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George A. Hoskins Watercolour - Thebes. West Bank. Valley of the Kings. Tomb KV 11

Image inspired by a relief scene from the right wall of side room L of the tomb of Ramesses III (KV11, Valley of the Kings) on the west bank of Thebes. This scene is now destroyed within the tomb, and shows a series of five decorated chairs and accompanying stools:

  • watercolour
  • mounted
  • [on mount, bottom edge] 'Chairs painted in the tomb of Rameses the 3d Thebes'. (ink note)
  • 40.8 by 26.4 cm

George A. Hoskins Watercolour - Thebes. West Bank. Valley of the Kings. Tomb KV 11

Image inspired by a relief scene from side room I of the tomb of Ramesses III (KV11, Valley of the Kings) on the west bank of Thebes. The scene includes two harpist figures dressed in white robes, and damage to the original scene is noted by the omission of one figures' face and a lower part of the left side harp:

  • watercolour
  • mounted
  • [on recto, bottom left corner] 'G. A. Hoskins'. (pencil note)
  • [on mount, bottom edge] 'painted in the tomb of Rameses 3d (Called Bruces tomb) Thebes'. (ink note)
  • 32.3 by 21.5 cm

George A. Hoskins Watercolour - Thebes. West Bank. Tomb TT 50

A tomb relief scene from the hallway of the early 18th Dynasty tomb of Neferhotep (TT50) at the west bank of Thebes. This scene comes from register I, and shows a group of male figures with servants before the royal figure of Horemheb and Neferhotep being rewarded:

  • watercolour
  • mounted
  • [on recto, top left corner] 'Plate 4'. (pencil note)
  • [on mount, bottom edge] 'Tomb of King Amulek or Horus Thebes opened by G A H'. (ink note)
  • 37.8 by 19.4 cm

George A. Hoskins Watercolour - Thebes. West Bank. Valley of the Kings. Tomb KV 17

Relief scene from Hall E and Corridor C of the tomb of Sety I (KV17, Valley of the Kings) on the west bank of Thebes. The upper scene shows part of the relief scenes and text from the Book of Gates, including several male figures of different races. Other figures are partially outlined in pencil, while others include bright coloured details. The lower scene shows a large serpent figure and text from the Book of Imi-Duat, with two male figures on either side only partially outlined in pencil:

  • watercolour
  • mounted
  • [on mount, bottom edge] 'Tomb of King Osirei Thebes'. (ink note)
  • 29.7 by 29.4 cm

George A. Hoskins Watercolour - Thebes. West Bank. Medinet Habu

Relief scene (register 1, scene 2-3) from the second court area of the temple at Medinet Habu. The scene shows the king Ramesses III on the far left, followed by groups of priests and preceded by the Kahedj (White Bull) during the Min festival:

  • watercolour
  • mounted
  • [on recto, bottom left corner] 'No.3 [over 4]'. (ink note)
  • [on mount, bottom edge] 'Grand procession Medenet Abou Thebes No 3'. (ink note)
  • 47.5 by 30.2 cm

George A. Hoskins Watercolour - Thebes. West Bank. Tomb TT 50

Relief scene from the early 18th Dynasty tomb of Neferhotep (TT50) at the west bank of Thebes. This scene comes from register II, and shows a kneeling harpist and a female lutist, both facing to the right side:

  • watercolour
  • mounted
  • [on recto, top left corner] '82 plate 2'. (pencil note)
  • [on recto, bottom left corner] 'G A Hoskins'. (ink note)
  • [on mount, bottom edge] 'Tomb of Amulek Thebes'. (ink note)
  • 29.7 by 22.3 cm

George A. Hoskins Watercolour - Thebes. West Bank. Tomb TT 50

Relief scene from the early 18th Dynasty tomb of Neferhotep (TT50) at the west bank of Thebes. This scene comes from register I, and shows May making offerings before the king Horemheb, with several male figures behind wearing garlands:

  • watercolour
  • mounted
  • [on recto, top left corner] 'plate 1' (ink note)
  • [on recto, bottom left corner] 'Amunmai Amulek king of the 18th dynasty'. (ink note)
  • 34.0 by 24.1 cm

George A. Hoskins Drawing - Thebes. West Bank. Tomb TT 50

Relief scene from the early 18th Dynasty tomb of Neferhotep (TT50) at the west bank of Thebes. This scene comes from register II, and shows the seated tomb-owner and his wife on the far right while a row of male figures carry flowers, and make offerings including incense and libations before a large offering table:

  • pencil drawing
  • hieroglyphs in ink
  • mounted
  • 34.2 by 29.0 cm

Charles Gordon Jelf. Born June 8, 1886. Killed in Action October 13, 1915 (printed for private circulation, 1915)

Printout of the booklet "Charles Gordon Jelf. Born June 8, 1886. Killed in Action October 13, 1915" (printed for private circulation, 1915); from Bodleian Libraries, University of Oxford copy [http://solo.bodleian.ox.ac.uk/primo-explore/fulldisplay?docid=oxfaleph013761443&context=L&vid=SOLO&search_scope=LSCOP_ALL&tab=local&lang=en_US].

Louis Maurice Adolphe Linant de Bellefonds Collection | Copies made from originals in other collections | Not Griffith Institute copyright

  • Linant de Bellefonds MSS
  • Collection
  • 1818-1826
  • 3 copies (1 typescript and two carbon copies) of a transcript made from Linant de Bellefonds' diary (1821-1822).
    • Titled: "Journal d'un Voyage en Ethiopie dans les Annees 1821 & 1822."
    • 279 typescript pages
    • Not Griffith Institute copyright. See below for details.
  • 14 glass plate negatives, two sizes, with a set of modern prints made from the larger-sized negatives (1818-1826). Not Griffith Institute copyright. Negatives made from the originals in the Louvre.
  • The negatives are copies of the following MSS:
  • B.15 (parts A and B)
    • Triple statue (same as following), not identified, with texts
  • B.26
    • Maison du Melek d'Argos
  • B.30
    • Gebel Barkal. View of Pyramid field (North and South groups)
    • TopBib vii.208, 203
    • = Bankes MSS XV.C.7
  • B.32
    • Gebel Barkal. Temple B.300. View of interior
    • TopBib vii.209
    • = Bankes MSS XV.C.2
  • B.32 bis
    • Gebel Barkal. Great Temple B.500. Sketch, general view showing granite stand of Taharqa, with Nile-gods binding sma-symbol etc.
    • TopBib vii.216A & 209(43)
  • B.36
    • Gebel Barkal. Great Temple B.500. Inner Court. Meroitic battle scene, including man on horseback and archer
    • TopBib vii.219(30)
    • = Bankes MSS XV.A.28
  • B.38 bis
    • Gebel Barkal. Temple B.700. Pylon (destroyed). West wing, outer face, Senkamanisken smites captives before Amun-Re
    • TopBib vii.214
    • = Bankes MSS XV.C.8 [middle]
  • B.45
    • Gebel Barkal. Temple B.300. Third Hall. View
    • TopBib vii.209
  • B.62
    • Musauwarat el-Sofra. Great Temple. Views
    • TopBib vii.264
    • = Bankes MSS XVII.B.15
  • B.68
    • Musauwarat el-Sofra. South-East Temple. Interior. North-East row of columns. Column 2, three registers
    • TopBib vii.267
    • = Bankes MSS XVII.B.6
  • B.69
    • Musauwarat el-Sofra. South-East Temple. Interior. North-East row of columns. Column 1, two registers
    • TopBib vii.265
    • = Bankes MSS XVII.B.5
  • B.73
    • Naga'. General view
    • TopBib vii.267
  • B.105
    • Naga'. Lion Temple of Apedemak. Exterior. King, Queen and Prince, before Isis holding captives, Mut, Hathor and Satis
    • TopBib vii.269(21)-(22)
    • = Bankes MSS XVII.C.7-8

Linant de Bellefonds, (Bey and Pasha) Louis Maurice Adolphe

Arthur Cruttenden Mace Collection

  • Mace MSS
  • Collection
  • 1899-1903

(1) Excavation journals for 1899-1901 (working with W. M. F. Petrie) and 1901-1903 (working with G. A. Reisner).
(2) Personal correspondence exchanged between Mace and his wife Winifred during the Winter season 1922-1923, Winifred Mace and her mother during the Winter season 1923-1924, and other correspondence related to the excavation of the tomb of Tutankhamun.
(3) Two typewritten articles by Mace on work in Tutankhamun's tomb: "DESPATCH No. 5" (3 pages), and "THE CLOSING OF THE TOMB" (incomplete, first page only + newspaper cutting of The Times article); both submitted to The Times and subsequently published on 31/01/1923 and 28/03/1923.
(4) 39 photographs, most are original Burton images, some of which have been annotated by Howard Carter; they may have been used during the preparation of H. Carter and A. C. Mace, The Tomb of Tut.ankh.Amen i (1923).
(5) Newspaper cuttings, most from The Times, published between 1922 and 1925.

(y) Mace's account of the opening of the burial chamber of Tutankhamun - typewritten version (TAA iv.1). Diary for 1922-3 (TAA iv.2).
(z) Mace's account of the opening of the burial chamber of Tutankhamun - original handwritten version (TAA iv.3).

Mace, Arthur Cruttenden

Hector Horeau Watercolour - Alexandria

Catacomb (also known as the Grand catacomb) within the Wardian area at Alexandria, two individuals visible in the background using candlelight:

  • watercolour
  • mounted
  • [on recto, edges of watercolour] 'la Nécropole bains de Cléopâtre'. (pencil note)
  • [on mount, bottom edge] 'Alexandrie, Bain de Cléopâtre'. (ink note)
  • [on mount, verso] 'nº 2'. (ink note)
  • 34.4 by 25 cm

Hector Horeau Watercolour - Giza and Saqqara

Landscape view of the pyramids at Saqqara:

  • watercolour
  • mounted
  • [on recto, bottom edge] 'pyramides de Gizeh, pyramides de Zaqqarah, Le Caire'. (pencil note)
  • [on mount, bottom edge] 'Pyramides de Zaqqarah'. (ink note)
  • [on mount, verso] 'nº 10'. (ink note)
  • 34.5 by 21.5 cm

Hector Horeau Watercolour - Karnak

View of the forecourt area of the temple of Khonsu within the Karnak temple complex, including a representation of the Pylon at (20)-(21) and renderings of flags and 5 short columns of hieroglyphs:

  • watercolour
  • mounted
  • [on recto, top edge] 'THÈBES. Bas relief d'un Pylone dans la cour du temple de Kons'. (ink note)
  • [on recto, bottom right edge] '2'. (pencil note)
  • [on mount, verso] 'KARNAC' (ink note)
  • 15.7 by 23.8 cm
Results 181 to 210 of 4092