Photograph of the portrait bust of Edward William Lane now in the Bodleian Library, Oxford.

• Black and white (sepia) photographic print
• Mounted with gilded frame and borders
• 15.2 x 12.5 cm

General view of the Egyptian village of Rasheed (Rosetta) with a mosque in the centre and the Nile beyond.

• black ink, monochrome watercolour
• mounted
• 17.6 x 9.7 cm
• [Lane's annotation on verso of album page, at top left corner]: 'The Southern Entrance to Rasheed, or Rosetta.' (pencil note)

View of the colonnade and minbar in the Mosque of Amr ibn al-As in Cairo, with a figure leaning against a column in the foreground and two men in conversation at the far end of the colonnade:

• pencil, black ink, monochrome watercolour
• mounted
• 17.5 x 10 cm
• [Lane's caption on page verso, at top left corner] 'The Place of Prayer in the Mosque of 'Amir.' (pencil note)

View of the aqueduct at the Cairo citadel and the Fumm al-Khalig water intake tower:

• pencil, black ink, monochrome watercolour
• mounted
• 17.8 x 10.2 cm
• [Lane's caption on page verso, at top left corner] 'The Aqueduct of Musr — a, the building in which are the water-works — b, entrance of the Canal of Musr — / c, part of the bridge of the Canal — d, part of Mount Moockut'tum.' (pencil note)

Drawing of a detail from a battle scene, Seti I in a chariot charging Libyans on the battlefield, on the north exterior wall of the hypostyle hall in the Great Temple of Amun at Karnak:

• black ink drawing
• mounted
• 17.8 x 10.2 cm
• Below the drawing are two small cartouches of the king (in ink)
• [Lane's caption on page verso, at top left corner] 'Sculpture at Kar'nak' (pencil note)

Tomb wall scene, upper register, sem priest with offerings before Qen and wife Meryt, with monkey eating dates under chair, followed by two rows of seated men and women, probably TT 59, Sheikh Abd el-Qurna, Thebes:

• pencil drawing
• mounted
• 17.7 x 10 cm
• [Lane's caption on page verso, at top left corner] 'Painting in a tomb in the Hill of the shey'kh 'Abd El-Ckoor'neh' (pencil note)

Tomb wall scene, figures harvesting:

• pencil drawing
• mounted
• 17.6 x 10.2 cm
• [Lane's caption on page verso, at top left corner] 'Sculptures at Eilethyia — The Reaping.' (pencil note)
• Detail from agricultural scenes, cutting corn with man at front drinking water from a bottle, west wall in hall, tomb of Paheri, El Kab

Tomb wall scene, figures picking and treading grapes:

• pencil drawing
• mounted
• 17.6 x 10.1 cm
• [Lane's caption on page verso, at top left corner] 'Sculptures at Eilethyia — The Vintage.' (pencil note)
• Detail from scene, vintage scenes, picking and treading grapes, from the upper part of the west wall of the hall, tomb of Paheri, El Kab

Pages 101-192.

• Album of drawings and watercolours made during Amelia Edwards's visit to the Dolomites.
• Album of drawings and watercolours made during her visit to Egypt in 1873-4.
• Album with 26 pencil sketches and one watercolour titled 'Small Egyptian Scraps, 1874', made during same visit to Egypt.
• Album, notebook, packet containing an assortment of drawings, letters, and notes, another packet contains copies of deeds and accounts issued following her death.
• Two watercolours of the temples on Philae island, assumed to have been painted by A. Edwards.
• First edition of Amelia B. Edwards, Pharaohs, Fellahs and Explorers (1891); Kate Griffith's (née Bradbury) copy, with handwritten dedication to ‘My Katie - Novr. 1891 - A.B.E’.

1) Original measured perspective drawing of the tomb of Tutankhamun in the Valley of the Kings (1978) [corrected version].
2) Drawings of Eighteenth Dynasty tombs (incomplete original set and complete sets of photocopies/prints) (1980s).
3) Prints of the measured perspective drawing of the tomb of Tutankhamun in the Valley of the Kings (1978) [version with error].
4) Drawings of reconstructions of Egyptian boats (1993-4).
5) Models, plaster and resin moulds and casts for plaque depicting a scene from the lid of box from the tomb of Tutankhamun (c. 1979) - the plaque has been sold in the British Museum shop since the late 1990s (copyright issued in the late 1990s for a while, then reissued c. 2010).
6) Model, plaster and resin moulds and casts for the mask of Tutankhamun (1978).
7) Models, plaster and resin moulds and casts for small figurines (2 seated Isis suckling Horus, Bes amulet and scarab, 1970s).
8) Album of newspaper cuttings titled "Illustrations", mostly from the Illustrated London News, bound in illustrated binding by Harold Parkinson (c. 1930).
9) Copy of Simplified Hieroglyphs arranged according to Gardiner's Signlist. Drawn in both left and right directions together with samples of cursive hieroglyphs and hieratic signs. Hieratic versions are drawn from Möller Hieratische Paläographie Vol. I (6th to 13th dynasties), of which 'Sinuhe' provides the majority of the examples, by R. B. & H. Parkinson (1988-1989).
10) Original measured perspective drawing of the White Chapel at Karnak, by H. & R. B. Parkinson (c. 1989-1990).