Drawing of a row of baboons found detailed across the base of the east obelisk at Luxor temple. In between the baboons are details of the king's cartouche, and along the edge of the base is a row of hieroglyphs containing the royal titulary:
pencil drawing
mounted
[on recto, left side] Several notes of measurements (pencil notes)
[on recto, right side] Technical details (pencil notes)
Drawing of a seated man and his wife behind him from an unidentified tomb in Thebes. A faint border for hieroglyphs is visible along the top edge, and a small star shape is visible on the top left corner:
Rendering of the Greek and Latin graffiti from the colossi of Memnon, located at the site of the temple of Amenhotep III at Kom el-Hetan on the west bank at Thebes:
J. Lane MSS 1-3: Journals of Jenny Lane, lady's maid to Lucy Renshaw, travelling companion of Amelia A. B. Edwards, describing in detail their various trips including the 1873-1874 journey through France and Italy, crossing from Brindisi to Alexandria on the Simla, thence up the Nile to Dendara, Karnak, Luxor, Aswan, Philae and Abu Simbel, and the return journey via Port Said, through Lebanon to Damascus, Baalbek and Beirut, Constantinople, Athens, and the Rhine. They contain vivid descriptions of the landscape, weather and peoples, and anecdotes and observations of fellow travellers and places visited. They cover the period from 4 September 1873 to 6 March 1876. 286 pages in three volumes, calf, worn, 8vo.
J. Lane MSS 4: Photograph album put together following Miss Lane's two trips to Egypt and the Near East between 1873 and 1876.
J. Lane MSS 5: Collection of antiquities and miscellanea collected by Miss Lane during her trips.
J. Lane MSS 6: Three framed portraits (Jane Collins, née Jane Lane, George Collins [first husband], and George Lane [father]).
J. Lane MSS 7: Photocopy of marriage certificate for George Collins and Jane Lane (20 October 1879).
J. Lane MSS 8: Related documentation (three letters to the Martin family and two papers) by Brenda Moon.
3 copies (1 typescript and two carbon copies) of a transcript made from Linant de Bellefonds' diary (1821-1822).
Titled: "Journal d'un Voyage en Ethiopie dans les Annees 1821 & 1822."
279 typescript pages
Not Griffith Institute copyright. See below for details.
14 glass plate negatives, two sizes, with a set of modern prints made from the larger-sized negatives (1818-1826). Not Griffith Institute copyright. Negatives made from the originals in the Louvre.
The negatives are copies of the following MSS:
B.15 (parts A and B)
Triple statue (same as following), not identified, with texts
B.26
Maison du Melek d'Argos
B.30
Gebel Barkal. View of Pyramid field (North and South groups)
TopBib vii.208, 203
= Bankes MSS XV.C.7
B.32
Gebel Barkal. Temple B.300. View of interior
TopBib vii.209
= Bankes MSS XV.C.2
B.32 bis
Gebel Barkal. Great Temple B.500. Sketch, general view showing granite stand of Taharqa, with Nile-gods binding sma-symbol etc.
TopBib vii.216A & 209(43)
B.36
Gebel Barkal. Great Temple B.500. Inner Court. Meroitic battle scene, including man on horseback and archer
TopBib vii.219(30)
= Bankes MSS XV.A.28
B.38 bis
Gebel Barkal. Temple B.700. Pylon (destroyed). West wing, outer face, Senkamanisken smites captives before Amun-Re
TopBib vii.214
= Bankes MSS XV.C.8 [middle]
B.45
Gebel Barkal. Temple B.300. Third Hall. View
TopBib vii.209
B.62
Musauwarat el-Sofra. Great Temple. Views
TopBib vii.264
= Bankes MSS XVII.B.15
B.68
Musauwarat el-Sofra. South-East Temple. Interior. North-East row of columns. Column 2, three registers
TopBib vii.267
= Bankes MSS XVII.B.6
B.69
Musauwarat el-Sofra. South-East Temple. Interior. North-East row of columns. Column 1, two registers
TopBib vii.265
= Bankes MSS XVII.B.5
B.73
Naga'. General view
TopBib vii.267
B.105
Naga'. Lion Temple of Apedemak. Exterior. King, Queen and Prince, before Isis holding captives, Mut, Hathor and Satis
TopBib vii.269(21)-(22)
= Bankes MSS XVII.C.7-8
Linant de Bellefonds, (Bey and Pasha) Louis Maurice Adolphe
Album of watercolours, drawings, and tracings of Egypt produced close to the end of Lloyd's life. It is a folio volume (33 x 44 cm, pages 32.7 x 43 cm), containing 135 watercolours and drawings (74 of which are full-page and 1 folding) and 10 tracings (8 folding). They are all mounted and most are captioned either on the image itself or on the mount. Captions on the mount seem to have been added when the album was put together after Lloyd's death. The album also contains a loose watercolour, a loose drawing and a loose lithographed portrait of George Lloyd by Prisse d'Avennes, who published it in his Oriental Album: Characters, Costumes and Modes of Life in the Valley of the Nile (1848). One of the drawings in the album is a pencil portrait of Lloyd sketched by Prince A. Soltykoff.