Bereich "Identifikation"
Signatur
Burton, H. MSS
Titel
Datum/Laufzeit
- 1922-1933 (Anlage)
Erschließungsstufe
Sammlung
Umfang und Medium
Bereich "Kontext"
Name des Bestandsbildners
Biographische Angaben
British archaeologist and photographer. Born, Stamford 1879. Died, Asyut 1940. Began his photographic career in Florence with the art historian Henry Hobart Cust. He was then engaged as a excavator at Thebes by Theodore Davis between 1910-14. Then from 1914 onwards he worked for the rest of his career as a photographer for the Metropolitan Museum of Art, New York. His task was to record many of the royal and private tombs at Thebes. Between 1922 and 1933 he was lent by the Metropolitan Museum to Lord Carnarvon and Howard Carter to make a photographic record during the excavation of the tomb of Tutankhamun.
Bestandsgeschichte
Part of the Carter bequest to his niece Miss Phyllis Walker in 1939.
Abgebende Stelle
Miss Walker donated the Carter MSS in several groups in 1945, 1946, 1959, and 1972. Exchange of photographs in 1951 with Metropolitan Museum of Art, New York, to complete gaps in both sets.
Bereich "Inhalt und innere Ordnung"
Eingrenzung und Inhalt
Photographic records made during the excavation of the Tomb of Tutankhamun, consisting of approximately 1400 black and white glass negatives. 10 albums of original prints made from these negatives for Carter, and original prints made for and kept with the object card index for the excavation.
Bewertung, Vernichtung und Terminierung
Zuwächse
Ordnung und Klassifikation
Kept as received.
Bedingungen des Zugriffs- und Benutzungsbereichs
Benutzungsbedingungen
Property of the Griffith Institute. No restrictions.
Reproduktionsbedingungen
Copyright Griffith Institute, Oxford, and the Metropolitan Museum of Art, New York.
In der Verzeichnungseinheit enthaltene Sprache
Schrift in den Unterlagen
Anmerkungen zu Sprache und Schrift
Physische Beschaffenheit und technische Anforderungen
No problems.
Findmittel
Catalogue.
Bereich Sachverwandte Unterlagen
Existenz und Aufbewahrungsort von Originalen
Griffith Institute, Oxford (TAA i.5.1-2024, i-xcvi), and Metropolitan Museum of Art, New York.
Existenz und Aufbewahrungsort von Kopien
2 sets of modern negatives made from the originals (TAA iii.4-5), 2 sets of modern prints ( TAA iii.6-7), scans made from negatives (TAA iii.17), all in Griffith Institute.