• Journal for the 1899-1900 season (working with W. M. F. Petrie).
• 1 November 1899 to 25 April 1900 (with gaps).
• Handwritten.
• Sites: Abydos, Umm el-Qa'ab.

• Journal for the 1901-1902 season (working with G. A. Reisner).
• 23 November 1901 to 20 July 1902 (with gaps).
• Handwritten.
• Site: Naga el-Deir.

Card indexes used in compilation of the <i>Coptic Dictionary</i>, photographs, photostats, notebooks, notes, correspondence, newspaper cuttings, negatives, and casts.

Xerox of a typescript titled 'Creative Work in Palestine. Technical and Crafts Education 1918-1946'.

Index of Late Egyptian Grammar, index for Egyptian Dictionary, and various other indexes. 18 notebooks containing copies of hieratic papyri and ostraca. Small watercolour. 2 boxes of family papers and ephemera, including personal correspondence, certificates, photographs, notes for Peet’s books on Neolithic Italy, a couple of pages from an inaugural lecture, newspaper cuttings, a travel record small notebook, a Latin and Greek classes notebook, a diary, etc.

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• View showing the lid of Tutankhamun's outer coffin (Carter 253), still in situ inside the King's sarcophagus (Carter 240). This photograph was taken sometime between the sarcophagus lid being raised on 12th February 1924 and the removal of the outer coffin lid on 13th October 1925.
• This photograph was not taken by Harry Burton.

Harry Burton's small glass plate negatives

Howard Carter's negatives

Later film negatives, made from original Burton photographs

• Some are original Harry Burton negatives.
• Carter's negatives are views of the area around the tomb entrance and the outer sealed doorway when the tomb was found in 1922 and before Burton joined the Tutankhamun excavation team in December 1922.
• Glass and film negatives.
• Approximately 1000 negatives (400 glass and 600 film)
• Number ranges 1-2024 and i-xcvii
• The negative number ranges comprise both the small and large negatives (large, see TAA i.5)
• A few original negatives in this series were created by Howard Carter, see above.
• Many of the negatives were made later in the Ashmolean Museum photographic studio from photographs supplied by the Metropolitan Museum of Art, New York, following an exchange of images in the 1950s.
• Includes modern film negatives made in the Ashmolean Museum photographic studio from the original Harry Burton photographic prints in the Tutankhamun Archive, Griffith Institute.

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• An Egyptian team member, accompanied by Arthur Callendar [right, foreground] and an armed guard [centre, background], carries a tray containing a reed and papyrus box (Carter 42) and an ornamental box made of redwood inlaid with ebony and ivory. The objects are being transported from Tutankhamun's tomb to the nearby 'Laboratory' (the tomb of King Sety II, KV15).

• Postcard
• Photograph, photographer not known.
• The photograph was taken on 24th January 1923, the day Carter recorded this couch being moved; the postcard's production date is unknown, but it was almost certainly sometime in the 1920s.
• Howard Carter (left), assisted by Walter Hauser (right), manoeuvring the right side of the cow-headed couch (Carter 73) into a packing case in preparation for its transfer to the nearby 'Laboratory' set up in the tomb of Sethos II (KV15).

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• (Carter 116)
• An Egyptian team member carrying the wooden portrait figure of Tutankhamun, the so-called "mannequin", from the King's tomb to the nearby "Laboratory" tomb (KV 15, of Sethos II) for cleaning and conservation. The man holding the bust is escorted by an armed guard and another Egyptian excavation team member, which was necessary to ensure the safe movement of objects through the Valley of the Kings following the announcement of the tomb's discovery, which attracted large crowds of journalists and tourists who flocked to Luxor hoping to see the tomb and view objects as they were being moved.
• The portrait bust of Tutankhamun [Carter 116] was found in the tomb's Antechamber. The King is portrayed wearing a yellow flat-topped crown featuring the centrally positioned uraeus on the crown's temple band. The King also wears a close-fitting white garment.
• The bust's purpose is unclear, but it probably displayed part of the King's regalia. A recent proposal is that it may have been originally used for supporting and storing the King's gold corset (Carter 54k) in the tomb. When thieves ransacked the tomb in antiquity, these robbers likely removed the corset from the bust before breaking the heavy regalia into smaller, portable pieces.

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• Egyptian team members carrying the body of one of Tutankhamun's chariots (Carter 122) from the King's tomb to the nearby 'Laboratory' set-up in the tomb of Sethos II (KV15). The chariot is also escorted by an armed guard and Howard Carter (background, wearing a bowtie and a pale-coloured hat with a dark band).

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• Egyptian team members manoeuvering a tray loaded with a chariot wheel up the rock-cut steps leading out of Tutankhamun's tomb. The wheel is from one of the four chariots found in the Antechamber.

Portfolio titled 'Sphinx, Great Pyramid, Memphis etc' (ink)
Original ink title: 'Sphinx, Great Pyramid, / Sesostris heads, Memnons.'
Pencil additions: 'Memphis etc' after 'Great Pyramid,' and lines crossing out 'Sesostris heads, Memnons'
Red pencil note at top right corner: encircled 'B' (reference to previous arrangement, almost certainly introduced by Dr Moss).

View of the Mastabet Faraun at Saqqara (TopBib iii2.434):

• pencil drawing on paper
• loose
• 11.2 x 8.6 cm
• [on drawing] 'MUSTABA FARAOON' (pencil note)

Upper: section of the stone courses of the Mastabet Faraun at Saqqara (TopBib iii2.434):

• pencil sketch on paper
• loose
• 11.4 x 8.5 cm
• [on sketch] 'Mustaba Farahoon' (pencil note)
• [on sketch] '6 2 / 6.2 / stones piled up' (pencil note)

Lower: view of the Mastabet Faraun at Saqqara (TopBib iii2.434):

• pencil sketch on paper
• 11.3 x 8.5 cm

Walking woman with amphora on head and holding drop spindle:

• partially inked pencil drawing on paper
• loose
• 18.7 x 22.9 cm

Portfolio titled 'Egyptian Antiquities. / JB' (ink)
Pencil note: 'Thebes (underlined) & Various Uncertain. / Also about Dr Lee's Collections / Hartwell House' (almost certainly by Dr Moss)
Red pencil note at top right corner: encircled 'D' (reference to previous arrangement, almost certainly introduced by Dr Moss).

View of the mounds at Sheikh Abd el-Qurna on the West Bank of Thebes (TopBib i2.669):

• pencil sketch on paper
• loose
• 39.2 x 15.4 cm
• [on sketch] 'Mounds Gorna CL' (pencil note, almost certainly by Bonomi)
• [on sketch] 'fallow' (pencil note, almost certainly by Bonomi)
• [on sketch] encircled '5' (pencil note, almost certainly by Dr Moss)

A Hereditary prince, Count, etc., upper part of statue, right side of the face and left shoulder damaged, with the cartouches of Psammetikhos I on shoulders, basalt, temp. Psammetikhos I, formerly in J. Lee and Lord Amherst collections and at Sotheby's in 1921, current location not known (TopBib viii.801-763-510):

• pencil drawing on paper
• loose
• 13.5 x 16.8 cm

Outline of Bonomi MSS 3.5 (recto):

• pencil sketch on paper
• loose
• 13.5 x 16.8 cm

Studies of classical figures in profile:

• pencil sketches on paper
• loose
• 12.6 x 10.3 cm

Egyptian coffin, not identified, unfinished sketch in grid, with measurements:

• pencil sketch on paper
• loose
• 14.0 x 28.9 cm

Sketched diagrams for raising obelisks:

• pencil sketches on paper
• loose
• 40.6 x 25.6 cm

Miniature sketches of hieroglyphic inscriptions, perhaps from seals, not identified:

• pencil sketches on paper
• loose
• 6.9 x 11.2 cm
• [on middle sketch] 'Ditto / Ditto / Ditto' (pencil notes)

Miniature sketches of a headrest and hieroglyphs:

• pencil sketches on paper
• loose
• 6.9 x 11.2 cm

Corner fragment of the sarcophagus of Ay with winged goddess and prenomen, from the Tomb of Ay (KV 23) in the Valley of the Kings, on the West Bank of Thebes, formerly in possession of the Royal Asiatic Society, now in Cairo, Egyptian Museum, Temp. No. 3.8.39.1 (TopBib i2.551):

• pencil tracing on tracing paper
• loose
• 16.2 x 18.2 cm

Three sketches of objects in the Hertz collection (hieroglyphic inscription of kohl pot, bronze statuette of classical goddess and amulet or seal) and squeeze of seal(?):

• pencil sketches and squeeze on paper
• loose
• 18.4 x. 11.4 cm
• [on sketch] 'Cohol blue porcelain vase / in Hertz Col' (pencil note)
• [on sketch] 'bronze in / Heztr [sic] / Col' (pencil note)

Base of royal Egyptian statue with king's feet in sandals standing on nine bows:

• pencil sketch/tracing on tracing paper, mounted on paper
• loose
• 8.5 x 6.0 cm (14.2 x 8.6 cm with mount)

Sketch of scarab with a hawk's head and striated elytra in the Hertz collection:

• pencil sketch on paper
• loose
• 5.2 x 8.5 cm
• [on sketch] 'Lot 692' (pencil note)

Partial note:

• ink text on paper
• loose
• 8.7 x 10.9 cm
• [text] 'self tomorrow'