Various New Kingdom texts:

• monuments from Uppsala, Victoriamuseet för Egyptiska fornsaker
• hieratic text in Tura quarries
• a group of records created from older notes including objects seen with dealers in Berlin, Akhmim and Cairo
• copied from publications
• copied from A. H. Gardiner's notes
• note with a query concerning a graffito from Thebes

Notebooks, notes, card indexes, copies of inscriptions, a corpus of transcribed hieratic ostraca and papyri, photographs, correspondence, and personal items.

• Series 1 to 4, 6, 7 contain photographs, copies, transcriptions and translations of Egyptian texts, and photographs of objects and sites.
• Series 5 contains articles and lectures, some unpublished.
• Series 5 and 10 contain notes on Egyptian history.
• Series 8, 14, 22, 24, 26 contain notes and indexes on lexicography and grammar and card indexes for a late Egyptian and general hieroglyphic dictionary.
• Series 17 contains notebooks with transcriptions of texts from ostraca, graffiti, papyri and other monuments. There is a card index of ostraca with references to notebooks in series 28.
• Series 18 and 23 contain Coptic notes and a card index for Coptic grammar.
• Series 25 contains data on Egyptian personal names.
• Series 33 is an etymological card index.

118 glass stereoscopic plate negatives. Most show sites in and around

• Cairo, in and around
  • General views of Cairo
  • Street views
  • Tombs of the Caliphs
  • Tombs of the Mamelukes
  • Mosque-Madrasa of Sultan Hasan
  • Mosque-Madrasa of Sultan Barquq
  • Tomb of Abouseer
  • Mosque of Khat Bey
  • Al-Hakim Mosque
  • Mosque of Muhammad Ali Pasha
  • The Citadel

• Other sites in Egypt
  • 'Tombs at Thebes'
  • 'Rocks of Abusir', Second Cataract
  • 'Arab village'

• Outside Egypt, mostly Israel and Palestine:
  • Bethlehem
  • Jacob's Well
  • Mount Tabor

Journal 1841-1842 and some correspondence.

Merchandise pamphlet for the 'Treasures of Tutankhamun' exhibition at the British Museum in 1972.

• 1 printed, gatefold pamphlet with a list of merchandise, some items illustrated with line drawings

• Comic postcard.
• "A Dream comes to Tutankhamen."
• Image signed: "H.S."
• Published by Gaddis & Seif, Luxor.
• Series: HUMOUR IN EGYPT
• Not mailed.

• Comic postcard.
• "What do yer think, Bill? —when I opened up this morning, there was Tutankamen in the Case with Cleopatra again!".
• Issued by Micks Comics.
• 110.
• Published by E. A. Eden (Offset) Ltd, [London].
• Printed in England.
• Not mailed.

• Comic postcard.
• "Tu tanks have just arrived!".
• Issued by Inter-Art Co., London.
• "Comique" Series no. 4491.
• Mailed on Thursday, 27 May 1926.
• Postcard sent by R. Wilman to Miss D. Dixon, 7 Victoria Buildings, Morecambe.

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the production date of the postcard is not known, but it was almost certainly in the 1920s.
• Members of the Egyptian team manoeuvring a large carrying tray out through the entrance to the modern enclosure wall constructed shortly after Tutankhamun's tomb was discovered. The team are carrying two black shrine-like boxes (Carter 37) and (Carter 38) and a gabled-roofed box (Carter 32), transporting them from the tomb's Antechamber to the Laboratory.

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• View of the modern enclosure wall of Tutankhamun's tomb, erected by Howard Carter following the discovery of the King's tomb in November 1922, with the tomb's entrance visible in the foreground (left of centre).

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• View showing the lid of Tutankhamun's outer coffin (Carter 253), still in situ inside the King's sarcophagus (Carter 240). This photograph was taken sometime between the sarcophagus lid being raised on 12th February 1924 and the removal of the outer coffin lid on 13th October 1925.
• This photograph was not taken by Harry Burton.

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• Egyptian team members manoeuvering a tray loaded with a chariot wheel up the rock-cut steps leading out of Tutankhamun's tomb. The wheel is from one of the four chariots found in the Antechamber.

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• Four Egyptian members of the excavation team carrying trays of objects from Tutankhamun's tomb, escorted by Arthur Callendar (on left, wearing a pith helmet) and armed guards. The men at the front transport a wheel from one of the King's chariots, followed by two men, each carrying a tray containing smaller items, including a reed basket or tray (Carter 119) with partitions.

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• Egyptian team members carrying the body of one of Tutankhamun's chariots (Carter 122) from the King's tomb to the nearby 'Laboratory' set-up in the tomb of Sethos II (KV15). The chariot is also escorted by an armed guard and Howard Carter (background, wearing a bowtie and a pale-coloured hat with a dark band).

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• (Carter 116)
• An Egyptian team member carrying the wooden portrait figure of Tutankhamun, the so-called "mannequin", from the King's tomb to the nearby "Laboratory" tomb (KV 15, of Sethos II) for cleaning and conservation. The man holding the bust is escorted by an armed guard and another Egyptian excavation team member, which was necessary to ensure the safe movement of objects through the Valley of the Kings following the announcement of the tomb's discovery, which attracted large crowds of journalists and tourists who flocked to Luxor hoping to see the tomb and view objects as they were being moved.
• The portrait bust of Tutankhamun [Carter 116] was found in the tomb's Antechamber. The King is portrayed wearing a yellow flat-topped crown featuring the centrally positioned uraeus on the crown's temple band. The King also wears a close-fitting white garment.
• The bust's purpose is unclear, but it probably displayed part of the King's regalia. A recent proposal is that it may have been originally used for supporting and storing the King's gold corset (Carter 54k) in the tomb. When thieves ransacked the tomb in antiquity, these robbers likely removed the corset from the bust before breaking the heavy regalia into smaller, portable pieces.

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• (Carter 116)
• An Egyptian team member carrying the wooden portrait figure of Tutankhamun, the so-called "mannequin", from the King's tomb to the nearby "Laboratory" tomb (KV 15, of Sethos II) for cleaning and conservation.
• The portrait bust of Tutankhamun [Carter 116] was found in the tomb's Antechamber. The King is portrayed wearing a yellow flat-topped crown featuring the centrally positioned uraeus on the crown's temple band. The King also wears a close-fitting white garment.
• The bust's purpose is unclear, but it probably displayed part of the King's regalia. A recent proposal is that it may have been originally used for supporting and storing the King's gold corset (Carter 54k) in the tomb. When thieves ransacked the tomb in antiquity, these robbers likely removed the corset from the bust before breaking the heavy regalia into smaller, portable pieces.

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• (Carter 116)
• An Egyptian team member carrying the wooden portrait figure of Tutankhamun, the so-called "mannequin", from the King's tomb to the nearby "Laboratory" tomb (KV 15, of Sethos II) for cleaning and conservation.
• The portrait bust of Tutankhamun [Carter 116] was found in the tomb's Antechamber. The King is portrayed wearing a yellow flat-topped crown featuring the centrally positioned uraeus on the crown's temple band. The King also wears a close-fitting white garment.
• The bust's purpose is unclear, but it probably displayed part of the King's regalia. A recent proposal is that it may have been originally used for supporting and storing the King's gold corset (Carter 54k) in the tomb. When thieves ransacked the tomb in antiquity, these robbers likely removed the corset from the bust before breaking the heavy regalia into smaller, portable pieces.

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• (Carter 116)
• Howard Carter (second from right, striding, wearing a hat with a black band) accompanying the wooden portrait figure of Tutankhamun (the so-called "mannequin"; Carter 116), which is carried by an Egyptian member of the team transporting the object to the "Laboratory" tomb (KV 15, of Sethos II) for cleaning and conservation.
• Also present in the photograph is Lord Carnarvon (sitting on the wall at the far left), who watches as the group passes by. The man walking to the left of the Earl is Arthur Weigall (dark hat with a darker headband), a former Egyptian Antiquities Service Inspector now engaged as a journalist reporting on the excavation. The other Europeans present here are also journalists or tourists.
• The portrait bust of Tutankhamun [Carter 116] was found in the tomb's Antechamber. The King is portrayed wearing a yellow flat-topped crown featuring the centrally positioned uraeus on the crown's temple band. The King also wears a close-fitting white garment.
• The bust's purpose is unclear, but it probably displayed part of the King's regalia. A recent proposal is that it may have been originally used for supporting and storing the King's gold corset (Carter 54k) in the tomb. When thieves ransacked the tomb in antiquity, these robbers likely removed the corset from the bust before breaking the heavy regalia into smaller, portable pieces.

• Postcard
• Photograph, photographer not known.
• The photograph was taken on 24th January 1923, the day Carter recorded this couch being moved; the postcard's production date is unknown, but it was almost certainly sometime in the 1920s.
• Howard Carter (left), assisted by Walter Hauser (right), manoeuvring the right side of the cow-headed couch (Carter 73) into a packing case in preparation for its transfer to the nearby 'Laboratory' set up in the tomb of Sethos II (KV15).

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• Egyptian excavation team members transport some of Tutankhamun's food provisions from the King's tomb to the nearby 'Laboratory' set up in the tomb of King Sethos II (KV15) in the Valley of the Kings.
• Forty-eight boxes (Carter 62) containing choice cuts of meat and whole geese were prepared to accompany the King's burial and were placed in a neat pile beneath one of the ceremonial couches in the Antechamber. They were some of the first items Howard Carter saw when he looked into the tomb for the first time on 26th November 1922, recording them as "a heap of large curious white oviform boxes".

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• Egyptian team members transporting one of Tutankhamun's elaborate vessels (Carter 57) from the King's tomb to the nearby 'Laboratory' set up in the tomb of King Sethos II (KV15). The large vessel, carved from a single piece of Egyptian alabaster, originally contained unguent, its contents stolen by the tomb robbers who entered the tomb in antiquity. The vessel's body is flanked by openwork side pieces incorporating bound papyrus and lotus flowers, symbolising Upper and Lower Egypt and its unification, as well as representing the King's sovereignty. The vessel's body is decorated with Tutankhamun's cartouches; the incised decoration has been filled with black pigment.

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• Two Egyptian team members carrying a white chest (Carter 50) up the rock-cup steps leading out of Tutankhamun's tomb, with Howard Carter assisting (head visible behind the left shoulder of the man at the front). This chest contained many items of Tutankhamun's wardrobe.

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• Two Egyptian team members, accompanied by Howard Carter [wearing hat and waistcoat, left foreground], carry trays containing objects from the Antechamber of Tutankhamun's tomb while being pursued by tourists. The man on the left carries a decorated box (Carter 44), probably a footstool or stool, while the tray conveyed by the man contains two items, perhaps a box lid and a vessel (not identified). The objects are being transported to the nearby 'Laboratory' (the tomb of King Sety II, KV15).

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• An Egyptian team member, accompanied by Arthur Callendar [right, foreground] and an armed guard [centre, background], carries a tray containing a reed and papyrus box (Carter 42) and an ornamental box made of redwood inlaid with ebony and ivory. The objects are being transported from Tutankhamun's tomb to the nearby 'Laboratory' (the tomb of King Sety II, KV15).

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the production date of the postcard is not known, but it was almost certainly in the 1920s.
• An Egyptian team member carrying a tray containing the four 'candlesticks' (Carter 41a-d), transporting them from the tomb's Antechamber to the Laboratory. Each 'candlestick' is in the form of an anthropomorphic ankh with arms raised to either hold a bronze torch-cup or a small pottery cup.

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the production date of the postcard is not known, but it was almost certainly in the 1920s.
• Members of the Egyptian team manoeuvring a large carrying tray out through the entrance to the modern enclosure wall constructed shortly after Tutankhamun's tomb was discovered. The team are carrying two black shrine-like boxes (Carter 37) and (Carter 38) and a gabled-roofed box (Carter 32), transporting them from the tomb's Antechamber to the Laboratory.

Howard Carter's lantern slides featuring Harry Burton's photographs taken during the excavation of Tutankhamun's tomb.

• A twelve-drawered wood chest containing over 600 glass lantern slides
• Belonging to Howard Carter.
• The lantern slides were made from Harry Burton's images.
• Used by Carter in his lectures.

Ten albums containing original photographic prints made by Harry Burton [TAA i.6.1-10].

• Arranged by chamber and by object type
• Annotated headings and negative numbers, probably by Harry Burton or his wife Minnie B.
• Howard Carter's set of albums

Originally belonging to Howard Carter.

Harry Burton's small glass plate negatives

Howard Carter's negatives

Later film negatives, made from original Burton photographs

• Some are original Harry Burton negatives.
• Carter's negatives are views of the area around the tomb entrance and the outer sealed doorway when the tomb was found in 1922 and before Burton joined the Tutankhamun excavation team in December 1922.
• Glass and film negatives.
• Approximately 1000 negatives (400 glass and 600 film)
• Number ranges 1-2024 and i-xcvii
• The negative number ranges comprise both the small and large negatives (large, see TAA i.5)
• A few original negatives in this series were created by Howard Carter, see above.
• Many of the negatives were made later in the Ashmolean Museum photographic studio from photographs supplied by the Metropolitan Museum of Art, New York, following an exchange of images in the 1950s.
• Includes modern film negatives made in the Ashmolean Museum photographic studio from the original Harry Burton photographic prints in the Tutankhamun Archive, Griffith Institute.

Harry Burton's large glass plate negatives.

• Taken by Harry Burton during the excavation, clearance and recording of Tutankhamun's tomb
• Approximately 860 negatives
• Number ranges 1-2024 and i-xcvii
• The negative number ranges comprise both the small and large negatives (small, see TAA i.6)