View of the facade of the small temple of Hathor of Abeshek and Queen Nefertari at Abu Simbel:

• watercolour
• mounted
• 33.9 by 26.1 cm

View of the facade of the great temple of Re-Harakhti at Abu Simbel:

• pencil drawing
• mounted
• 48.2 by 38.0 cm

View of the courtyard area of the temple of Amun and Amenhotep III at Soleb:

• pencil drawing
• mounted
• [on recto, top edge of the paper] G A H Solib P. 41'. (pencil note)
• 42.0 by 27.9 cm

View of the pyramid field area at Gebel Barkal, with several pyramid structures visible in the distance:

• watercolour
• mounted
• [on recto, top left edge] 'Pyramids of Gibel Birkel G A H P 2'. (pencil note)
• 41.5 by 27.4 cm

View of Luxor temple in Thebes, with part of the temple space taken over by modern structures:

• watercolour
• mounted
• [on mount, bottom edge] 'Temple of Luxor Thebes - part of it converted into French barracks'. (ink note)
• 55.2 by 24.6 cm

Drawing of a row of baboons found detailed across the base of the east obelisk at Luxor temple. In between the baboons are details of the king's cartouche, and along the edge of the base is a row of hieroglyphs containing the royal titulary:

• pencil drawing
• mounted
• [on recto, left side] Several notes of measurements (pencil notes)
• [on recto, right side] Technical details (pencil notes)
• 34.2 by 24.2 cm

View of the Osiride pillars from the forecourt area of the temple of Ptah at Gerf Husein:

• watercolour
• mounted
• 26.7 by 23.0 cm

View of the Gate of Diocletian at Philae:

• watercolour
• mounted
• 29.5 by 22.7 cm

View of the temple of Amun at Hibis, near the el-Kharga oasis:

• pencil drawing
• mounted
• [on recto, top left corner] 'Plate 3 Temple Vestibule of the Temple of el Khargeh'. (pencil note)
• [on recto, bottom left corner] 'Temple of Khargeh - Oasis of Thebes P 43'. (ink note)
• 32.5 by 23.0 cm

Two camels, the upper scene shows the camel reclining near a tent and the lower scene shows the camel standing:

• pencil drawing
• mounted
• [on recto, right side] 'desert'. (pencil note)
• 22.7 by 17.5 cm

River view:

• pencil drawing
• mounted
• [on recto, left side] '123 (underlined) 1098'. (ink note)
• 27.3 by 13.0 cm

View at Gebel el-Teir:

• pencil drawing
• mounted
• [on recto, top left corner] '28'. (pencil note)
• [on recto, top right corner] 'Mountains of Gebel al Terra'. (pencil note)
• 27.2 by 13.0 cm

View at Gebel Sheikh el-Haridi:

• pencil drawing
• mounted
• [on recto, top left corner '29'. (pencil note)
• [on recto, top right corner] 'Gebel Harridy arriving at'. (ink note)
• 27.2 by 13.0 cm

Seated royal statue wearing the White Crown, an unidentified building and landscape behind:

• pencil drawing
• mounted
• 17.5 by 27.3 cm

Drawing of a seated man and his wife behind him from an unidentified tomb in Thebes. A faint border for hieroglyphs is visible along the top edge, and a small star shape is visible on the top left corner:

• pencil drawing
• mounted
• 21.0 by 25.3 cm

View of a group of dancing girls in the foreground, with Luxor temple and a large warship carrying an obelisk visible in the distance:

• pencil drawing
• mounted
• [on mount, bottom edge] 'Temple of Luxor Thebes - Alma or dancing girls - French frigate laden with the obelisk'. (ink note)
• 40.1 by 25.0 cm

Rendering of the Greek and Latin graffiti from the colossi of Memnon, located at the site of the temple of Amenhotep III at Kom el-Hetan on the west bank at Thebes:

• ink text
• mounted
• 34.2 by 23.5 cm

View of the temple of Poseidon (Poseidonia) at Paestum:

• pencil drawing
• mounted
• 40.2 by 24.7 cm

View of Cairo, including the madrasa of Sultan Hasan and the mosque of Amir Akhor:

• pencil drawing
• mounted
• [on recto, top left corner] 'View of Cairo part 2'. (ink note)
• 43.2 by 28.8 cm

View of the landscape of west bank of Thebes:

• watercolour
• mounted
• [on mount, top right edge] 'Plain of Thebes'. (ink note on label)
• 56.0 by 32.0 cm

View of an unidentified landscape, possibly Italian. At the lower left side several figures have been outlined in pencil but left incomplete:

• watercolour
• mounted
• 38.7 by 25.5 cm

View of an unidentified landscape, possibly Italian. At the lower left side several figures have been outlined in pencil but left incomplete:

• watercolour
• mounted
• 27.2 by 21.3 cm

Study of two young boys, one with his hand on the shoulder of the other boy and facing towards him:

• watercolour
• mounted
• [on recto, bottom left corner] 'Two boys of Thebes'.
• 29.2 by 29.2 cm

Study of a female figure, wearing a dark dress and facing towards the left. Before her is a faint pencil sketch that is incomplete:

• watercolour
• mounted
• 23.3 by 22.3 cm

Study of a male figure seated and with a pipe:

• pencil drawing
• mounted
• 27.5 by 22.7 cm

• J. Lane MSS 1-3: Journals of Jenny Lane, lady's maid to Lucy Renshaw, travelling companion of Amelia A. B. Edwards, describing in detail their various trips including the 1873-1874 journey through France and Italy, crossing from Brindisi to Alexandria on the Simla, thence up the Nile to Dendara, Karnak, Luxor, Aswan, Philae and Abu Simbel, and the return journey via Port Said, through Lebanon to Damascus, Baalbek and Beirut, Constantinople, Athens, and the Rhine. They contain vivid descriptions of the landscape, weather and peoples, and anecdotes and observations of fellow travellers and places visited. They cover the period from 4 September 1873 to 6 March 1876. 286 pages in three volumes, calf, worn, 8vo.
• J. Lane MSS 4: Photograph album put together following Miss Lane's two trips to Egypt and the Near East between 1873 and 1876.
• J. Lane MSS 5: Collection of antiquities and miscellanea collected by Miss Lane during her trips.
• J. Lane MSS 6: Three framed portraits (Jane Collins, née Jane Lane, George Collins [first husband], and George Lane [father]).
• J. Lane MSS 7: Photocopy of marriage certificate for George Collins and Jane Lane (20 October 1879).
• J. Lane MSS 8: Related documentation (three letters to the Martin family and two papers) by Brenda Moon.

• 3 copies (1 typescript and two carbon copies) of a transcript made from Linant de Bellefonds' diary (1821-1822).
  • Titled: "Journal d'un Voyage en Ethiopie dans les Annees 1821 & 1822."
  • 279 typescript pages
  • Not Griffith Institute copyright. See below for details.
• 14 glass plate negatives, two sizes, with a set of modern prints made from the larger-sized negatives (1818-1826). Not Griffith Institute copyright. Negatives made from the originals in the Louvre.
• The negatives are copies of the following MSS:
• B.15 (parts A and B)
  • Triple statue (same as following), not identified, with texts
• B.26
  • Maison du Melek d'Argos
• B.30
  • Gebel Barkal. View of Pyramid field (North and South groups)
  • TopBib vii.208, 203
  • = Bankes MSS XV.C.7
• B.32
  • Gebel Barkal. Temple B.300. View of interior
  • TopBib vii.209
  • = Bankes MSS XV.C.2
• B.32 bis
  • Gebel Barkal. Great Temple B.500. Sketch, general view showing granite stand of Taharqa, with Nile-gods binding sma-symbol etc.
  • TopBib vii.216A & 209(43)
• B.36
  • Gebel Barkal. Great Temple B.500. Inner Court. Meroitic battle scene, including man on horseback and archer
  • TopBib vii.219(30)
  • = Bankes MSS XV.A.28
• B.38 bis
  • Gebel Barkal. Temple B.700. Pylon (destroyed). West wing, outer face, Senkamanisken smites captives before Amun-Re
  • TopBib vii.214
  • = Bankes MSS XV.C.8 [middle]
• B.45
  • Gebel Barkal. Temple B.300. Third Hall. View
  • TopBib vii.209
• B.62
  • Musauwarat el-Sofra. Great Temple. Views
  • TopBib vii.264
  • = Bankes MSS XVII.B.15
• B.68
  • Musauwarat el-Sofra. South-East Temple. Interior. North-East row of columns. Column 2, three registers
  • TopBib vii.267
  • = Bankes MSS XVII.B.6
• B.69
  • Musauwarat el-Sofra. South-East Temple. Interior. North-East row of columns. Column 1, two registers
  • TopBib vii.265
  • = Bankes MSS XVII.B.5
• B.73
  • Naga'. General view
  • TopBib vii.267
• B.105
  • Naga'. Lion Temple of Apedemak. Exterior. King, Queen and Prince, before Isis holding captives, Mut, Hathor and Satis
  • TopBib vii.269(21)-(22)
  • = Bankes MSS XVII.C.7-8

Album of watercolours, drawings, and tracings of Egypt produced close to the end of Lloyd's life. It is a folio volume (33 x 44 cm, pages 32.7 x 43 cm), containing 135 watercolours and drawings (74 of which are full-page and 1 folding) and 10 tracings (8 folding). They are all mounted and most are captioned either on the image itself or on the mount. Captions on the mount seem to have been added when the album was put together after Lloyd's death. The album also contains a loose watercolour, a loose drawing and a loose lithographed portrait of George Lloyd by Prisse d'Avennes, who published it in his Oriental Album: Characters, Costumes and Modes of Life in the Valley of the Nile (1848). One of the drawings in the album is a pencil portrait of Lloyd sketched by Prince A. Soltykoff.

• Original cloth-binding re-backed retaining original half roan spine
• 33 x 44 cm
• Traces of a (now lost) album title-plate, which measured 10.5 x 6 cm, on exterior of front cover board.

Title page:

• [at bottom of page] 'G. Lloyd.' (pencil note)