Plaster casts of objects in Edinburgh, Royal Museum of Scotland, 1956.144 (lower part of block statue of Pedehor, Late Period), and 1961.439 (stela of Anakht, New Kingdom); Reading, The Ure Museum of Greek Archaeology (copper mirror of Henuiti (woman), Dyn. XII), inked in by J. Černý; Samos, Archeological Museum of Vathy (inscription from bronze mirror of Antiuzashu, Dyn. XXV-XXVI), cast sent by J. Penrose Barron of Balliol College to J. Černý, kept with copies of the texts made by J. Černý and J. Harris.
Drawings (by Winifred M. Brunton), letters, and working notes for a publication on button seals. Negatives taken during the Matmar excavations in 1928-30. Card index created 1958.
2 letters from Firchow, 1 carbon copy of a letter from Černý to Firchow. Černý's participation in Festschrift Grapow, see Firchow, O. (ed.), Ägyptologische Studien (1955) (OEB 158830).
3 letters from Fecht, 1 carbon copy of a letter from Černý to Fecht. Professional matters, book exchange, and Černý's contribution for Firchow, O. (ed.), Ägyptologische Studien 29 (1955) (OEB 158830).
Original housing for Faulkner MSS 1 and 2, consisting of one notebook cover, the inside covers are annotated by Faulkner and (probably) G. L. Norsworthy.
Sections of Faulkner, Raymond O. 1962. A concise dictionary of Middle Egyptian (OEB 9012). Entries for parts of m, nrw and sḥtp. 13 manuscript pages with later annotations (changes and corrections).
Faulkner's translation (not published) of the stela of King Kamose [Kamosi], with an account of a victory over the Hyksos, found in the foundations of the Second Pylon, Karnak, and two additional blocks (found separately), found in the vicinity of the Third Pylon, now in the Egyptian Museum, Cairo [TopBib ii2.37, 73]. 6 manuscript pages with later annotations (changes and corrections).
66 letters from Fairman, 16 carbon copies of letters from Černý to Fairman. Pprofessional and personal matters, book purchases and exchange, books being lent, often to Fairman or Liverpool library. Particular topics: - Černý asked to obtain books on some of his international travels, e.g. books from the IFAO during his Egypt sojourns.
Objects in Manchester Museum,1759 and 4588
Nubian sites, Amara (West) (TopBib vii.159?, 1961), Abu Simbel
Exchange of opinions on papers by E. Edel, B. Grdseloff and others
Černý invited to be an external examiner for Liverpool, exchange of evaluations of individual students, notably K. Kitchen. J. Ruffle, M. A. M. Asfour.
Administration of the Egypt Exploration Society (EES)
Consists of at least two sets of slides which have been combined. Made by a tourist(s), probably between 1910 and 1930. Views include Alexandria, Karnak, Luxor, Ramesseum, objects in the Egyptian Museum, Cairo, and scenes of daily life.
Three A4 folders containing an unpublished annotated typescript of a monograph on the constellations of the Babylonian and Egyptian sphere and their modifications by the Greeks of the Achaean period.
Album of drawings and watercolours made during Amelia Edwards's visit to the Dolomites.
Album of drawings and watercolours made during her visit to Egypt in 1873-4.
Album with 26 pencil sketches and one watercolour titled 'Small Egyptian Scraps, 1874', made during same visit to Egypt.
Album, notebook, packet containing an assortment of drawings, letters, and notes, another packet contains copies of deeds and accounts issued following her death.
Two watercolours of the temples on Philae island, assumed to have been painted by A. Edwards.
First edition of Amelia B. Edwards, Pharaohs, Fellahs and Explorers (1891); Kate Griffith's (née Bradbury) copy, with handwritten dedication to ‘My Katie - Novr. 1891 - A.B.E’.
55 letters from Edwards to Černý. 11 letters to Marie Černý from Edwards, 2 draft letters from M. Černý to Edwards. Professional as well as personal matters. Philology, publication of Abusir papyri, objects from the British Museum collections, Nubian campaigns; academic examinations and positions, including Černý's transfer from London to Oxford; family matters. Particular issues include:
purchases of publications in Cairo
following Černý's death, Edwards corresponded with Marie Černý concerning the transfer of Černý's library to Prague
T. G. H. James to be recommended as The Lady Wallis Budge Fellow
the Palmer Holland squeezes material
papyri at Kingston Lacy
Coptic etymologies
Edwards' candidature for the British Academy, supported by Černý
stela of Rudjahau, in London, British Museum, EA 159, TopBib v.95-6
3 letters from Edgerton, 1 carbon copy of a letter and one pencil draft of another letter from Černý to Edgerton. Černý's visit to Chicago in early 1955, assessment of Miss Catherine E. Morton.
Correspondence with other Egyptologists (now deceased) and some miscellaneous correspondence. Includes Eaton-Krauss's exchanges with Cyril Aldred, Martha Bell, Bernard V. Bothmer, Jochen Briegleb, Helmut Brunner, Henry Fischer, Wolfgang Helck, William Murnane, and James Romano.
Notes and correspondence relating to articles and publications, peer-reviewed by Eaton-Krauss.
Recommendations for appraisals of academic posts.
Correspondence with Marc Gabolde between 1987 and 2023 about a research project to study the monuments associated with king Tutankhamun in the Temple of Karnak; accompanied by a chronological summary to facilitate use.
[Lane's caption on page verso, at top left corner] illegible pencil note
Detail from a wall scene, gazelle suckling calf, probably from scenes of bringing fowl and young animals in boxes (including hare, hedgehog, gazelles, and gazelle and young, from room I in the tomb of Nebemakhet [LG 86], son of Khephren, in the Central Field at Giza.
Tomb wall scene, female musicians, from the hallway of tomb Amenhotep-si-se (TT75), Sheikh Abu el-Qurna. The musicians play a harp, lute, double-pipe, a girl dancing, lyre and a tambourine:
pencil drawing
mounted
17.7 x 10 cm
[Lane's caption on page verso, at top left corner] 'Female musicians & dancers — from the paintings at a tomb in the Hill of the shey'kh Abd El-Ckoor'n[eh]'.' (pencil note, 'eh' of 'Ckoor'neh' is cut off, presumably when the mounted drawings were bound)
