Paper squeezes of monuments made in Egypt in 1850-3.
Bez názvuAlbum containing drawings and watercolours made by Edwards when travelling through the Dolomites, Italy, in 1872. Many of the preliminary sketches and watercolours in the album were used to illustrate her book Untrodden Peaks and Unfrequented Valleys, published in 1873.
Notes, transcriptions, translations, article drafts, lecture drafts, card index, photographs, slides, overhead projector sheets, electronic data files, microfilm, correspondence, annotated photocopies and off-prints, relating to Coptic and Greek documents and Coptic archaeology.
Bez názvu
Tracing (on both recto and verso) of one register of child and female deities; composition inspired by depictions from different monuments and publications possibly in preparation for the engraved plate 46A in Wilkinson's Supplement (1841):
Sketch of a view inspired by the Osiride Pillars in the Great Hall of the Great Temple of Ramesses II at Abu Simbel in Nubia (TopBib vii.101); the view includes a number of alterations/additions, such as the nemes-headdress of the pillar figures:
Tracing of two designs of statues of ibis-headed Thoth:
Tracing after figure 1, plate XXXV in Rosellini, Ippolito, I monumenti dell'Eggito e della Nubia (Band 4,1, Atlas): Monumenti storici. Pisa: Nicoló Capurro, 1832 (OEB 148870), of a fragment of scene 4 with Queen Meritamun consecrating boxes of coloured cloth to Osiris and Hathor as Western goddess (here, just Queen), from the Hall of the Tomb of Queen Meritamun (QV 68) in the Valley of the Queens, on the West Bank of Thebes (TopBib i2.766(4)):
Tracing of a register with figures of falcon-headed Horus and falcon; preliminary sketch inspired by depictions from different monuments and publications in preparation for the engraved plate 37 in Wilkinson's Supplement (1841):
Tracing after figure 23, plate XIX in Rosellini, Ippolito, I monumenti dell'Eggito e della Nubia (Band 4,1, Atlas): Monumenti storici. Pisa: Nicoló Capurro, 1832 (OEB 148870), of princess Neferure in a scene from Room X preceding the Sanctuary in the Great Temple of Hatshepsut at Deir el-Bahari, on the West Bank of Thebes (TopBib ii2.365-366(132).2):
Tracing of designs of designs of capital fragments with vegetal decoration:
Tracing after figure 2, plate XXXII in Rosellini, Ippolito, I monumenti dell'Egitto e della Nubia (Band 4,1, Atlas): Monumenti storici. Pisa: Nicoló Capurro, 1832 (OEB 148870), of one of the faces of the North Obelisk of Hatshepsut, from the Colonnade of Thutmosis I, in the Great Temple of Amun at Karnak, on the East Bank of Thebes (TopBib ii2.81); specifically scene from the pyramidion (Hatshepsut kneeling in front of Amun) and top (1st) and bottom (8th) scenes from the upper part of the shaft (Hatshepsut and Amun):
Tracing (on verso) of a design of a djed-pillar after plate 16 in Champollion le Jeune, J. F., Panthéon égyptien: collection des personnages mythologiques de l'ancienne Égypte, d'après les monuments. Figures d'après les dessins de L. J. J. Dubois. Paris: Firmin Didot, 1823 (OEB 136967), in preparation for the engraved plate 25 (part 1) in Wilkinson's Supplement (1841):
Sketch of a pharaoh's head, inspired by unidentified monument:
Tracing after figure 1, plate XXXV in Rosellini, Ippolito, I monumenti dell'Egitto e della Nubia (Band 4,1, Atlas): Monumenti storici. Pisa: Nicoló Capurro, 1832 (OEB 148870), of a fragment of scene 4 with Queen Meritamun in front of Osiris and Hathor as Western goddess, both seated (here, just Osiris and Hathor), from the Hall of the Tomb of Queen Meritamun (QV 68) in the Valley of the Queens, on the West Bank of Thebes (TopBib i2.766(4)):
Tracing (on recto, but mounted reversed) after Roberts, David, Egypt and Nubia, from drawings made on the spot by David Roberts. London: F. G. Moon, 1849 (OEB 148677), vol. II, 7th plate; view of the standard-bearer colossus of Ramesses II from the Pylon before the Inner Court of the Temple of Amun and Re-Harakhti at El Sebua in Nubia (TopBib vii.57(28)):
Two winged female figures (probably Muses) and young man presenting offerings; probably memorial to Michael Faraday:
Tracing after figure 18, plate XIX in Rosellini, Ippolito, I monumenti dell'Egitto e della Nubia (Band 4,1, Atlas): Monumenti storici. Pisa: Nicoló Capurro, 1832 (OEB 148870), of a fragment of scene 6, with Queen Meritamun before Thoth (here, just Queen), from the Hall of the Tomb of Queen Meritamun (QV 68) in the Valley of the Queens, on the West Bank of Thebes (TopBib i2.766(6)):
Sketches and tracings (on both recto and verso) of a group of images of Bes, Ptah-Patek, and a sarcophagus lid; composition inspired by depictions from different monuments and publications, including a design of Bes holding flower bouquets from the inner face of the colonnade from the Birth House at Dendera [TopBib vi.104] (middle), together with designs of Ptah-Patek and Bes figures (left) and a sarcophagus lid (right), in preparation for the engraved plate 24A in Wilkinson's Supplement (1841):
Sketches and tracings (on both recto and verso) of a group of designs, including menorahs, camel caravans, tents, and other related elements, together with a Demotic inscription:
Tracing of two registers of deities; composition inspired by depictions from different monuments and publications in preparation for the engraved plates in Wilkinson's Supplement (1841); from top to bottom, right to left: Montu (plate 49, part 2), Tefnut (plate 51), Maat (plate 49), Ptah-Patek (not included), Satet (plate 21, part 2), Heqet (plate 25, part 4), Nut (plate 32), Geb (plate 31, part 1), Sobek (plate 50), Ra, (plate 29), Neith (plate 28), and Ptah (plate 23):
Tracing of a design of an entrance to a building topped by a large pharaoh's head:
Tracing of a design of unidentified plant:
Preliminary printing (only red) of part of three registers of tomb decoration, including offering bearers and female mourners; composition inspired by depictions from various Theban tombs for the engraved plate 83 titled "Great Funeral Procession of a Royal Scribe at Thebes" in Wilkinson's Supplement (1841):
Tracing of Horus as king with double crown (on recto) and god Amun (on recto); inspired by unidentified monuments or publications in preparation for the engraved plates 37A (Horus) and 22 (Amun) in Wilkinson's Supplement (1841):
Pillar-base with six figures in high relief, Hathor between Monthu and Tuthmosis III, usurped from Sesostris I(?), granite, found by Belzoni in a small temple at north-east corner of enclosure wall at Karnak, on the East Bank of Thebes, now in London, British Museum, EA12 [TopBib ii2.296]:
Sketch (on both recto and verso) of a view inspired by the Osiride Pillars in the Great Hall of the Great Temple of Ramesses II at Abu Simbel in Nubia (TopBib vii.101); the view includes a number of alterations/additions, such as the nemes-headdress of the pillar figures and silhouettes of people:
Wooden niche-stela of Merib, Royal acquaintance and son Nejemib, Steward, end of Dynasty III or early Dynasty IV, from Saqqara, now in Paris, Musée du Louvre, N.3389 (TopBib iii2.746):
Sketch of a stand with four depictions of the king supporting the sky inspired after a granite stand or altar of Taharqa, with Nile-gods binding sma-symbol on front and back and four figures of Taharqa holding up the sky on sides in the Outer Vestibule of the Great Temple of Amun at Gebel Barkal, between the Third and Fourth Cataracts in Sudan (TopBib vii.220(43)); probably after Abth. V. Bl. 13 in Lepsius, C. R., Denkmaeler aus Aegypten und Aethiopien: nach den Zeichnungen der von Seiner Majestät dem Koenige von Preussen, Friedrich Wilhelm IV., nach diesen Ländern gesendeten und in den Jahren 1842-1845 ausgeführten wissenschaftlichen Expedition, 12 vols. Berlin: Nicolai, [1849-1859] (OEB 143580):