Chair design:

• partially inked pencil sketch on paper
• mounted
• 18.8 x 22.8 cm
• [on mount] '8' (pencil note)

Chair:

• pencil sketch on paper
• loose
• 8.4 x 9.6 cm

Cat coffin, wood, not identified, now in Turin, Museo Egizio.

Caption copied by Černý in Petrie MSS 3.2: 'Wooden case for a cat T'.

Cat case of Psammethek, provenance not known, now in Turin, Museo Egizio.

Caption copied by Černý in Petrie MSS 3.2: 'Wooden case of a cat of [Psmṯk] T'.

Caryatid design:

• ink and pencil sketch on paper
• loose
• 18.8 x 22.8 cm

Carvings, Coptic, not identified, now in Florence, Museo Archeologico.

Caption copied by Černý in Petrie MSS 3.2: 'Coptic tombstones F'.

Cartouches of Ramesses II:

• pencil sketch/tracing on tracing paper
• mounted, together with Bonomi MSS 49.16-19 and Bonomi MSS 49.21-22
• 10.9 x 4.6 cm

Cartouches of Ptolemy VI Philometor, cutting from publication:

• print on paper
• mounted, together with Bonomi MSS 49.16-18 and Bonomi MSS 49.20-22
• 3.3 x 3.0 cm
• [on print] '236 / 235 / 23[4]' (printed note)
• [on print] 'PHILOMETOR' (printed note)

Cartouches of Amasis and Sethos I:

• pencil sketches
• partially mounted, together with Bonomi MSS 4.2 [Top and Middle]
• 6.3 x 9.9 cm
• [on mount] '2' (pencil note)

Cartouches of Amasis:

• pencil sketches on paper
• mounted, together with Bonomi MSS 4.3 [Middle and Bottom]
• 5.4 x 6.2 cm
• [on mount] '3' (pencil note)

Cartonnage-case of Nekhtubasterau, Late Period, provenance not known, now in Bologna, Museo Civico Archeologico, 1972.

Caption copied by Černý in Petrie MSS 3.2: 'Painted cartonnage B'.

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• Two Egyptian team members carrying a white chest (Carter 50) up the rock-cup steps leading out of Tutankhamun's tomb, with Howard Carter assisting (head visible behind the left shoulder of the man at the front). This chest contained many items of Tutankhamun's wardrobe.

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• (Carter 116)
• An Egyptian team member carrying the wooden portrait figure of Tutankhamun, the so-called "mannequin", from the King's tomb to the nearby "Laboratory" tomb (KV 15, of Sethos II) for cleaning and conservation. The man holding the bust is escorted by an armed guard and another Egyptian excavation team member, which was necessary to ensure the safe movement of objects through the Valley of the Kings following the announcement of the tomb's discovery, which attracted large crowds of journalists and tourists who flocked to Luxor hoping to see the tomb and view objects as they were being moved.
• The portrait bust of Tutankhamun [Carter 116] was found in the tomb's Antechamber. The King is portrayed wearing a yellow flat-topped crown featuring the centrally positioned uraeus on the crown's temple band. The King also wears a close-fitting white garment.
• The bust's purpose is unclear, but it probably displayed part of the King's regalia. A recent proposal is that it may have been originally used for supporting and storing the King's gold corset (Carter 54k) in the tomb. When thieves ransacked the tomb in antiquity, these robbers likely removed the corset from the bust before breaking the heavy regalia into smaller, portable pieces.

[Top] Sketches of types of female figures; [middle] caricatures of man and woman; [bottom] caricature of man (perhaps Bonomi himself) by pyramid:

• ink and pencil sketches on paper, mounted on blue lined paper
• loose
• [top] 13.5 x 6.5 cm, [middle (folded)] 5.6 x 6.6 cm / [middle (unfolded)] 5.6 x 13.1 cm, [bottom] 12 x 7 cm (17.4 x 22 cm with mount)
• [on top sketch] 'La belle taille ronde' (pencil note)
• [on verso of middle sketches] calculations (pencil note)

Canopic equipment. Howard Carter's collected notes for the intended scientific publication of Tutankhamun's tomb.

• Carter's eight annotated typewritten pages with a description of the equipment and two scale drawings:
  • Carter's typewritten report on the canopic equipment;
  • Carter's typescript notes on the miniature gold coffin from the north-east receptacle;
  • Carter's drawing, the canopic canopy (266), shrine (266a), and chest (266b), plan with orientation, position of the goddess statues, scenes on shrine noting goddesses and genii, etc.;
  • Carter's drawing, section showing the canopic canopy (266), shrine (266a), and chest (266b).

Candlestick designs:

• pencil sketches on paper
• loose
• 10.0 x 15.4 cm

Camel caravan in grid:

• pencil sketch on tracing paper
• mounted, together with Bonomi MSS 49.12 and Bonomi MSS 49.13
• 17.4 x 10.9 cm

Camel caravan at rest:

• pencil sketch on tracing paper
• mounted, together with Bonomi MSS 50.24-26 and Bonomi MSS 50.28
• 11.1 x 6.5 cm

Camel caravan:

• pencil sketch/tracing on tracing paper
• mounted, together with Bonomi MSS 50.22
• 17.9 x 11.8 cm

Camel caravan:

• pencil sketch on tracing paper
• mounted, together with Bonomi MSS 50.24-25 and Bonomi MSS 50.27-28
• 10.6 x 3.9 cm

Photographs or calling cards of members of Newberry's extended family. Some are named on the back by Newberry with a note on genealogy. Includes photographs of: Newberry's mother Sarah Newberry, 1905; Newberry's Uncle F.J. Newberry; Newberry's Grandfather F.W. Newberry; Mrs Sarah Pine born Kenward (1790-?); Mrs Thomas Kenward; William Munk; James Newberry (1781-); Elizabeth Newberry (1791-); Thomas Kenward (1788-); Mrs James Newberry born Dixy. Also includes receipt for 12 calling cards, 1867.

Calculations, notes, and sketch of probably Bes in profile as an archer, not identified:

• pencil text and sketch on paper
• loose
• 5.5 x 14.8 cm
• [text]: '(?) 48 26 / Paid (?) 20 -' (pencil notes)

Calculations and sketch of two figures with upraised arms:

• ink sketch and text on paper
• loose, adjacent to Bonomi MSS 52.1
• 7.8 x 9.6 cm

Calcite cup, diorite vase, and two limestone model sacks, not identified, now in Florence, Museo Archeologico.

Caption copied by Černý in Petrie MSS 3.2: 'Alabaster cup. / Diorite vase / Two model sacks, in limestone F'.

Portrait of George Lloyd sketched by Prince Alexis Soltykoff in Cairo:

• pencil sketch
• mounted
• 24.7 x 27.8 cm
• [on recto of drawing] 'Cairo 1. April. 1843' [caption probably by Soltykoff] (pencil note)
• [on recto of drawing] 'Sketched by Prince A. Soltykoff.' [caption by Lloyd] (pencil note)
• [on mount] '39' (pencil note)

Mausoleum of Amir Tankizbugha in the Northern Cemetery of Cairo:

• watercolour
• mounted
• 35.2 x 25.7 cm
• [on recto of watercolour] 'النجعاوية' {= Al-Tanjizawia} (ink note)
• [on mount] 'The Mosque Etingozamēa to the E. of the Citadel - Cairo.' (ink note)
• [on mount] encircled '9' (pencil note)
  -[on verso of watercolour] 'The Mosque Etingezawēa to the E. of the Citadel / Cairo / 13th Dec 1842.' (pencil note)

View of the aqueduct at the Cairo citadel and the Fumm al-Khalig water intake tower:

• pencil, black ink, monochrome watercolour
• mounted
• 17.8 x 10.2 cm
• [Lane's caption on page verso, at top left corner] 'The Aqueduct of Musr — a, the building in which are the water-works — b, entrance of the Canal of Musr — / c, part of the bridge of the Canal — d, part of Mount Moockut'tum.' (pencil note)

Bust, limestone, Dyn. XIX-XX, from Thebes, now in Florence, Museo Archeologico, 10056.

Caption copied by Černý in Petrie MSS 3.2: 'Limestone bust (//...//ht?) F / see Champ. CLXX.2 - M.A. II 60a - R.C. 13412 - P.A. XVII 278-9 - LD III 224i'.

Bust of man with large moustache and desk:

• pencil sketches on paper
• loose
• 11.2 x 17.8 cm
• [on sketch] '578 (initially 588) / 571 (initially 582) / 20 (underlined)'

Harry Burton's small glass plate negatives

Howard Carter's negatives

Later film negatives, made from original Burton photographs

• Some are original Harry Burton negatives.
• Carter's negatives are views of the area around the tomb entrance and the outer sealed doorway when the tomb was found in 1922 and before Burton joined the Tutankhamun excavation team in December 1922.
• Glass and film negatives.
• Approximately 1000 negatives (400 glass and 600 film)
• Number ranges 1-2024 and i-xcvii
• The negative number ranges comprise both the small and large negatives (large, see TAA i.5)
• A few original negatives in this series were created by Howard Carter, see above.
• Many of the negatives were made later in the Ashmolean Museum photographic studio from photographs supplied by the Metropolitan Museum of Art, New York, following an exchange of images in the 1950s.
• Includes modern film negatives made in the Ashmolean Museum photographic studio from the original Harry Burton photographic prints in the Tutankhamun Archive, Griffith Institute.