حقل المعرف الفريد
الرمز المرجعي
العنوان
التاريخ (التواريخ)
- 1922-1933 (Creation)
مستوى الوصف
مدى ونوع المادة الموصوفة
حقل السياق
مسمى المنشئ
السيرة الذاتية
British archaeologist and photographer. Born, Stamford 1879. Died, Asyut 1940. Began his photographic career in Florence with the art historian Henry Hobart Cust. He was then engaged as a excavator at Thebes by Theodore Davis between 1910-14. Then from 1914 onwards he worked for the rest of his career as a photographer for the Metropolitan Museum of Art, New York. His task was to record many of the royal and private tombs at Thebes. Between 1922 and 1933 he was lent by the Metropolitan Museum to Lord Carnarvon and Howard Carter to make a photographic record during the excavation of the tomb of Tutankhamun.
التاريخ الأرشيفي
Part of the Carter bequest to his niece Miss Phyllis Walker in 1939.
المصدر المباشر للاقتناء أو النقل
Miss Walker donated the Carter MSS in several groups in 1945, 1946, 1959, and 1972. Exchange of photographs in 1951 with Metropolitan Museum of Art, New York, to complete gaps in both sets.
حقل المحتوى والبنية
النطاق والمحتوى
Photographic records made during the excavation of the Tomb of Tutankhamun, consisting of approximately 1400 black and white glass negatives. 10 albums of original prints made from these negatives for Carter, and original prints made for and kept with the object card index for the excavation.
التقييم، الإتلاف، والجدولة الزمنية (مُدد الاستبقاء)
إضافات لاحقة
نظام الترتيب
Kept as received.
شروط الوصول والاستخدام
الشروط التي تحكم الوصول والاتاحة
Property of the Griffith Institute. No restrictions.
شروط النسخ المسموح بها
Copyright Griffith Institute, Oxford, and the Metropolitan Museum of Art, New York.
لغة المادة الأرشيفية
نص المادة
ملاحظات حول اللغة والنص/الخط
الخصائص المادية والمتطلبات الفنية
No problems.
أدوات الإيجاد
Catalogue.
المواد ذات العلاقة
وجود وموقع النُسخ الأصلية
Griffith Institute, Oxford (TAA i.5.1-2024, i-xcvi), and Metropolitan Museum of Art, New York.
وجود وموقع النُسخ
2 sets of modern negatives made from the originals (TAA iii.4-5), 2 sets of modern prints ( TAA iii.6-7), scans made from negatives (TAA iii.17), all in Griffith Institute.