Detailed plan and section (reconstruction) of the Ramesseum:
watercolour
mounted
[on recto, top right edge] 'memnonium par Leper[ ]'. (pencil note)
[on recto, bottom edge] 'PA = plan anglais = dans le plan anglais pas de pentes douces (ce qui est mieux) un peron 1ere cour 3 peron 2e cour 1 pylone beaucoup plus large'. (ink note)
[on mount, bottom edge] 'Plan et Coupe du Rhamesseion'. (ink note)
Three notebooks containing Gell's copies of hieroglyphic inscriptions from objects and publications, also drawings (some coloured) of objects seen by Gell in museums and private collections.
Notebooks, notes, card indexes of the Pyramid Texts and Late Egyptian, copies of inscriptions, corpus of transcribed hieratic ostraca and papyri, photographs, drawings, correspondence, copies of his own publications, and portraits.
Drawings (by Winifred M. Brunton), letters, and working notes for a publication on button seals. Negatives taken during the Matmar excavations in 1928-30. Card index created 1958.
Album of drawings and watercolours made during Amelia Edwards's visit to the Dolomites.
Album of drawings and watercolours made during her visit to Egypt in 1873-4.
Album with 26 pencil sketches and one watercolour titled 'Small Egyptian Scraps, 1874', made during same visit to Egypt.
Album, notebook, packet containing an assortment of drawings, letters, and notes, another packet contains copies of deeds and accounts issued following her death.
Two watercolours of the temples on Philae island, assumed to have been painted by A. Edwards.
First edition of Amelia B. Edwards, Pharaohs, Fellahs and Explorers (1891); Kate Griffith's (née Bradbury) copy, with handwritten dedication to ‘My Katie - Novr. 1891 - A.B.E’.
[Lane's caption on page verso, at top left corner] illegible pencil note
Detail from a wall scene, gazelle suckling calf, probably from scenes of bringing fowl and young animals in boxes (including hare, hedgehog, gazelles, and gazelle and young, from room I in the tomb of Nebemakhet [LG 86], son of Khephren, in the Central Field at Giza.
Tomb wall scene, female musicians, from the hallway of tomb Amenhotep-si-se (TT75), Sheikh Abu el-Qurna. The musicians play a harp, lute, double-pipe, a girl dancing, lyre and a tambourine:
pencil drawing
mounted
17.7 x 10 cm
[Lane's caption on page verso, at top left corner] 'Female musicians & dancers — from the paintings at a tomb in the Hill of the shey'kh Abd El-Ckoor'n[eh]'.' (pencil note, 'eh' of 'Ckoor'neh' is cut off, presumably when the mounted drawings were bound)
Temple wall scenes from the hypostyle hall in the Great Temple of Amun at Karnak Left scene, Seti I spears Libyan chief on the battlefield, north exterior wall Right scene, Ramesses II binding Syrian captives, south exterior wall
Two pencil drawings
Drawings are mounted side-by-side
17.7 x 10.2 cm
[Lane's caption on page verso, at top left corner] 'Sculptures at Kar'nak' (pencil note)
Part of a temple wall scene from the forecourt of the Beit el-Wali temple at Kalabsha, two registers of Nubians, including women and children, bringing tribute with animals, [to Ramesses II]:
pencil drawing
mounted
17.8 x 10.2 cm
[Lane's caption on page verso, at top left corner] 'Sculpture on the left side-wall of the court before the rock-temple of Ckala'b'sheh.' (pencil note)