-Lower part of a seated statuette of Djehuty in block statue pose, with cartouches of Thutmose III and his co-regent queen Hatshepsut (Thebes, Deir el-Bahari?; Petrie Museum, University College UC14351; New Kingdom, 18th Dynasty). -Caption: 'Statuette of Tahuti an official of Hatshepsu.'.
This photograph is in a section titled 'XI Antiquities from Egypt. 1887'.
-Lower part of a seated statuette of Djehuty in block statue pose, with cartouches of Thutmose III and his co-regent queen Hatshepsut (Thebes, Deir el-Bahari?; Petrie Museum, University College UC14351; New Kingdom, 18th Dynasty). -Caption: 'Statuette of Tahuti an official of Hatshepsu.'.
This photograph is in a section titled 'XI Antiquities from Egypt. 1887'.
-Headless torso from a statue of Horwedja, with back inscribed (Memphis; Petrie Museum, University College UC14634; Late period, 26th Dynasty). -Caption: 'Statuette of Horuta. Chief quarry master to Necho.'.
This photograph is in a section titled 'XI Antiquities from Egypt. 1887'.
-Thebes, Deir el-Bahari, temple of Hatshepsut: an inscribed doorway. -Caption: '"Banner" shewing the representation of a doorway & not a fringe. Deir el Bahari.'.
This photograph is in a section titled 'XI Philae. Karnak plants.'.
Ferdinand (Ferdy) Platt's correspondence relates to two excursions to Egypt, in 1896 and 1907-1908.
First group: eighteen letters and postcards, sent during Platt's first independent visit to Egypt in early 1896, when he initially travelled with a friend. Dating between 26 January and 19 April, the letters are addressed to Platt's mother and brother Erny. They record meeting Flinders Petrie and other notables.
Second group: thirty-one letters sent during Platt's second trip to Egypt in 1907-1908, when he accompanied the eighth Duke and Duchess of Devonshire, their relations Lord and Lady Gosford with their daughter Lady Theo, Sir Charles Cradock-Hartopp. Dating between 4 November 1907 and 8 February 1908, they are addressed to Platt's wife, Mabel (May). They record Platt's encounters with Winston Churchill, Alan Gardiner, James Quibell, George Reisner, Archibald Sayce and Arthur Weigall, among others. The letters also mention a meeting with Howard Carter when the latter was still earning a living as an artist, producing paintings for tourists; the letters provide important insights into Carter's life just before he began his partnership with Lord Carnarvon.
Notes, photographs, squeezes, correspondence, and offprints. Contain, amongst others, references to Assyriological, Greek, Cypriot, and Egyptological material. Includes notes made by Petrie which were with Sayce at the time of his death.
Notebooks, negatives, photographs, maps, and drawings made during the excavation of the tomb of Tutankhamun. For other material, refer to the catalogue.
Tutankhamun object cards with accompanying photographs, notes (some group notes listed below) and letters, compiled by Howard Carter and other members of the excavation team [TAA i.1.1-620]
Most cards are manuscript records, as well as many original typescript records
Many cards are illustrated with drawings of objects, or details of objects, by Howard Carter and A. C. Mace
The object cards record:
Object number, main description of the object, location in the tomb, measurements, description of the object - Howard Carter and A. C. Mace (1922-1925)
Hieroglyphic inscriptions, transcriptions and translations - Mostly Alan H. Gardiner and P. E. Newberry, but some inscriptions are transcribed by Carter
Conservation records - Alfred Lucas and A. C. Mace (1922-1925)
Botanical and textile notes - P. E. Newberry
Photographic documentation - Harry Burton
Other groups of notes filed with the object cards include:
Notes on the [ancient] robberies, by Howard Carter, Alfred Lucas and Lord Carnarvon
Notes on various aspects of the Annexe by Howard Carter (1-4, 10-43, 47-64), Alfred Lucas (5-9, 44-6) and A. H. Gardiner (41)
Notes and memoranda on various aspects of the tomb by Alfred Lucas
Seal impressions. Howard Carter's collected notes for the intended scientific publication of Tutankhamun's tomb.
i. Letters from James Henry Breasted to Howard Carter, 1923, on an article in Harpers Magazine, and Tutankhamun's seal impressions.
ii. James Henry Breasted's manuscript report on the eight types of seal impression found in Tutankhamun's tomb and 2 letters from Breasted to Carter dated 03-01-1923 and 15-02-1923.
iii, iv. Two folders marked "Seals A-H" and "Seals I-S", Carter's annotated typewritten reports with his draft and finished pencil drawings of each type of seal impression, with some manuscript and a few typewritten notes.
v. One record card with notes on seals, extracted from a letter from Breasted, dated 16-03-1923, copied by A. C. Mace.
Later typed note, dated 1960, with A. H. Gardiner's translation for Seal C.
Annotated photograph (Burton (sic) P0274b), almost certainly taken by Carter, of the outermost doorway showing the blocking intact with seals.
Howard Carter's "autopsy" drawings, recording objects in situ on Tutankhamun's body and within the body wrappings.
18 annotated pencil drawings of groups of objects found in the body wrappings and on the body of Tutankhamun, recorded during the autopsy of the King's body, 11-19 November 1925
Later film negatives, made from original Burton photographs
Some are original Harry Burton negatives.
Carter's negatives are views of the area around the tomb entrance and the outer sealed doorway when the tomb was found in 1922 and before Burton joined the Tutankhamun excavation team in December 1922.
Glass and film negatives.
Approximately 1000 negatives (400 glass and 600 film)
Number ranges 1-2024 and i-xcvii
The negative number ranges comprise both the small and large negatives (large, see TAA i.5)
A few original negatives in this series were created by Howard Carter, see above.
Many of the negatives were made later in the Ashmolean Museum photographic studio from photographs supplied by the Metropolitan Museum of Art, New York, following an exchange of images in the 1950s.
Includes modern film negatives made in the Ashmolean Museum photographic studio from the original Harry Burton photographic prints in the Tutankhamun Archive, Griffith Institute.
The photograph was probably taken in early 1923; the production date of the postcard is not known, but it was almost certainly in the 1920s.
Members of the Egyptian team manoeuvring a large carrying tray out through the entrance to the modern enclosure wall constructed shortly after Tutankhamun's tomb was discovered. The team are carrying two black shrine-like boxes (Carter 37) and (Carter 38) and a gabled-roofed box (Carter 32), transporting them from the tomb's Antechamber to the Laboratory.
The photograph was probably taken in early 1923; the production date of the postcard is not known, but it was almost certainly in the 1920s.
An Egyptian team member carrying a tray containing the four 'candlesticks' (Carter 41a-d), transporting them from the tomb's Antechamber to the Laboratory. Each 'candlestick' is in the form of an anthropomorphic ankh with arms raised to either hold a bronze torch-cup or a small pottery cup.
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
An Egyptian team member, accompanied by Arthur Callendar [right, foreground] and an armed guard [centre, background], carries a tray containing a reed and papyrus box (Carter 42) and an ornamental box made of redwood inlaid with ebony and ivory. The objects are being transported from Tutankhamun's tomb to the nearby 'Laboratory' (the tomb of King Sety II, KV15).
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
Two Egyptian team members, accompanied by Howard Carter [wearing hat and waistcoat, left foreground], carry trays containing objects from the Antechamber of Tutankhamun's tomb while being pursued by tourists. The man on the left carries a decorated box (Carter 44), probably a footstool or stool, while the tray conveyed by the man contains two items, perhaps a box lid and a vessel (not identified). The objects are being transported to the nearby 'Laboratory' (the tomb of King Sety II, KV15).