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Tracing of a design of a rampant lion (not Egyptian):

• pencil tracing on tracing paper
• mounted, together with Bonomi MSS 9.14 (upper left) , Bonomi MSS 9.14 (upper right), Bonomi MSS 9.14 (lower middle) and Bonomi MSS 9.14 (lower left)
• 6.2 x 11.3 cm
• [on mount] encircled '22' (pencil note, almost certainly by Dr Moss)

Tracing of a personified djed-pillar from the Innermost Chamber of the Tomb of Pashedu (TT 3) at Deir el-Medina, on the West Bank of Thebes ((TopBib ii2.10(7)), in preparation for the engraved plate 25 in Wilkinson's Supplement (1841):

• pencil tracing on tracing paper
• mounted, together with Bonomi MSS 9.13 (upper), Bonomi MSS 9.13 (lower right), Bonomi MSS 9.13 (middle)
• 4.8 x 9.2 cm
• [on mount] '5' (pencil note, upside down)
• [on mount] encircled '21' (pencil note, almost certainly by Dr Moss)

Tracing of a design of Ptah, inspired by unidentified monument or publication in preparation for the engraved plate 23 in Wilkinson's Supplement (1841):

• pencil tracing on tracing paper
• mounted, together with Bonomi MSS 9.2 (upper) and Bonomi MSS 9.2 (lower right)
• 9.1 x 9.2 cm
• [on mount] encircled '10' (pencil note, almost certainly by Dr Moss)

Tracing of a design of seated Ptah writing, inspired by unidentified monument or publication in preparation for the engraved plate 23 in Wilkinson's Supplement (1841):

• pencil tracing on tracing paper
• mounted, together with Bonomi MSS 9.6 (upper) and Bonomi MSS 9.6 (lower right)
• 9.3 x 8.2 cm
• [on mount] encircled '14' (pencil note, almost certainly by Dr Moss)

Tracing after figure 18, plate XIX in Rosellini, Ippolito, I monumenti dell'Egitto e della Nubia (Band 4,1, Atlas): Monumenti storici. Pisa: Nicoló Capurro, 1832 (OEB 148870), of a fragment of scene 6, with Queen Meritamun before Thoth (here, just Queen) (TopBib i2.766(6)):

• pencil tracing on tracing paper
• mounted, together with Bonomi MSS 9.15 (lower)
• 19.9 x 27.4 cm
• [on sketch] '9.16t' (pencil note, recent annotation)
• [on sketch (verso)] 'The rest / blue / also the border' (pencil note)
• [on sketch] 'Ribbons red' (pencil note)
• [on sketch (verso)] 'finely / stripped' (pencil note)
• [on mount] '4' (pencil note, upside down)
• [on mount] encircled '23' (pencil note, almost certainly by Dr Moss)

Howard Carter's appointment diary for 1924

• Letts's - No. 46 - Indian and Colonial - Rough Diary - 1924
• Notes on Carter's activities in Egypt in early 1924, which include departures and arrivals, lunch appointments, meetings with officials and colleagues, and lecture venues and dates. Also contains a few notes on negotiations with British officials and the Egyptian authorities, between December 1924 and January 1925, regarding the dispute and closure of Tutankhamun's tomb.
• Also entries for:
  • Lecture tour, North America, 12 April (depart London) to 2 July (depart New York).
  • Some lectures, England, October to early November.
  • Lecture, Madrid, Residencia de Estudiantes, 24 November.
  • Lecture, Madrid, Trabro Fontainalla, 26 November.
• Departed for Egypt, 10 December.

Howard Carter's appointment diary for 1923

• Letts's - No. 46 - Indian and Colonial - Rough Diary - 1923
• Carter's activities in Egypt include departures and arrivals, lunch appointments, meetings with officials and colleagues, and his excavations

Pencil tracing (on verso) of two registers of deities; composition inspired by depictions from different monuments and publications in preparation for the engraved plates in Wilkinson's Supplement (1841); upper register with an unfinished design of five forms of Amun (plate 22) and lower register with design with two forms of Satet (right) and and two forms of Khnum (left) (plate 21); together with an ink sketch (on recto) of man drinking water from amphora being held by woman (Classical):

• pencil tracing (verso) and ink sketch (recto) on tracing paper
• mounted, together with Bonomi MSS 9.7 (upper)
• 20.7 x 26.1 cm
• [on mount] encircled '15' (pencil note, almost certainly by Dr Moss)

Tracing of two registers of deities; composition inspired from different monuments and publications in preparation for the engraved plates in Wilkinson's Supplement (1841); from top to bottom, left to right: Atum (plate 47), Toth (plate 45), Khonsu (plate 46), Khnum (plate 21), two forms of Amun (both on plate 22), Shu (plate 46), Sekhmet (various plates), Anukis (plate 48), Satet/Mut (plates 21, 27), Neith (plate 28):

• pencil tracing on tracing paper
• mounted, together with Bonomi MSS 9.4 (middle) and Bonomi MSS 9.4 (bottom)
• 26.2 x 16.4 cm
• [on mount] encircled '12' (pencil note, almost certainly by Dr Moss)

Tracing (on both recto and verso) of two registers of deities; composition inspired by depictions from different monuments and publications in preparation for the engraved plates in Wilkinson's Supplement (1841); from top to bottom, right to left: Harpocrates (plate 37A), Anubis (plate 44), Horus (plate 37), Osiris (plate 33), Nephtys (plate 35), Isis (plate 34), Imsety, Hapy, Duamutef, Qebehsenuef (all four sons of Hours on plate 61), Horus (plate 37), Horus-Seth / The one of Ombos (plate 38) and dressed, personified djed-pillar (plate 33, from the Hall in the Tomb of Kynebu (TT 113) at Sheikh Abd el-Qurna, on the West Bank of Thebes, now destroyed (TopBib i2.231(2))):

• pencil tracing on tracing paper
• mounted, together with Bonomi MS 9.1 (lower)
• 26.3 x 24.8 cm
• [on verso] '1 hour 1/4 h / trace one' (pencil note)
• [on mount] encircled '1' (pencil note, almost certainly by Dr Moss)

Sketches of walking woman with amphora on head and holding drop spindle:

• inked pencil tracing and ink sketch on tracing paper
• mounted
• 12.5 x 16.9 cm

Tracing of a view inspired by the Osiride Pillars in the Great Hall of the Great Temple of Ramesses II at Abu Simbel (TopBib vii.101); the view includes a number of alterations/additions, such as the nemes-headdress of the pillar figures:

• pencil sketch on tracing paper
• mounted, together with Bonomi MSS 9.10 (lower left), Bonomi MSS 9.10 (lower middle), and Bonomi MSS 9.10 (lower right)
• 22.4 x 27.2 cm
• [on mount] encircled '178' (pencil note, almost certainly by Dr Moss)

Tracing of a view inspired by the Osiride Pillars in the Great Hall of the Great Temple of Ramesses II at Abu Simbel (TopBib vii.101); the view includes a number of alterations/additions, such as the nemes-headdress of the pillar figures:

• pencil tracing on tracing paper
• mounted, together with Bonomi MSS 9.2 (lower left) and Bonomi MSS 9.2 (lower right)
• 22.1 x 34.5 cm
• [on mount] encircled '10' (pencil note, almost certainly by Dr Moss)
• [on mount] 'Abu Simbel?' (pencil note, almost certainly by Dr Moss)

Seven notebooks detailing graffiti in the Temple of Amun and, to a lesser degree, the Temple of Montu, Karnak, organised by location, created between 1968 and 1971. Supported by six boxes of indices, plans, photographs, epigraphic drawings, squeezes, related correspondence, and a folder of analysis drawn from the notebooks.