Detail of cornice of from Abu Simbel
- Edwards MSS 2.4.24
- Item
- 1874
Pencil drawing of detail of cornice at Abu Simbel:
- mounted
- [on mount] 'Cornice of library adjoining Gt Temple. Aboo Simbel' (pencil note)
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Detail of cornice of from Abu Simbel
Pencil drawing of detail of cornice at Abu Simbel:
Resurrection of Osiris, Philae
Pencil drawing of resurrection of Osiris at Philae:
Shrine of legs of Osiris at Philae
Pencil drawing of shrine of legs of Osiris:
Shrine of arm of Osiris at Philae
Pencil drawing of shrine of arm of Osiris:
Pencil drawing of djed at Philae:
King and queen from Temple of Amada, Nubia
Pencil drawing of king and queen embracing:
Pencil drawing of scarab beetle at the Temple of Dendur:
Goddess Taurt at Gebel el-Silsila
Pencil drawing of Taurt at Gebel el-Silsila:
Pencil drawing of Ta-urt:
Pencil drawing of head of captive at Abu Simbel:
Head of Kushite captive at Abu Simbel
Pencil drawing of Kushite captive at Abu Simbel:
Head of Pelasigian captive at Medinet Habu; helmet of captive
Two mounted pencil drawings:
Head of Syrian captive at Medinet Habu
Pencil drawing of Syrian captive:
Head of captive at Medinet Habu
Pencil drawing of head of captive at Medinet Habu:
Headdress of a king at Kalabsha
Pencil drawing of the headdress of a king at Kalabsha:
Pencil drawing of the headdress of a king:
Album containing sketched drawings and one watercolour made by Edwards when visiting Egypt in the winter of 1873-1874. Many of these preliminary sketches and the watercolour in the album were used to illustrate her book A Thousand Miles Up the Nile, published in 1877.
Bound in brown leather.
Cover bound in brown leather.
Ink drawing of woman with crocodile:
Woman sketching with crocodile
Ink drawing of woman sketching with crocodile:
Ink drawing of man:
Watercolour of bowl on recto and pencil sketch of outline of bowl on verso:
Pencil drawing of woman dancing:
Ink sketches of architectural patterns from Beni Hasan:
Ink drawing of castle:
Handwritten letter with ink drawing of Venice:
'My darling - You ask me the history of my [?]. Well - the Rhodian Apollo is Roman gem, cut in carnelian,' (ink note)
Drawing of tree with poem:
'What shall I call thee - Song bird? Sweetheart mine?
How shall I woo thee?... If, in truth I dare
To cast my shadow on that path of thine;
To braid my silver with thy golden hair.
How shall I woo thee? - Stretching out my hands
As elms in spring stretch forth their boughs to greet
Wing'd wanderers from sunny far-off lands?
Ah, seek some younger, fresher shade, my sweet!
Thy nest should be a bow'r of blossoms rare;
Thy shade should be all perfumed, + thy lay
Poured forth upon the summer-spicèd air
Of some soft chime, when it is always May!
Alas! my boughs are tempest-toss'd + shorn;
My roots have struck the rock - my leaves are shed;
Shall winter mate with spring, or eve with morn?
Despair with hope? The living with the dead?
Yet come, if thou wilt! For well-nigh due
In God's great miracle, when earth + sky,
Mountain, + moon, + copse their youth renew -
And if the daisies, dearest, why not I?
I wak'd last night from dreams of spring, + lo!
The first dear crocus shows its head today;
And yonder limes are crimsoned with the glow
Of the imprison'd summer! Come away!
Away, dear lover, to meet + greet the spring!
Unfold, ye buds! Laugh out in lead, ye trees!
Come, perfum'd winds, your summer sweetness bring,
From tropic isles beyond the Western seas!
Sing, sing, ye thrushes! To our Northern Shore
Dear swallows, from the purple East fly fast!
Darkness, + doubt, + winter are no more -
The eternal youth of Hope is mine at last!
A.B.E.
Oct. 1887 - Jany. 1888 (underlined)' (ink note)