C. 10,500 colour slides (35mm) mostly of Egypt (temples, tombs and other ancient monuments), but also of different countries in the Middle East (Syria, Persia, Turkey, etc.) as well as the Far East. They are cross-referenced with an extensive card index and cover a period from the early 1980s until the early 2000s. They consist of images from virtually every site in the Egyptian Delta region and the Nile Valley.

• Album of drawings and watercolours made during Amelia Edwards's visit to the Dolomites.
• Album of drawings and watercolours made during her visit to Egypt in 1873-4.
• Album with 26 pencil sketches and one watercolour titled 'Small Egyptian Scraps, 1874', made during same visit to Egypt.
• Album, notebook, packet containing an assortment of drawings, letters, and notes, another packet contains copies of deeds and accounts issued following her death.
• Two watercolours of the temples on Philae island, assumed to have been painted by A. Edwards.
• First edition of Amelia B. Edwards, Pharaohs, Fellahs and Explorers (1891); Kate Griffith's (née Bradbury) copy, with handwritten dedication to ‘My Katie - Novr. 1891 - A.B.E’.

1) Original measured perspective drawing of the tomb of Tutankhamun in the Valley of the Kings (1978) [corrected version].
2) Drawings of Eighteenth Dynasty tombs (incomplete original set and complete sets of photocopies/prints) (1980s).
3) Prints of the measured perspective drawing of the tomb of Tutankhamun in the Valley of the Kings (1978) [version with error].
4) Drawings of reconstructions of Egyptian boats (1993-4).
5) Models, plaster and resin moulds and casts for plaque depicting a scene from the lid of box from the tomb of Tutankhamun (c. 1979) - the plaque has been sold in the British Museum shop since the late 1990s (copyright issued in the late 1990s for a while, then reissued c. 2010).
6) Model, plaster and resin moulds and casts for the mask of Tutankhamun (1978).
7) Models, plaster and resin moulds and casts for small figurines (2 seated Isis suckling Horus, Bes amulet and scarab, 1970s).
8) Album of newspaper cuttings titled "Illustrations", mostly from the Illustrated London News, bound in illustrated binding by Harold Parkinson (c. 1930).
9) Copy of Simplified Hieroglyphs arranged according to Gardiner's Signlist. Drawn in both left and right directions together with samples of cursive hieroglyphs and hieratic signs. Hieratic versions are drawn from Möller Hieratische Paläographie Vol. I (6th to 13th dynasties), of which 'Sinuhe' provides the majority of the examples, by R. B. & H. Parkinson (1988-1989).
10) Original measured perspective drawing of the White Chapel at Karnak, by H. & R. B. Parkinson (c. 1989-1990).

Album of watercolours, drawings, and tracings of Egypt produced close to the end of Lloyd's life. It is a folio volume (33 x 44 cm, pages 32.7 x 43 cm), containing 135 watercolours and drawings (74 of which are full-page and 1 folding) and 10 tracings (8 folding). They are all mounted and most are captioned either on the image itself or on the mount. Captions on the mount seem to have been added when the album was put together after Lloyd's death. The album also contains a loose watercolour, a loose drawing and a loose lithographed portrait of George Lloyd by Prisse d'Avennes, who published it in his Oriental Album: Characters, Costumes and Modes of Life in the Valley of the Nile (1848). One of the drawings in the album is a pencil portrait of Lloyd sketched by Prince A. Soltykoff.

Over one thousand colour slides (group III), several hundred black and white photographs (group II), and correspondence (group I).

Drawings (by Winifred M. Brunton), letters, and working notes for a publication on button seals.
Negatives taken during the Matmar excavations in 1928-30.
Card index created 1958.

1) Two typescripts with pages from the published edition, and handwritten notes and editing marks, together with a small box of glass negatives of plates marked 'Plates for Part 2'. Both titled ''Egypt's Beginnings', being the third edition of The Cultures of Prehistoric Egypt by Elise J. Baumgartel.' Also notes on the manuscript by Barry Kemp, dated 1975.
2) Collected notes and photographs relating to Predynastic material in The Brooklyn Museum. Two reports: one a copy of 'Report of Henry de Morgan on his researches in the Nile Valley between Esneh and Gebel-Silsilèh, during the winter of 1907-1908'; the other, no title or date, addressed 'To A. Augustus Healy, Esq., President of the Brooklyn of Arts & Sciences' [sic].
3) Seven card index boxes:
a) Naqada and Ballas Site Index [4 boxes]: Identified contents of grave groups from numbered tombs in Predynastic cemetery at Naqada, also Naqada town site, and Ballas (excav. Petrie, 1895), with current museum location; arranged by tomb number and cross referenced to Naqada and Ballas (London, 1896). The card index was created by Elise J. Baumgartel as the basis for her Petrie's Naqada Excavation. A Supplement (London, 1970); subsequently maintained and updated by Joan Crowfoot Payne, ‘Appendix to Naqada Excavations Supplement’, JEA 73 (1987), 181-9.
b) Petrie’s Naqada Site Records [2 boxes] (sketches of numbered graves showing disposition of bodies and grave goods): photocopies of the entries in site notebooks, filed by tomb number.
c) Petrie’s Ballas Site Records [1 box] (sketches of numbered graves showing disposition of bodies and grave goods): photocopies of the entries in site notebooks, filed by tomb number.

Notebooks, loose notes, maps, plans, drawings, newspaper cuttings, watercolours, and a silver desk-set. The documentation was created during Carter's career between 1899-1939. This material excludes material connected with the tomb of Tutankhamun, see the Tutankhamun Archive.

Notes, transcriptions, translations, article drafts, lecture drafts, card index, photographs, slides, overhead projector sheets, electronic data files, microfilm, correspondence, annotated photocopies and off-prints, relating to Coptic and Greek documents and Coptic archaeology.