[Lane's caption on page verso, at top left corner] illegible pencil note
Detail from a wall scene, gazelle suckling calf, probably from scenes of bringing fowl and young animals in boxes (including hare, hedgehog, gazelles, and gazelle and young, from room I in the tomb of Nebemakhet [LG 86], son of Khephren, in the Central Field at Giza.
Correspondence with other Egyptologists (now deceased) and some miscellaneous correspondence. Includes Eaton-Krauss's exchanges with Cyril Aldred, Martha R. Bell, Bernard V. Bothmer, Jochen Briegleb, Helmut Brunner, Ricardo A. Caminos, Henry G. Fischer, Wolfgang Helck, Barry J. Kemp, Jaromir Malek, Geoffrey T. Martin, William Murnane, and James Romano.
Notes and correspondence relating to articles and books peer-reviewed by Eaton-Krauss.
Recommendations for appraisals of academic posts.
Correspondence with Marc Gabolde between 1987 and 2023 about a research project to study the monuments associated with king Tutankhamun in the Temple of Karnak; accompanied by a chronological summary to facilitate use.
Album of drawings and watercolours made during Amelia Edwards's visit to the Dolomites.
Album of drawings and watercolours made during her visit to Egypt in 1873-4.
Album with 26 pencil sketches and one watercolour titled 'Small Egyptian Scraps, 1874', made during same visit to Egypt.
Album, notebook, packet containing an assortment of drawings, letters, and notes, another packet contains copies of deeds and accounts issued following her death.
Two watercolours of the temples on Philae island, assumed to have been painted by A. Edwards.
First edition of Amelia B. Edwards, Pharaohs, Fellahs and Explorers (1891); Kate Griffith's (née Bradbury) copy, with handwritten dedication to ‘My Katie - Novr. 1891 - A.B.E’.
Notebooks, notes, card indexes of the Pyramid Texts and Late Egyptian, copies of inscriptions, corpus of transcribed hieratic ostraca and papyri, photographs, drawings, correspondence, copies of his own publications, and portraits.
Three notebooks containing Gell's copies of hieroglyphic inscriptions from objects and publications, also drawings (some coloured) of objects seen by Gell in museums and private collections.
Detailed plan and section (reconstruction) of the Ramesseum:
watercolour
mounted
[on recto, top right edge] 'memnonium par Leper[ ]'. (pencil note)
[on recto, bottom edge] 'PA = plan anglais = dans le plan anglais pas de pentes douces (ce qui est mieux) un peron 1ere cour 3 peron 2e cour 1 pylone beaucoup plus large'. (ink note)
[on mount, bottom edge] 'Plan et Coupe du Rhamesseion'. (ink note)