Consists of at least two sets of slides which have been combined. Made by a tourist(s), probably between 1910 and 1930. Views include Alexandria, Karnak, Luxor, Ramesseum, objects in the Egyptian Museum, Cairo, and scenes of daily life.
Bez názvu3 letters from Erichsen, 1 carbon copy of a letter from Černý to Erichsen.
Philology - Late Egyptian and Demotic studies, exchange of publications.
Site indexes to the Journal d'Entrée and Temporary registers of the Egyptian Museum, Cairo.
Bez názvuPlans, tracings, and photographs made in TT 55, 92, and 97.
Bez názvu1 letter from Emery.
Emery arranging for an advisory meeting after he had been awarded the Edwards Chair at University College, London.
1 letter from Ellul, 1 carbon copy of a letter from Černý to Ellul.
Book purchase and exchange.
Three A4 folders containing an unpublished annotated typescript of a monograph on the constellations of the Babylonian and Egyptian sphere and their modifications by the Greeks of the Achaean period.
Bez názvuNotes, notebooks, photographs, negatives, proofs, transparencies, xeroxes, and correspondence.
Bez názvu- Album of drawings and watercolours made during Amelia Edwards's visit to the Dolomites.
- Album of drawings and watercolours made during her visit to Egypt in 1873-4.
- Album with 26 pencil sketches and one watercolour titled 'Small Egyptian Scraps, 1874', made during same visit to Egypt.
- Album, notebook, packet containing an assortment of drawings, letters, and notes, another packet contains copies of deeds and accounts issued following her death.
- Two watercolours of the temples on Philae island, assumed to have been painted by A. Edwards.
- First edition of Amelia B. Edwards, Pharaohs, Fellahs and Explorers (1891); Kate Griffith's (née Bradbury) copy, with handwritten dedication to ‘My Katie - Novr. 1891 - A.B.E’.
Watercolour in its original mount, showing the temples on Philae Island, viewed from the north-west.
- The watercolour is captioned on the mount, once below the watercolour and again on the verso. The captions are both the same but are written in two different hands: "Philæ from the North."
- Although the watercolour is not signed, it was most certainly painted by Amelia A. B. Edwards.
Watercolour in its original mount, the temples on Philae Island, viewed from the south. Although the watercolour is not signed or annotated, it was most certainly painted by Amelia A. B. Edwards.
Two watercolours, views of Philae Island.
Print copy of [Brocklehurst, Marianne] 2004, Miss Brocklehurst on the Nile: Diary of a Victorian Traveller in Egypt.
Print copy of Edwards, A. B. 1891, Pharaohs, Fellahs and Explorers, 1st edition
Publications.
Photocopies of papers relating to the estate of Ellen Drew Braysher, owner of The Larches, Westbury on Trym, Gloucestershire, which were issued after Braysher's death, with a summary of accounts outstanding at that time. Amelia Edwards, who resided with Mrs Braysher from 1864(?) onwards, was the beneficiary of Braysher's estate.
Sketch missing.
- [on mount] 'Small Egyptian Scraps,, 1874. T'ih: A Priest & noble of Memphis. IVth Dynasty.' (ink note)
Cover bound in green leather.
- [on label] 'G/N28 Griffith Institute Ashmolean Museum, Oxford' (printed)
Back cover with green leather binding.
Pencil drawing of the headdress of a king:
- mounted
- [on drawing] 'Edfoo' (pencil note)
- [Headdress of a King:. North wall Great Hall. Temple of Edfoo.' (pencil note)
Pencil drawing:
- mounted
- [on drawing] 'Edfoo. Ma' (pencil note)
- [on mount] 'King marking out the foundations of a Temple. South wall. Great Hall. Edfoo.' (pencil note)
Pencil drawing of goddess:
- mounted
- [on drawing] 'Goddess represented on S wall of small temple of Hathor Ihsambool' (pencil note)
- [on mount] 'Goddess with headdress supposed to represent a sheaf of flax. S. wall. Smaller Temple. Aboo Simbel' (pencil note)
Pencil drawing of Ramesses II:
- mounted
- [on drawing] 'Head of last colossus on right interior of Large Temple' (pencil note)
- [on mount] 'Rameses II. Head of Osiride Caryatid Great Hall - Large Temple. Aboo Simbel.' (pencil note)
Pencil drawing of Ramesses II:
- mounted
- [on drawing] 'Portrait of Rameses II. Karnac.' (pencil note)
- [on mount] 'On the wall of a corridor leading to the Sanctuary - Karnak.' (pencil note)
Pencil drawing of Ramesses II:
- mounted
- [on drawing] 'Abydos. (funeral scene) Rameses as Kings son worshipping Seti borne on throne as Gods' (pencil note)
- [on mount] 'Ramses II. as Prince. On the S wall of vaulted chamber to left of Great Hall - Abydos.' (pencil note)
Pencil sketch of Ramesses II at Beit el-Wali:
- mounted
- [on sketch] 'Bayt el Whally' (pencil note)
- [on mount] 'Rameses II as prince, combatting. To right of entrance, East wall. Bayt el Wely.' (pencil note)
Pencil drawing of sistrum at Abu Simbel:
- mounted
- [on mount] 'Bas relief of Sistrum. Temple of Hathor Aboo Simbel.' (pencil note)
Pencil drawing of Ramesses II at Abu Simbel:
- mounted
- [on mount] 'Rameses II W. Wall. Library - Aboo Simbel.'
Pencil drawing of Horus from Abu Simbel:
- mounted
- [on drawing] 'Ensign dividing two large pictures on West wall of painted Chamber' (pencil note)
- [on mount] 'Ensign of Horus Araëris - library - Aboo Simbel' (pencil note)