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Tracing of Horus as king with double crown (on recto) and god Amun (on verso), inspired by depictions from different monuments and publications
Tracing of Horus as king with double crown (on recto) and god Amun (on verso), inspired by depictions from different monuments and publications
Egypt. Thebes. East Bank. Karnak. Objects. Granite pillar-base with six figures, including Tuthmosis III, now in London, British Museum, EA12
Egypt. Thebes. East Bank. Karnak. Objects. Granite pillar-base with six figures, including Tuthmosis III, now in London, British Museum, EA12
Egypt. Nubia. Abu Simbel. Great Temple of Ramesses II. Great Hall (inspired by)
Egypt. Nubia. Abu Simbel. Great Temple of Ramesses II. Great Hall (inspired by)
Egypt. Saqqara. Objects from Tombs. False-doors and stelae. Wooden niche-stela of Merib and son Nedjemib, now in Paris, Musée du Louvre, N.3389
Egypt. Saqqara. Objects from Tombs. False-doors and stelae. Wooden niche-stela of Merib and son Nedjemib, now in Paris, Musée du Louvre, N.3389
Sudan. Gebel Barkal. Great Temple of Amun. Outer Vestibule. Granite Stand or Altar of Taharqa (inspired by)
Sudan. Gebel Barkal. Great Temple of Amun. Outer Vestibule. Granite Stand or Altar of Taharqa (inspired by)
Design of a Nile-god carrying offering, inspired by unidentified monument
Design of a Nile-god carrying offering, inspired by unidentified monument
Egypt. Nubia. Abu Simbel. Great Temple of Ramesses II. Great Hall (inspired by)
Egypt. Nubia. Abu Simbel. Great Temple of Ramesses II. Great Hall (inspired by)
Egypt. Nubia. Abu Simbel. Great Temple of Ramesses II. Great Hall (inspired by)
Egypt. Nubia. Abu Simbel. Great Temple of Ramesses II. Great Hall (inspired by)
Egypt. Nubia. Abu Simbel. Great Temple of Ramesses II. Great Hall (inspired by)
Egypt. Nubia. Abu Simbel. Great Temple of Ramesses II. Great Hall (inspired by)
Egypt. Thebes. East Bank. Karnak Temple. Great Temple of Amun. Forecourt. Portico of the Bubastides. Exterior. Palestinian name-ring 29 (Yad Hemmelek); with Latin inscription
Egypt. Thebes. East Bank. Karnak Temple. Great Temple of Amun. Forecourt. Portico of the Bubastides. Exterior. Palestinian name-ring 29 (Yad Hemmelek); with Latin inscription
Composition with two registers of deities, inspired by depictions from different monuments and publications
Composition with two registers of deities, inspired by depictions from different monuments and publications
Egypt. Thebes. East Bank. Karnak. Great Temple of Amun. Hypostyle (after David Roberts)
Egypt. Thebes. East Bank. Karnak. Great Temple of Amun. Hypostyle (after David Roberts)
Upper part of two papyriform columns (closed capitals) from unidentified monument
Upper part of two papyriform columns (closed capitals) from unidentified monument
Composition with two registers of deities, inspired by depictions from different monuments and publications, together with a sketch with two figures (Classical)
Composition with two registers of deities, inspired by depictions from different monuments and publications, together with a sketch with two figures (Classical)
Design of seated Ptah writing, inspired by unidentified monument or publication
Design of seated Ptah writing, inspired by unidentified monument or publication
Egypt. Saqqara. West of the Step Pyramid. Tomb of Pernedju. False-door. Upper part
Egypt. Saqqara. West of the Step Pyramid. Tomb of Pernedju. False-door. Upper part
Egypt. Nubia. El-Sebua. Temple of Amun and Re-Harakhti. Pylon. Standard-bearer colossus of Ramesses II (after David Roberts)
Egypt. Nubia. El-Sebua. Temple of Amun and Re-Harakhti. Pylon. Standard-bearer colossus of Ramesses II (after David Roberts)
Egypt. Nubia. El-Sebua. Temple of Amun and Re-Harakhti. Pylon. Standard-bearer colossus of Ramesses II (after David Roberts)
Egypt. Nubia. El-Sebua. Temple of Amun and Re-Harakhti. Pylon. Standard-bearer colossus of Ramesses II (after David Roberts)
Two halves (recto and verso) of a symmetrical composition with Nile-gods binding the sma-symbol, used as the cover of a 1846 publication
Two halves (recto and verso) of a symmetrical composition with Nile-gods binding the sma-symbol, used as the cover of a 1846 publication
Personified djed-pillar
Personified djed-pillar
Egypt. Nubia. Abu Simbel. Great Temple of Ramesses II. Great Hall. Lower Register. Third Scene. Lion
Egypt. Nubia. Abu Simbel. Great Temple of Ramesses II. Great Hall. Lower Register. Third Scene. Lion
Egypt. Nubia. Abu Simbel. Great Temple of Ramesses II. Great Hall. Osiride Pillar I (a), lower register. Queen Nefertari with sistra
Egypt. Nubia. Abu Simbel. Great Temple of Ramesses II. Great Hall. Osiride Pillar I (a), lower register. Queen Nefertari with sistra
Egypt. Nubia. Abu Simbel. Great Temple of Ramesses II. Scene with Nubians and trees (exact location not known)
Egypt. Nubia. Abu Simbel. Great Temple of Ramesses II. Scene with Nubians and trees (exact location not known)
Egypt. Nubia. Abu Simbel. Great Temple of Ramesses II. Scene with Nubians and trees (exact location not known)
Egypt. Nubia. Abu Simbel. Great Temple of Ramesses II. Scene with Nubians and trees (exact location not known)
Egypt. Nubia. Abu Simbel. Great Temple of Ramesses II. Great Hall. Battle of Kadesh
Egypt. Nubia. Abu Simbel. Great Temple of Ramesses II. Great Hall. Battle of Kadesh
Egypt. Nubia. Abu Simbel. Great Temple of Ramesses II. Façade. Two colossi
Egypt. Nubia. Abu Simbel. Great Temple of Ramesses II. Façade. Two colossi
Egypt. Nubia. Abu Simbel. Great Temple of Ramesses II. Façade. Colossus
Egypt. Nubia. Abu Simbel. Great Temple of Ramesses II. Façade. Colossus
Egypt. Nubia. Abu Simbel. Great Temple of Ramesses II. Sanctuary. Four seated statues of Ptah, Amun-Re, deified Ramesses II, and Re-Harakhti
Egypt. Nubia. Abu Simbel. Great Temple of Ramesses II. Sanctuary. Four seated statues of Ptah, Amun-Re, deified Ramesses II, and Re-Harakhti
Egypt. Nubia. Abu Simbel. Great Temple of Ramesses II. Sanctuary. Seated statue of Amun-Re (exercise with three designs)
Egypt. Nubia. Abu Simbel. Great Temple of Ramesses II. Sanctuary. Seated statue of Amun-Re (exercise with three designs)
Composition with two registers of deities, inspired by depictions from different monuments and publications
Composition with two registers of deities, inspired by depictions from different monuments and publications