'Discovering TutAnkhAmun in 3D: Stereoscopic Installation Photographs of the Ashmolean Exhibition, 24 July – 2 November 2014'.
Two enclosures with 43 stereoscopic images of the exhibition + 11 extra images (Ashmolean Museum objects and Griffith Institute) each
One enclosure with 36 hand-mounted stereoscopic images of the exhibition + 11 hand-mounted extra images (Ashmolean Museum objects and Griffith Institute).
5 loose stereoscopic images of the exhibition (3 of which hand-mounted).
Unmounted stamps from the Special Stamp Issue 'Tutankhamun', produced by Royal Mail in collaboration with the Griffith Institute, to mark the centenary of the discovery of Tutankhamun's tomb. Royal Mail Group Ltd commissioned the Griffith Institute to act as consultants supplying all the text and required images for all the Special Stamp products.
TAA iii.53.3.4.1-2
Two copies of the set of eight colour stamps.
Main set of eight colour stamps, each featuring an object from Tutankhamun's tomb. Araldo De Luca supplied these images.
Enamel decoration on upper surface, design from top: on handle, a modelled profile view of 'guardian statue' [Carter 22] (design includes the linen found draped over arm when discovered), standing on top of a winged scarab; on stem, geometric pattern on handle; on bowl, enamel-painted scene with a king or deity facing left, standing holding a staff, with pseudo-hieroglyphic texts above.
Shawabti (ushabti) figures. Howard Carter's collected notes for the intended scientific publication of Tutankhamun's tomb.
i. Carter's typewritten general notes on shawabtis.
ii. Carter's manuscript report with transcriptions, and notes, for shawabtis from Tutankhamun's tomb, including lists with shawabtis grouped by type, their object excavation number, material, and the chamber they were found.
Seven glass negatives of the following Harry Burton photographs. Annotations on the original housing indicate these were copied from Howard Carter's set of lantern slides [TAA i.8]. Some of the housing is also marked 'P.F.' so they may have been made on behalf of Penelope Fox for Tutankhamun's Treasures (1951), although not all of the images in this group are included in the publication.
Objects found between the sarcophagus (240) and shrines (207), (237), (238) and (239). Howard Carter's collected notes for the intended scientific publication of Tutankhamun's tomb.
i. Carter's report on objects nos. 242 (fan), 250 (djad emblem), 249 (bundle of reeds), 251(rags and chips of wood) , 245 (fan), 244, 246 (long bows), 243 (arrows) and 241, 247 (long bows), and 248 (ten arrows).
ii. Harry Burton's photographs of 242, 245 (fans), 244, 246 (long bows), 243 (arrows) and 250 (djad pillar).
Second shrine (237). Howard Carter's collected notes for the intended scientific publication of Tutankhamun's tomb.
i. Carter's report on the shrine with measurements, wood type, construction, sealings, "guide" marks, and a note on the changes to the cartouches, possibly from those of Smenkhkare.
ii. Carter's drawing of shrine detail, noting its construction.
iii. Harry Burton's photographs of the shrine. Taken in the Egyptian Museum in Cairo.
Third shrine (238). Howard Carter's collected notes for the intended scientific publication of Tutankhamun's tomb.
i. Carter's report on the shrine, its construction, measurements, copies of ‘guide’ marks, note on seal impressions, drawing of roof and cornice showing tongues for attachment. Not published by Carter.
ii. Carter's drawing of shrine detail, noting construction.
iii. Harry Burton's photographs of the shrine. Taken in the Egyptian Museum in Cairo.
Seal impressions. Howard Carter's collected notes for the intended scientific publication of Tutankhamun's tomb.
i. Letters from James Henry Breasted to Howard Carter, 1923, on an article in Harpers Magazine, and Tutankhamun's seal impressions.
ii. James Henry Breasted's manuscript report on the eight types of seal impression found in Tutankhamun's tomb and 2 letters from Breasted to Carter dated 03-01-1923 and 15-02-1923.
iii, iv. Two folders marked "Seals A-H" and "Seals I-S", Carter's annotated typewritten reports with his draft and finished pencil drawings of each type of seal impression, with some manuscript and a few typewritten notes.
v. One record card with notes on seals, extracted from a letter from Breasted, dated 16-03-1923, copied by A. C. Mace.
Later typed note, dated 1960, with A. H. Gardiner's translation for Seal C.
Annotated photograph (Burton (sic) P0274b), almost certainly taken by Carter, of the outermost doorway showing the blocking intact with seals.
Special Stamp Issue 'Tutankhamun', produced by Royal Mail in collaboration with the Griffith Institute, to mark the centenary of the discovery of Tutankhamun's tomb. Royal Mail Group Ltd commissioned the Griffith Institute to act as consultants supplying all the text and required images for all the Special Stamp products.
Anonymous (ed.) 2022. A postcard from..: Royal Mail special stamps 2022. Royal Mail Yearbook 39. London: Royal Mail Group Ltd. ISBN: 9780946165773. 24.4 x 25.7 cm; 64 p., [117] figs [ills (mostly colour)] (OEB 307243).
The publication contains every stamp and miniature sheet issued by Royal Mail in 2022, with a chapter devoted to every Special Stamp issue. An expert in their field has written each dedicated chapter for each stamp issue. The subjects include The Rolling Stones, Her Majesty The Queen’s Platinum Jubilee and the discovery of Tutankhamun’s Tomb.
Contains the chapter 'Tutankhamun' and discusses the extraordinary period during which Tutankhamun lived, the significance of his burial and its site in the Valley of the Kings.
Also contains the Special Stamp Issue 'Tutankhamun', produced by Royal Mail in collaboration with the Griffith Institute, to mark the centenary of the discovery of Tutankhamun's tomb.
The main set of eight colour stamps, each featuring an object from Tutankhamun's tomb, images supplied by Araldo De Luca.
Mini stamp sheet of four stamps featuring black and white photographs, including three Harry Burton photographs supplied by the Griffith Institute.
Copy of Davies, Nina M. and Gardiner, Alan H. 1962. Tutankhamun’s painted box: reproduced in colour from the original in the Cairo Museum. Artwork by Nina M. Davies, with explanatory text by Alan H. Gardiner, published by Oxford University Press for Griffith Institute, Oxford [OEB 8995].
