Ink drawing of unidentified landscape with marabout tombs and dahabiyya.
Ink drawing of male figure riding camel:
- [on drawing] 'Scenting the Spring from afar.' (ink note)
- [on reverse of drawing] 'to her (underlined). But a nice capable girl was found in the village, who came up [?] to-day - + for two hours to-day - but - <who> cannot come any more, having an engage-ment at the Anna's[?] from tomorrow for a month. They are taking her as temporary housemaid till they leave for Cannes in Feby.' (ink note)
Watercolour of Castle Dinas Bran:
- [on reverse of watercolour] 'Castle Dinas Bran N. Wales' (pencil note)
Handwritten, unsigned letter with drawing of Capri:
- 'April 11 / 80 My darling, The queer looking object above is the island of Capri - from Naples. It looks like a whale with a broken back - or a Kraken - or any other sea monster you please. Round the corner to the right is the Blue Grotto, + the high cliff in the middle is Tiberius's cliff, over wh. he had people thrown for his entertainment. I have first been writing to Mrs Hawarth[?], + have made her an elaborate Syrian country house on the slopes of Lebanon. The original is a coloured sketch, done at the luncheon halt, in my [?] sketch book. When you go to see her again ask her if she has any [?] + miles[?] of mine[?]' (ink)
Ink sketch of man:
- [on drawing] 'Pictorial Biography of A.B.E. The Poet who dedicated his Verses to me.' (ink note)
Drawing of tree with poem:
'What shall I call thee - Song bird? Sweetheart mine?
How shall I woo thee?... If, in truth I dare
To cast my shadow on that path of thine;
To braid my silver with thy golden hair.
How shall I woo thee? - Stretching out my hands
As elms in spring stretch forth their boughs to greet
Wing'd wanderers from sunny far-off lands?
Ah, seek some younger, fresher shade, my sweet!
Thy nest should be a bow'r of blossoms rare;
Thy shade should be all perfumed, + thy lay
Poured forth upon the summer-spicèd air
Of some soft chime, when it is always May!
Alas! my boughs are tempest-toss'd + shorn;
My roots have struck the rock - my leaves are shed;
Shall winter mate with spring, or eve with morn?
Despair with hope? The living with the dead?
Yet come, if thou wilt! For well-nigh due
In God's great miracle, when earth + sky,
Mountain, + moon, + copse their youth renew -
And if the daisies, dearest, why not I?
I wak'd last night from dreams of spring, + lo!
The first dear crocus shows its head today;
And yonder limes are crimsoned with the glow
Of the imprison'd summer! Come away!
Away, dear lover, to meet + greet the spring!
Unfold, ye buds! Laugh out in lead, ye trees!
Come, perfum'd winds, your summer sweetness bring,
From tropic isles beyond the Western seas!
Sing, sing, ye thrushes! To our Northern Shore
Dear swallows, from the purple East fly fast!
Darkness, + doubt, + winter are no more -
The eternal youth of Hope is mine at last!
A.B.E.
Oct. 1887 - Jany. 1888 (underlined)' (ink note)
Handwritten letter with ink drawing of Venice:
'My darling - You ask me the history of my [?]. Well - the Rhodian Apollo is Roman gem, cut in carnelian,' (ink note)
Ink drawing of castle:
- [on drawing] 'A Castle in the Air, Hastings, July 28th 1888. A. B. E.'
Ink sketches of architectural patterns from Beni Hasan:
- top: spiral and rosette pattern
- [on drawing] 'Spiral + Rosette Design, Beni Hasan XII [?]. treads [?] of tomb not correct perspective 173' (ink note)
- second from top: rosette and key pattern
- [on drawing] 'Rosette and Key pattern'
- second from bottom: pattern with spirals
- [on drawing] 'stelae by Wilkinson p363 to [?] Pl. Viii. Assint.[?] Herzblatt Pattern vol 1.' (ink note)
- bottom: Cornice pattern
- [on drawing] 'Cornice pattern from Beni Hassan July[?].'
Pencil drawing of woman dancing:
- [on reverse] 'Roman peasant girl dancing the Saltarello. after Pinelli (undelined) ABE (underlined)' (pencil note)
Watercolour of bowl on recto and pencil sketch of outline of bowl on verso:
- [on recto of drawing] '"The Great God Pan" - E. B. Browning. ABE' (pencil note)
Ink drawing of man:
- [on drawing] 'Sketch from life. Nast [?]. (underlined) Listening to the Band. West[?] [?] [?] 1889.' (ink note)
Ink drawing of woman sketching with crocodile:
- [on drawing] 'The Larches Westbury-on-Trym Nr. Bristol.' (printed) 'April 20th. 1888. The delights of sketching from Nature, 1000 miles up the Nile.' (ink note)
Ink drawing of woman with crocodile:
- [on drawing] 'The Larches, Westbury-on-Trym, Nr. Bristol.' (printed) 'The delights of sketching 1000 miles up the Nile, Scene the Second (Rapid disappearance of A.B.E.) April 24 / 88. (underlined) Here is Scene the Second in this terrible Tragedy for you - + I' (ink note)
Cover bound in brown leather.
Bound in brown leather.
Album containing sketched drawings and one watercolour made by Edwards when visiting Egypt in the winter of 1873-1874. Many of these preliminary sketches and the watercolour in the album were used to illustrate her book A Thousand Miles Up the Nile, published in 1877.
- Annotated on the first page: "Small Egyptian Scraps: 1874"
- Containing 27 mounted items
- Watercolours, drawings and sketches made in Egypt, many with Edwards' annotated captions on the drawings and the watercolour and also on the mounts
Pencil drawing of the headdress of a king:
- mounted
- [on drawing] 'Headdress of King. Dakkeh.' (pencil note)
- [on mount] 'Headdress of a King - Dakkeh.' (pencil note)
Pencil drawing of the headdress of a king at Kalabsha:
- mounted
- [on drawing] 'Back of Gt. Temple Kalabshah.' (pencil note)
- [on mount] 'Headdress of a King. Back of Great Temple - Kalabsheh.' (pencil note)
Pencil drawing of head of captive at Medinet Habu:
- mounted
- [on drawing] 'Pylon left of gateway' (pencil note)
- [on mount] 'Head of Captive. Pylon to S. of Palace Gateway - Medinet Haboo.' (pencil note)
Pencil drawing of Syrian captive:
- mounted
- [on drawing] 'Pylon right of gate. Head of Captive | Syrian' (pencil note)
- [on mount] 'Syrian Captive. Pylon to right of Palace gateway - Medinet Haboo.'
Two mounted pencil drawings:
- upper: head of captive
- [on drawing] 'Pulusatan. Right pylon' (pencil note)
- lower: helmet
- [on drawing] 'Helmet of Captive. Medinet Haboot' (pencil note)
- [on mount] 'head of Pelasgian Captive. Medinet Haboo. under gateway.' (pencil note)
Pencil drawing of Kushite captive at Abu Simbel:
- [on drawing] 'Head of captive to right of Entrance. Ibid: Aboo Simbel' (pencil note)
- [on mount] 'Head of Cushite captive. East wall w sight of entrance. Great Hall. Aboo Simbel.'
Pencil drawing of head of captive at Abu Simbel:
- mounted
- [on drawing] 'Head of captive to left of entrance. Temple of Hathor. Aboo Simbel.'
Pencil drawing of Ta-urt:
- mounted
- [on drawing] 'Philae March 9th 1874.' (pencil note)
- [on mount] 'Goddess Ta-urt: Philae - facade of Mammisi' (pencil note)
Pencil drawing of Taurt at Gebel el-Silsila:
- mounted
- [on drawing] 'Silsilis.' (pencil note)
- [on mount] ' Goddess Ta-urt: Chapel of the Ramessides: Silsilis. West bank.' (pencil note)
Pencil drawing of scarab beetle at the Temple of Dendur:
- mounted
- [on drawing] 'Dendoor' (pencil note)
- [on mount] 'Scarabæus over S. door + Lotus ornament. Dendoor.' (pencil note)
Pencil drawing of king and queen embracing:
- Mounted
- [on sketch] 'King + Queen embracing. Temple of Amada. Nubia' (pencil note)
- [on mount] 'To left of entrance. East wall Temple of Amada. Nubia.' (pencil note)