Various sketches of human figures and dogs:

• pencil sketches on paper
• loose
• 22.7 x 34.7 cm
• [on sketch] '"Dead (underlined) or alive"' (pencil note)

Various sketches of memorials with busts, kneeling woman, base of Egyptian statue with bows and foot, and Egyptian scenes featuring Amun and the pharaoh wearing the white crown:

• pencil and ink sketches on tracing paper mounted on paper
• loose
• 27.2 x 23.2 cm

Various sketches, including cherub, Britannia welcoming Minerva, female figure (probably Muse) playing the lyre, group of three Muses, and Britannia replenishing the lamp of the genius of art:

• pencil sketches on tracing paper
• mounted, together with Bonomi MSS 46.6
• 22.9 x 18.2 cm
• [on sketch] 'JB' (pencil note)

Various tools, weapons, etc., not identified, now in Turin, Museo Egizio.

Caption copied by Černý in Petrie MSS 3.2: 'Bronze tools & weapons T'.

Vase and two dishes, not inscribed, calcite, not identified, now in Turin, Museo Egizio.

Caption copied by Černý in Petrie MSS 3.2: 'Alabaster shell cup & bowl T'.

Vase and two dishes, uninscribed. Turin.

Vase of Maanakhtuf, calcite, from Deir el-Medina, now in Turin, Museo Egizio, Cat. 3322.

Caption copied by Černý in Petrie MSS 3.2: 'Model vase, limestone, of [Nḫt.tw=f] T'.

Vase of Merenre, calcite, Dyn. VI, provenance not known, now in Florence, Museo Archeologico, 3252.

Caption copied by Černý in Petrie MSS 3.2: 'Alabaster vase of [Mr-n-Rʿ]. F.'.

Vase of Tuthmosis III, calcite, provenance not known, now in Turin, Museo Egizio, Cat. 3224.

Caption copied by Černý in Petrie MSS 3.2: 'Alabaster vase. Tahutmes III. 9 hins T'.

Vase of Unis, calcite, Dyn. V, provenance not known, now in Florence, Museo Archeologico, 3253.

Caption copied by Černý in Petrie MSS 3.2: 'Alabaster vase of [Wnjs]. F.'.

Vase with cartouche of Teti ‘beloved of the Ram of Mendes’, calcite, from Abydos, Middle Cemetery of Mariette, now in Cairo, Egyptian Museum, CG 16037.

Note: This image is not present in the album Petrie MSS 5.4.

Vase with ivy decoration, and hieroglyphic inscription "Ra raises":

• pencil tracing on tracing paper
• loose
• 18.3 x 23.9 cm

Vase with reliefs showing seated Isis under a tree, black basalt, Roman, provenance not known, now in Rome, Museo Capitolino, Inv. 29.

Caption copied by Černý in Petrie MSS 3.2: 'Rome. Black basalt vases. Romano-Egyptian.'.

Vase with reliefs showing seated Isis under a tree, black basalt, Roman, provenance not known, now in Rome, Museo Capitolino, Inv. 29.

Caption copied by Černý in Petrie MSS 3.2: 'Rome. Black basalt vases. Romano-Egyptian.'.

Vase with reliefs showing seated Isis under a tree, black basalt, Roman, provenance not known, now in Rome, Museo Capitolino, Inv. 29

Caption copied by Černý in Petrie MSS 3.2: 'Rome. Black basalt vases. Romano-Egyptian.'.

Vase with reliefs showing seated Isis under a tree, black basalt, Roman, provenance not known, now in Rome, Museo Capitolino, Inv. 29.

Caption copied by Černý in Petrie MSS 3.2: 'Rome. Black basalt vases. Romano-Egyptian.'.

Vases, not inscribed, calcite, not identified, now in Florence, Museo Archeologico.

Caption copied by Černý in Petrie MSS 3.2: 'Alabaster vases F'.

Vases, not inscribed, calcite, not identified, now in Florence, Museo Archeologico.

Caption copied by Černý in Petrie MSS 3.2: 'Alabaster vases F'.

Vessel with female figures for handles:

• pencil sketch on paper
• loose
• 20.4 x 12.6 cm

View of Acca (Acre) :

• ink sketch on paper
• loose, adjacent to Bonomi MSS 51.1
• 10.3 x 5.0 cm
• [on sketch] 'Acca' (ink note)

View of Acca (Acre):

• ink sketch on paper
• loose, adjacent to Bonomi MSS 51.1
• 10.3 x 5.0 cm
• [on sketch] 'Acca' (ink note)

View of fortifications and dwelling or tent in foreground (not identified):

• pencil sketch on paper
• loose, adjacent to Bonomi MSS 52.1
• 18.7 x 11.2 cm

View of ruined castle in the Greek island of Leros:

• pencil sketch on paper
• loose, adjacent to Bonomi MSS 52.1
• 18.1 x 11.5 cm
• [on sketch] ' Ancient castle Lerus. Cyclades' (pencil note)

View of ruined church (not identified):

• pencil sketch on paper
• loose
• 12 x 5.9 cm
• [on sketch] 'The Norman / Church / Elbù[?]' (pencil note)

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• View of the modern enclosure wall of Tutankhamun's tomb, erected by Howard Carter following the discovery of the King's tomb in November 1922, with the tomb's entrance visible in the foreground (left of centre).

View of the village of Beer/Derr in Nubia(?):

• pencil sketch on paper
• loose
• 11.7 x 6.0 cm
• [on sketch] 'BEER' (pencil note)
• [on verso] 'DERR' (pencil note)

View of town through window:

• pencil sketch on paper
• loose
• 13.6 x 18.9 cm
• [on sketch] 'view out of the window of the / house of the Sheikh of Ajunia[?]' (ink note)

Views of ruined conduit (or bath) at Kensington Palace, in the kitchen garden belonging to the palace, built about 1536 by Henry VIII's for Queen Elizabeth when a child:

• carbon sketches on paper
• loose, adjacent to Bonomi MSS 52.1
• 36.8 x 27.0 cm
• [on sketch] 'The Conduit / Kensington / July 1858' (pencil note)

Copies of texts, mostly from Theban tombs.

Print and bound publication:

• De Keersmaecker, Roger O. (2001), Travellers' graffiti from Egypt and the Sudan, I: the kiosk of Qertassi. Berchem (Antwerp): Graffito Graffiti (OEB 184624).
• Early travellers' graffiti at Qertassi [see TopBib vii.6-8].
• Most of the graffiti date to the nineteenth century.
• It includes: the annotation "ACCESSION" on p. 6 (= PDF p. 8) and an annotated sticky note on p. 20 (= PDF p. 23).

Print and bound publication:

• Keersmaecker, Roger O. De 2003. Travellers' graffiti from Egypt and the Sudan II: the temples of Semna and Kumma. Berchem (Antwerp): Graffito Graffiti (OEB 181113).
• Semna West [see TopBib vii.144-151] and Semna East (Kumma) [see TopBib vii.151-156].
• Most of the graffiti date to the nineteenth century.
• It includes: annotations in the form of crossed out text on p. 2, highlighted lines on p. 17 and checkmarks on p. 22 and p. 38 (= PDF p. 40); inserted loose pages between p. 15-16 containing biographical information on George Waddington and Barnard Hanbury [an extract from Waddington, George and Barnard Hanbury 1822. Journal of a visit to some parts of Ethiopia. London: John Murray, p. 1-52; and a 2018 Wikipedia page on George Waddington]; and inserted loose pages at the end with "Additional information" on Elbert Ellery Anderson's graffiti at the temple of Kumma, biographical information, a portrait, and an obituary numbered as p. 47-52 (= PDF p. 61-66).