and IV) and smaller columns 75 and 76 (Ramesses II and IV, Sethos I) [TopBib ii.2.50-51].
• Most of the graffiti date to the nineteenth century.
• It includes: the insertion of numbers, sometimes crossed out and corrected, on the pages with illustrations, together with two loose pages at the end of the publication containing a list of numbers given to the illustrations (in the PDF, the illustrations are all moved to the end); p. 79 with contact information and a list of the published volumes, and p. 80 "In memoriam" for his wife Helena (both omitted from the PDF); inserted loose pages at the end with an Internet article titled "Eureka in a Box" by Curtis Runnels published in Bostonia Winter 03-04 (three pages), email correspondence concerning a "Champoleon" graffito (two pages), an extract from Height, Sarah Rogers 1840. Letters from the Old World by a Lady of New York. New York: Harper & Brothers, p. 212-214 (3 pages), and a page titled "Karnak vol. VII. Addenda for Graffiti on Thutmosis III Festival Hall" (= PDF p. 82).
• The PDF includes additional pages not present in the print volume: biographical note and portrait of Sarah Rogers Haight (1808-1881) (p. 83); title page of Height, Sarah Rogers 1840. Letters from the Old World by a Lady of New York. New York: Harper & Brothers (p. 84); and information on graffiti by Richard K. Haight and Sarah Rogers Haight (p. 85-86).

Print and bound publication:

• De Keersmaecker, Roger O. (2010), Travellers' graffiti from Egypt and the Sudan VIII: Elkab: the temple of Amenophis III. Mortsel (Antwerp): Graffito-Graffiti (OEB 164354).
• El-Kab: Temple of Amenophis III [see TopBib v.188-189].
• Most of the graffiti date to the nineteenth century.
• It includes: annotations in the form of checkmarks and crosses on p. 23, 24, 44; inserted loose pages between p. 37-38 with the printed portraits of John Palmer Bruce Chichester and his wife Caroline Thistlethwayte, and attached extract of his article Keersmaecker, Roger O. de 2009. Two travellers' graffiti in the temple of Amenhotep III at Elkab. In Claes, Wouter, Herman de Meulenaere, and Stan Hendrickx (eds), Elkab and beyond: studies in honour of Luc Limme, 187-194. Leuven: Peeters (OEB 167998); p. 44 with contact information and a list of the published volumes, and p. 45 with the author's biographical information (both omitted from the PDF); and inserted loose pages at the end containing additional information on Elbert Ellery Anderson's graffiti, his portrait and an obituary (5 pages), and email correspondence (3 pages).

Print and bound publication:

• De Keersmaecker, Roger O. (2011), Travellers' graffiti from Egypt and the Sudan X: the temple of Kalabsha, the temple of Beit el-Wali. Mortsel (Antwerpen): Graffito-Graffiti (OEB 169306).
• Great Temple of Mandulis (Kalabsha) [see TopBib vii.10-21] and Rock Temple of Beit el-Wali [see TopBib vii.21-27].
• Most of the graffiti date to the nineteenth century.
• It includes: author's personal stamp with address details on cover page; an attached page between p. 37-38 with two pictures of the Catholic cemetery on Mount Zion in Jerusalem on the recto and a picture of Cornelius Bradford's grave inscription on the verso (omitted from the PDF); and an attached page at the end with the author's biographical information (omitted from the PDF).

Print and bound publication:

• De Keersmaecker, Roger O. (2011), Travellers' graffiti from Egypt and the Sudan, XI: Gebel el-Silsila: Great Speos of Haremhab, shrines, quarry and rock-stelae. Mortsel (Antwerpen): Graffito-Graffiti (OEB 169307).
• Gebel el-Silsila: Great Speos of Haremhab [see TopBib v.208-213], shrines and rock-stelae [see TopBib v.213-218 and 220] and Quarries [see TopBib v.221].
• Most of the graffiti date to the nineteenth century.
• It includes: annotations in the form of checkmarks on p. 6-9, "o" marks on p. 9-10, and text on p. 7 with "DK 2011 (2) DK / DK 2011 (3) 2011 (4)"; and an attached page at the end with the author's biographical information (omitted from the PDF).

Print and bound publication:

• De Keersmaecker, Roger O. (2011), Travellers' graffiti from Egypt and the Sudan, XII: the Luxor Temple. Mortsel (Antwerp): Graffito-Graffiti (OEB 169308).
• Luxor Temple [see TopBib ii.2.301-339].
• Most of the graffiti date to the nineteenth century.
• It includes: annotations on p. 55 with crosses and text "S. WEIR LEWIS / OF PHILADELPHIA, AGE 26 / WITH MAX"; a sticky note attached to the verso of p. 88 with the annotation "DR. DANIEL C. / McLEOD / US NAVAL / SURGEON"; and an attached page at the end with the author's biographical information (omitted from the PDF).
• The PDF includes additional pages not present in the print volume: additional information on different individuals received from different sources (p. 111-115); biographical information on J. G. Vassar, with a portrait and the cover and an extract from Vassar, John Guy 1861, Twenty Years around the world. New York: Rudd & Carleton (p. 116-120); and additional information on G. W. Pratt (p. 121-122).

Walking woman holding ewer and lamp:

• pencil sketch/tracing on tracing paper
• mounted, together with Bonomi MSS 50.11-15
• 8.4 x 15.1 cm

Walking woman with amphora on head and holding drop spindle:

• partially inked pencil drawing on paper
• loose
• 18.7 x 22.9 cm

Walking woman with amphora on head and holding drop spindle:

• inked pencil sketch on paper
• mounted
• 18.5 x 22.7 cm

Wall with measurements, perhaps of Tomb G 5210 at Giza (Bonomi MSS 3.24 (recto)):

• pencil sketch on paper
• loose
• 23.8 x 19.1 cm

Card indexes used in compilation of the <i>Coptic Dictionary</i>, photographs, photostats, notebooks, notes, correspondence, newspaper cuttings, negatives, and casts.

Warrior slaying a male nude:

• pencil sketch on paper
• partially attached
• 22.8 x 18.4 cm

Warrior slaying a male nude, with studies of hands:

• ink and pencil sketches on paper
• partially attached
• 22.8 x 18.4 cm

Abadiyeh.

Waterfalls with figures:

• watercolour and chalk on card
• loose
• 25.3 x 17.4 cm

Howard Carter's manuscript notes with sketches.

• Transcriptions of royal attributes for Ramesses IV, from his tomb, KV 2, Valley of the Kings, Thebes.
• Weight of Shepses, stone, Old Kingdom, from Edfu, bought by Carter in Cairo. [see TopBib v.205A]
• Lion-hunt scarab of Amenophis III, blue glazed steatite, found during excavations in Luxor temple in 1917 and purchased by Carter "for C.". A very similar scarab, or the same one, in Cairo, Egyptian Museum, JE 74392.

Three notebooks containing Gell's copies of hieroglyphic inscriptions from objects and publications, also drawings (some coloured) of objects seen by Gell in museums and private collections.

Papers of William Matthew Flinders Petrie including journals covering 38 seasons (1880-1929) and photographs of excavations. The collection also includes secondary material associated with Petrie's journals, photographs of objects in museums, souvenir photographs and photocopies of material held at the Petrie Museum of Egyptian Archaeology, University College London.

Windmills by pier and boats:

• pencil sketches on paper
• loose
• 22.8 x 18.5 cm

Winged Muse with lyre:

• pencil and watercolour (blue, pink, brown) drawing on paper, with sketched musical instrument, wings and left hand, with pricked marks for pouncing technique
• loose
• 19.0 x 25.4 cm

Winged Muse with lyre and other small sketches:

• pencil tracing and sketches on tracing paper
• mounted, together with Bonomi MSS 46.3
• 21.7 x 14.3 cm

Winged Muse with lyre and other small sketches:

• pencil tracing and sketches on tracing paper
• mounted, together with Bonomi MSS 46.3
• 21.7 x 14.3 cm

Winged Muse with lyre in grid:

• pencil sketch on tracing paper
• loose
• 12.6 x 15.5 cm

Winged female figure (Victoria):

• pencil sketch on tracing paper
• loose, adjacent to Bonomi MSS 40.6
• 15.2 x 12.6 cm

Woman and man in historical dress:

• pencil sketch on paper, mounted on lined paper
• loose
• 11.4 x 13.9 cm (12.3 x 14.8 cm with mount)
• [on sketch] 'over & over, with the perpetual / humming of a drone running under / neath them - Addison - Satler (underlined)' (pencil note)