The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
Four Egyptian members of the excavation team carrying trays of objects from Tutankhamun's tomb, escorted by Arthur Callendar (on left, wearing a pith helmet) and armed guards. The men at the front transport a wheel from one of the King's chariots, followed by two men, each carrying a tray containing smaller items, including a reed basket or tray (Carter 119) with partitions.
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
Egyptian excavation team members transport some of Tutankhamun's food provisions from the King's tomb to the nearby 'Laboratory' set up in the tomb of King Sethos II (KV15) in the Valley of the Kings.
Forty-eight boxes (Carter 62) containing choice cuts of meat and whole geese were prepared to accompany the King's burial and were placed in a neat pile beneath one of the ceremonial couches in the Antechamber. They were some of the first items Howard Carter saw when he looked into the tomb for the first time on 26th November 1922, recording them as "a heap of large curious white oviform boxes".
Arthur Callender and Egyptian team members transporting a chariot body (121) from Tutankhamun's tomb to the nearby 'laboratory' (tomb KV 15, Sethos II).
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
An Egyptian team member, accompanied by Arthur Callendar [right, foreground] and an armed guard [centre, background], carries a tray containing a reed and papyrus box (Carter 42) and an ornamental box made of redwood inlaid with ebony and ivory. The objects are being transported from Tutankhamun's tomb to the nearby 'Laboratory' (the tomb of King Sety II, KV15).
An object, perhaps one of Tutankhamun's chairs, transported from the King's tomb to the nearby 'laboratory' (tomb KV15, Sethos II). Arthur Callender (wearing a white hat) accompanies the Egyptian team members, Alan Gardiner (wearing a dark hat) stands on the right.
Bedstead (47) with the bows, arrows, quiver and sticks found on top (48), in transit from Tutankhamun's tomb to the nearby 'laboratory' (tomb KV15, of Sethos II).
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
(Carter 116)
An Egyptian team member carrying the wooden portrait figure of Tutankhamun, the so-called "mannequin", from the King's tomb to the nearby "Laboratory" tomb (KV 15, of Sethos II) for cleaning and conservation.
The portrait bust of Tutankhamun [Carter 116] was found in the tomb's Antechamber. The King is portrayed wearing a yellow flat-topped crown featuring the centrally positioned uraeus on the crown's temple band. The King also wears a close-fitting white garment.
The bust's purpose is unclear, but it probably displayed part of the King's regalia. A recent proposal is that it may have been originally used for supporting and storing the King's gold corset (Carter 54k) in the tomb. When thieves ransacked the tomb in antiquity, these robbers likely removed the corset from the bust before breaking the heavy regalia into smaller, portable pieces.
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
(Carter 116)
An Egyptian team member carrying the wooden portrait figure of Tutankhamun, the so-called "mannequin", from the King's tomb to the nearby "Laboratory" tomb (KV 15, of Sethos II) for cleaning and conservation.
The portrait bust of Tutankhamun [Carter 116] was found in the tomb's Antechamber. The King is portrayed wearing a yellow flat-topped crown featuring the centrally positioned uraeus on the crown's temple band. The King also wears a close-fitting white garment.
The bust's purpose is unclear, but it probably displayed part of the King's regalia. A recent proposal is that it may have been originally used for supporting and storing the King's gold corset (Carter 54k) in the tomb. When thieves ransacked the tomb in antiquity, these robbers likely removed the corset from the bust before breaking the heavy regalia into smaller, portable pieces.
A group of tourists listen to a local guide while standing next to the modern enclosure wall surrounding the entrance to the tomb of Tutankhamun. On the right, a man stands holding a tray of objects, possibly refreshments or souvenirs.
2 photographs taken by tourists visiting Luxor in 1923.
TAA iii.46.2.1
Three tourists, one man and two women, sitting on the modern enclosure wall of Tutankhamun's tomb, with two Egyptian police officers (1 standing on either side of the seated group).
Manuscript note on verso, "Outside the new Tomb. The Valley of the Kings - 1923."
TAA iii.46.2.2
Female tourist, also part of the group in the other photograph, standing next to the head of a colossus of Ramesses II in the Ramesseum.
Manuscript note on verso, "The Ramesseum - Thebes - 1923."
The identities of the people in the photographs and the owner of the pictures are all unknown.
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
Two Egyptian team members, accompanied by Howard Carter [wearing hat and waistcoat, left foreground], carry trays containing objects from the Antechamber of Tutankhamun's tomb while being pursued by tourists. The man on the left carries a decorated box (Carter 44), probably a footstool or stool, while the tray conveyed by the man contains two items, perhaps a box lid and a vessel (not identified). The objects are being transported to the nearby 'Laboratory' (the tomb of King Sety II, KV15).
Cigarette card (2 copies) issued by Churchman's Cigarettes from the set titled: 'Treasure Trove: A Series of 50' (1937).
No. 26: 'The Tomb of Tut-Ankh-Amen: The First Inspection'.
Artist's impression of Howard Carter, Lord Carnarvon and Lady Evely exploring the Antechamber of Tutankhamun's tomb, showing the objects in situ against the west wall.
Textiles. Howard Carter's collected notes for the intended scientific publication of Tutankhamun's tomb.
i. Carter's manuscript notes on scarves from Tutankhamun's tomb. Carter suggests they are the forerunners of the Eucharistic vestment called the maniple.
ii. Copy of The Metropolitan Museum of Art Bulletin, 1932, with an article by Herbert E. Winlock on sem-priests' costumes.
![Transporting Tutankhamun's "mannequin" [2]](/uploads/r/null/8/2/5/825a3eeafc9c1e4a5f477f9c720942de50142fe3a69b90777a088ba6f36dbcd8/TAA_ii_6_81bwm_142.jpg)
![Transporting Tutankhamun's "mannequin" [1]](/uploads/r/null/c/6/9/c6989faf4715475b8610a391b2f70fa89105333f6c3010bf5513e38d1be0ac67/TAA_ii_6_81awm_142.jpg)
