Seated female figure with nude child on her lap, chasing a bee:

• print on paper, mounted on paper
• mounted
• 14.2 x 18.6 cm (17.0 x 23.5 cm with mount)

Christ standing between two figures, possibly Saint Paul and Saint Peter:

• ink sketch on paper
• mounted, together with Bonomi MSS 40.11
• 11.2 x 10.1 cm
• [on sketch] 'as for example the Transfig the 3 cardinal virtues' (ink note)
• [on sketch] 'this plan' (ink note)

Two angels flanking a door:

• pencil drawing on tracing paper
• mounted, together with Bonomi MSS 40.15 and 40.17
• 24.5 x 12.8 cm
• [on drawing] 'JB' (pencil note)

Nude young Lapith holds a centaur's head from behind with his left; marble metope from the Parthenon (South metope XXVII) (London, British Museum, reg. 1816,0610.11 - BM Sculpture 316, 438-432 BC):

• ink sketch on treated tracing paper
• loose, adjacent to Bonomi MSS 40.20
• 27.8 x 21.9 cm

Britannia replenishing the lamp of the genius of art in grid:

• pencil sketch on paper
• mounted
• 25.6 x 20.7 cm

Two designs featuring the goddess Britannia:

• pencil drawings on tracing paper, ink circles
• mounted, together with Bonomi MSS 40.22
• 25.6 x 16.5 cm

Figure from plate 11 of the Compositions from the tragedies of Aeschylus, designed by John Flaxman, engraved by Thomas Piroli, London (1795):

• ink and wash sketch on paper (remains of pencil)
• mounted, together with Bonomi MSS 40.21
• 14.5 x 10.6 cm
• [on sketch] 'Flaxman's Eschilylus. Pl. 11.'

Shepherd carrying lamb and Luke 15:5 verse:

• inked pencil sketch on paper
• loose, adjacent to page 1
• 7.5 x 12.3 cm
• [on sketch] 'καὶ ἐὑρὼν ἐπιτίθησιν ἐπὶ τους / ωμους εἑαυτοῦ χαιρων / L 15 5' (pencil note) [translation: 'and when he has found it, he lays it on his shoulders, rejoicing']

Jesus performing a miracle (probably the raising of Lazarus):

• inked pencil sketch on paper
• mounted on loose paper, together with Bonomi MSS 41.4, adjacent to page 2
• 22.8 x 18.8 cm

Crouched putto sleeping:

• pencil sketch on paper
• mounted, together with Bonomi MSS 41.13 and Bonomi MSS 41.14
• 14.2 x 10.8 cm
• [on mount] '4' (pencil note)

Seated female figure with nude child on her lap, chasing a bird and a bee:

• pencil sketch on tracing paper
• loose, adjacent to page 5
• 25.3 x 12.6 cm

Murder of the sacred Apis bull by Cambyses II, with study of the king's hand:

• pencil sketches on paper
• loose, adjacent to page 6
• 39.5 x 24.8 cm
• [on sketch] 'No 8' (ink note)
• [on sketch] 'Egyptian priests in despair.' (ink note)
• [on sketch] 'The Bull dying' (ink note)
• [on sketch] 'Persian king & attendants' (ink note)

The sacred bull Apis predicts the downfall of emperor Germanicus:

• inked pencil sketch on paper
• loose, adjacent to page 11
• 37.0 x 22.3 cm
• [on sketch] 'Germanicus consults the Bull Apis by offering him food' (ink note)
• [on sketch] 'the Bull Apis returns an unfavourable answer to Germanicus by refusing to eat out of / his hands' (ink note)

Plato at Heliopolis discoursing on the immortality of the soul with Egyptians and Jews, with studies of scene and Jew:

• pencil sketches on paper
• loose, adjacent to page 11
• 37.0 x 22.6 cm
• [on sketch] 'Plato at Heliopolis discoursing / on the Immortality of the Soul / with the Egyptians & Jews' (pencil note)
• [on sketch] 'Trial Scene' (pencil note)
• [on sketch] 'Jews' (pencil note)
• [on sketch] 'Greek' (pencil note)
• [on sketch] 'Plato' (pencil note)
• [on sketch] 'Egyptians' (pencil note)
• [on sketch] 'Neath the Great Mother' (pencil note) [continuation of note in Bonomi MSS 41.26 (verso)]

Pompey's Pillar at Alexandria:

• unfinished watercolour with pencil details
• mounted, together with Lloyd MSS 027
• 17.7 x 25.8 cm
• [on mount] 'Pompeys Pillar Alexandria.' (ink note)
• [on mount] encircled '28' (pencil note)
• [on verso of watercolour] 'Pompeys pillar, Alexandria. / 20th Nov. 1842. / Height 99ft. Capital 10ft. Shaft 60ft. / Angle of the pedestal N[?]. 22 E.' (pencil note)

Common quail at Salhieh (Salhiya):

• watercolour
• mounted, together with Lloyd MSS 030 and Lloyd MSS 031
• 17.4 x 12.1 cm
• [on mount] encircled '29' [9 faded] (pencil note)
• [on verso of watercolour] 'Desert Partridge. / Rock Partridge / Gulla Arab. / 'Salhiah. 4th Feb. 1843.'

Forecourt of the Great Temple of Amun at Karnak; view of the standing column of Taharqa with the entrance to the Second Pylon and Hypostyle beyond:

• watercolour
• mounted
• 24.9 x 34.9 cm
• [on mount] 'Western Entrance of the Great Hypostyle Hall, / from the Court, Karnac.' (ink note)
• [on mount] '45' (pencil note)
• [on verso of watercolour] 'Western Entrance of the Great Hypostyle Hall, / from the Court. Karnac. / 1st July 1843.' (pencil note)

Columns in the Hypostyle of the Great Temple of Amun at Karnak:

• watercolour
• mounted
• 25.9 x 35.5 cm
• [on mount] 'Interior of the Great Hypostile, Karnac, looking N.' (ink note)
• [on mount] '46' (pencil note)
• [on verso of watercolour] 'Interior of the Great Hypostyle Karnac. / Looking N. / 11th June 1843.' (pencil note)

Columns in the Pillared Hall of the Festival Temple (Akhmenu) in the Great Temple of Amun at Karnak:

• unfinished watercolour with pencil details
• mounted
• 35.5 x 25.4 cm
• [on mount] 'The Colonade of Reversed Capitals in the palace of Thothmes 3rd' (ink note)
• [on mount] '50' (pencil note)
• [on verso of watercolour] not legible (pencil note)

The young princess Neferubiti, daughter of Tuthmosis I and Queen Ahmosi, wearing a side-lock and diadem and carrying a lotus-flower, from Room X preceding the Sanctuary in the Great Temple of Hatshepsut at Deir el-Bahari:

• pencil drawing
• mounted
• 25 x 34.9 cm
• [on recto of drawing] 'Sotennofrä. / Temple of Assasief / Thebes. 27th July 1843.' (pencil note)
• [on mount] encircled '1' (pencil note)
• [on verso of drawing] 'Sotennofrä the daughter of Thothmes the first. / from a high relief in the temple of Assasief. / Thebes. 27th July 1843.' (pencil note)
  -[on verso of drawing] 11 lines of text <difficult to read - not transcribed here> (pencil note)

Amenhotep III seated in a kiosk, from a scene in the tomb of Khaemhet (TT 57), temp. Amenhotep III, at Sheikh Abd el-Qurna in Thebes:

• pencil drawing
• mounted
• 24.8 x 34.9 cm
• [on mount] '5' (pencil note)

The upper part of Seti I, detail from a battle scene showing the king mounting his chariot and dragging captives and Hittite chariots, on the North side of the exterior wall of the Hypostyle in the Great Temple of Amun at Karnak:

• pencil drawing
• mounted
• 35.3 x 26 cm
• [on mount] 'Oseirei or Menephkak 1st Great Hypostile Karnac.' (pencil note)
• [on mount] '15' (pencil note)
• [on verso of drawing] 'Osirei, or Menephthah 1st / From the large bas reliefs on the / N part of the Great Hypostyle. Karnac. / 13th May. 1843.' (pencil note)

Scribes counting the hands and phalli of slain Libyan enemies, from a battle-scene in the Second Court of the Great Temple of Ramesses III at Medinet Habu:

• pencil drawing
• mounted
• 34.9 x 25 cm
• [on recto of drawing] 'Medinet Abu. / 5th Sept 1843.' (pencil)
• [on mount] '19' (pencil note)

Hatshepsut carrying a staff and a mace, detail of a scene depicting Hatshepsut presenting offerings to Hathor and Tjenenet, on the West Wall of Side-room XII of the Sanctuary in the Great Temple of Hatshepsut at Deir el-Bahari:

• pencil drawing
• mounted
• 25 x 34.9 cm
• [on recto of drawing] 'Amenenthä. Assasief. 27th July 1843.' (pencil note)
• [on mount] '21' (pencil note)

Three Palestinian name-rings for Yad Hemmelek, Adar and Megiddo, detail from a scene depicting Sesonchis I (unfinished), with ka, smiting Asiatics before Amun and Waset, both holding Palestinian name-rings, on the exterior (South) face of the Portico of the Bubastides in the precinct of the Great Temple of Amun at Karnak:

• pencil drawing
• mounted
• 35.5 x 26 cm
• [on recto of drawing] 'Judahmalek - Ashtaroth - Megiddo' (pencil note)
• [on mount] '23' (pencil note)
• [on verso of drawing] 'From the Bas-relief of the prisoners which Ammon-Ra / delivers to Senischah, on the S part of the Great / Hypostyle Hall, near the gate of the Bubastites. / Karnac. 22nd June 1843. / G. Ll. / These Cartouches were first mentioned by Champollion le Jeune.' (pencil note)

Thebes, upper part of Ramesses II offering, detail of an unidentified scene, perhaps from one of the Osiride pillars in the Second Court or a column in the Hypostyle in the Ramesseum:

• pencil drawing
• mounted
• 25 x 35 cm
• [on recto of drawing] 'Ramases the great. / <<cartouches of Ramesses II>> / Memnonium. / 26th Aug. 1843.' (pencil)
• [on mount] '24' (pencil note)

Seti I mounting his chariot whilst dragging three captive Hittites, detail from a battle scene, , on the North side of the exterior wall of the Hypostyle in the Great Temple of Amun at Karnak:

• pencil drawing
• mounted
• 35 x 25 cm
• [on mount] 'Menephthah 1st or Osirei Great Hypostile, Karnac.' (pencil note)
• [on mount] '26' (pencil note)
• [on verso of drawing] 'Menephthah 1st or Osirei. / From a large Bas-relief on the exterior of the Northern / wall of the Great Hypostyle. Karnac. / 14th June 1843. / G Lloyd.' (pencil note)

Ramesses III in chariot hunting lions, detail from the battle against the sea-peoples, from a scene on the North side of the outer face of the exterior wall of the Great Temple of Ramesses III at Medinet Habu:

• pencil drawing
• mounted
• 35 x 24.9 cm
• [on recto of drawing] 'Medinet Abu. / 31st Aug. 1843.' (pencil note)
• [on mount] '27' (pencil note)

Thebes, a harp with the uppermost terminal decorated with the head of Tuthmosis IV, detail from a scene of presentation of royal gifts to the Temple of Amun, in the tomb of Amenhotep-si-se (TT 75), temp. Thutmosis IV, at Sheikh Abd el-Qurna in Thebes:

• pencil drawing
• mounted
• 24.9 x 35 cm
• [on recto of drawing] 'Harp. / Tomb, near 17. / 1st Sept 1843.' (pencil note)
• [on mount] '29' (pencil note)
• [on verso of drawing] 'This is one of the most exquisite things / I have seen in the tombs. It is not finished / for the tomb has never been completed. / The headdress is blue, the band and pendants / and serpent yellow or gold, the staff of the / Harp gold, and the base, silver or white.' (pencil note)

Papyrus-clump, from an unidentified Ptolemaic temple scene at Karnak:

• pencil drawing
• mounted
• 35 x 24.9 cm
• [on mount] '30' (pencil note)
• [on verso of drawing] 'Lambris of Lotus Flowers. / From the walls of a small temple near the Pylon / to the North. Karnac. / This ornament is of the Ptolemaic Period. / 14th June 1843. / G Ll.' (pencil note)