Three studies of foxes at Abu Zaabal. Top scene: fox, presumably dead, lying on the ground; middle scene: dead fox, strung-up by back-legs; bottom scene: a mountainous desert scene with two foxes:
watercolours
mounted, together with Lloyd MSS 039, Lloyd MSS 040 and Lloyd MSS 042
12.2 x 17.5 cm
[on recto of watercolour] 'Abu Zaabel.' (pencil note)
[on watercolour/mount] '41' (pencil note)
[on verso of watercolour] '[Abu Zaabel. 14th Jan: 1843.]' (pencil note)
The interior of the Pronaos of Ptolemy IV in the Temple of Hathor at Deir el-Medina; view of the southern half with a Hathor-head pilaster and papyrus-capital column from the southern half of the Pronaos façade and a window in the South wall:
watercolour with pencil details
mounted
34.9 x 25 cm
[on recto of watercolour] 'Temple of Thmai and Athor. / 28th Augt 1843. Thebes.' (pencil note)
View of the Eighth and Ninth Pylons of the Great Temple of Amun at Karnak, with the Pylon of the Temple of Khonsu in the background:
watercolour
mounted
35.5 x 26.1 cm
[on mount] 'Temple of Khons. / near the Great Hypostile, Karnac.' (ink note)
[on mount] '49' (pencil note)
[on verso of watercolour] 'Temple of Khons and the Pylon of Horus and Thothmes 2nd. / From of S entrance of the Great Hypostyle. Karnac. / 30th May 1843.' (pencil note)
The young princess Neferubiti, daughter of Tuthmosis I and Queen Ahmosi, wearing a side-lock and diadem and carrying a lotus-flower, from Room X preceding the Sanctuary in the Great Temple of Hatshepsut at Deir el-Bahari:
pencil drawing
mounted
25 x 34.9 cm
[on recto of drawing] 'Sotennofrä. / Temple of Assasief / Thebes. 27th July 1843.' (pencil note)
[on mount] encircled '1' (pencil note)
[on verso of drawing] 'Sotennofrä the daughter of Thothmes the first. / from a high relief in the temple of Assasief. / Thebes. 27th July 1843.' (pencil note) -[on verso of drawing] 11 lines of text <difficult to read - not transcribed here> (pencil note)
The young Amenhotep II seated on the lap of the royal nurse Amenemopet and holding captives, from a scene of the tomb of Amenemopet's son, Kenamun (TT 93), temp. Amenhotep II, at Sheikh Abd el-Qurna in Thebes: -pencil drawing
mounted
24.9 x 34.9 cm
[on recto of drawing] 'Amenophth 2nd and Ramaithä / Tomb 33. 17th July 1843.' (pencil note)
Thutmosis III, accompanied by his ka, purifying ithyphallic Amun-Re with water, scene from the Festival Temple (Akhmenu) in the Great Temple of Amun at Karnak (specific scene not identified):
pencil drawing
mounted
35.5 x 26 cm
[on mount] 'Thothmes 3d from the Palace Karnac' (pencil note)
[on mount] '7' (pencil note)
[on verso of drawing] 'Thothmes 3rd / From a bas relief in the private apartments of the Palace / of Thothmes 3rd. Karnac 5th July 1843.' (pencil note)
A group of eight captives, detail from the battle against the sea-peoples, from a scene on the North side of the outer face of the exterior wall of the Great Temple of Ramesses III at Medinet Habu:
Ramesses III shooting on foot and trampling enemies, accompanied by a group of archers and a fan-bearer, detail from the battle against the sea-peoples, from a scene on the North side of the outer face of the exterior wall of the Great Temple of Ramesses III at Medinet Habu:
Seti I holding nemset-vase and hdn-plant ('in bringing the foot' rite), remains of a scene in the interior wall of the Hypostyle in the Great Temple of Amun at Karnak:
pencil drawing
mounted
25.9 x 35.4 cm
[on recto of drawing] 'Menephthah 1st.' (pencil)
[on mount] 'In the Hypostile Hall Karnac.' (pencil note)
[on mount] '10' (pencil note)
[on verso of drawing] 'Menephthah 1st. / From a bas relief in the NE. interior angle of the / Great Hypostyle Hall / Karnac. / 6th July 1843.' (pencil note)
Five female musicians playing the harp, lute, double-pipe, lyre and tambourine, accompanied by a small female dancer, from a scene in the tomb of Amenhotep-si-se (TT 75), temp. Thutmosis IV, at Sheikh Abd el-Qurna in Thebes:
pencil drawing
mounted
35 x 24.9 cm
[on recto of drawing] 'Tomb near 17. / 1st Sept 1843.' (pencil note)
[on mount] '12' (pencil note)
[on verso of drawing] 'Female Minstrels. / Tomb to which there is a forced passage from / No 17. / 1st Sept / 2nd Sept / } / 1843. / With exception of the first face on the left, all the others have been / carefully injured. I have restored these. The date of the tomb / I do not know, but it is probably about Amenophth 3rd. The / paintings are very badly done, and the tomb is unfinished. / The colours however are very fresh. There is in this as in other / tombs different colours for the females. The harper is yellow, / but the next woman is rather copper coloured, so is the / little girl, and the lute player. Were they women from the / Upper country, brought expressly for their national instru / ments? The girdle was not confined to the Upper country / women. Sotennofrä wears it.' (pencil note)
Head of a Napatan king, probably Taharqa, detail from a scene on a column, perhaps from the Colonnade of Taharqa in the Temple of Amun-Re-Harakhti in the precinct of the Great Temple of Amun at Karnak:
pencil drawing
mounted
26 x 35.5 cm
[on recto of drawing] 'Tahrato. / On a column near the Eastern Pylon. Karnac. / 17th June 1843. / G Ll.' (pencil note)