Pencil drawing of shrine of legs of Osiris:

• mounted
• [on mount] 'Shrine of legs of Osiris: Osiris Chamber - Philae' (pencil note)

Pencil drawing of resurrection of Osiris at Philae:

• mounted
• [on mount] 'Resurrection of Osiris - Osiris chamber. Philae' (pencil note)

Pencil drawing of detail of cornice at Abu Simbel:

• mounted
• [on mount] 'Cornice of library adjoining Gt Temple. Aboo Simbel' (pencil note)

Pencil drawing of Horus from Abu Simbel:

• mounted
• [on drawing] 'Ensign dividing two large pictures on West wall of painted Chamber' (pencil note)
• [on mount] 'Ensign of Horus Araëris - library - Aboo Simbel' (pencil note)

Pencil drawing of Ramesses II at Abu Simbel:

• mounted
• [on mount] 'Rameses II W. Wall. Library - Aboo Simbel.'

Pencil drawing of sistrum at Abu Simbel:

• mounted
• [on mount] 'Bas relief of Sistrum. Temple of Hathor Aboo Simbel.' (pencil note)

Pencil sketch of Ramesses II at Beit el-Wali:

• mounted
• [on sketch] 'Bayt el Whally' (pencil note)
• [on mount] 'Rameses II as prince, combatting. To right of entrance, East wall. Bayt el Wely.' (pencil note)

Pencil drawing of Ramesses II:

• mounted
• [on drawing] 'Abydos. (funeral scene) Rameses as Kings son worshipping Seti borne on throne as Gods' (pencil note)
• [on mount] 'Ramses II. as Prince. On the S wall of vaulted chamber to left of Great Hall - Abydos.' (pencil note)

Pencil drawing of Ramesses II:

• mounted
• [on drawing] 'Portrait of Rameses II. Karnac.' (pencil note)
• [on mount] 'On the wall of a corridor leading to the Sanctuary - Karnak.' (pencil note)

Pencil drawing of Ramesses II:

• mounted
• [on drawing] 'Head of last colossus on right interior of Large Temple' (pencil note)
• [on mount] 'Rameses II. Head of Osiride Caryatid Great Hall - Large Temple. Aboo Simbel.' (pencil note)

Pencil drawing of goddess:

• mounted
• [on drawing] 'Goddess represented on S wall of small temple of Hathor Ihsambool' (pencil note)
• [on mount] 'Goddess with headdress supposed to represent a sheaf of flax. S. wall. Smaller Temple. Aboo Simbel' (pencil note)

Pencil drawing:

• mounted
• [on drawing] 'Edfoo. Ma' (pencil note)
• [on mount] 'King marking out the foundations of a Temple. South wall. Great Hall. Edfoo.' (pencil note)

Pencil drawing of the headdress of a king:

• mounted
• [on drawing] 'Edfoo' (pencil note)
• [Headdress of a King:. North wall Great Hall. Temple of Edfoo.' (pencil note)

Back cover with green leather binding.

Cover bound in green leather.

• [on label] 'G/N28 Griffith Institute Ashmolean Museum, Oxford' (printed)

Sketch missing.

• [on mount] 'Small Egyptian Scraps,, 1874. T'ih: A Priest & noble of Memphis. IVth Dynasty.' (ink note)

Watercolour in its original mount, the temples on Philae Island, viewed from the south. Although the watercolour is not signed or annotated, it was most certainly painted by Amelia A. B. Edwards.

Watercolour in its original mount, showing the temples on Philae Island, viewed from the north-west.

• The watercolour is captioned on the mount, once below the watercolour and again on the verso. The captions are both the same but are written in two different hands: "Philæ from the North."
• Although the watercolour is not signed, it was most certainly painted by Amelia A. B. Edwards.

• Album of drawings and watercolours made during Amelia Edwards's visit to the Dolomites.
• Album of drawings and watercolours made during her visit to Egypt in 1873-4.
• Album with 26 pencil sketches and one watercolour titled 'Small Egyptian Scraps, 1874', made during same visit to Egypt.
• Album, notebook, packet containing an assortment of drawings, letters, and notes, another packet contains copies of deeds and accounts issued following her death.
• Two watercolours of the temples on Philae island, assumed to have been painted by A. Edwards.
• First edition of Amelia B. Edwards, Pharaohs, Fellahs and Explorers (1891); Kate Griffith's (née Bradbury) copy, with handwritten dedication to ‘My Katie - Novr. 1891 - A.B.E’.

A small group of Faulkner's documentation.

• Translation of the stela of King Kamose [Kamosi] (Faulkner MSS 1).
• Sections of Faulkner, Raymond O. 1962. A concise dictionary of Middle Egyptian (Faulkner MSS 2).
• Original housing for the group (Faulkner MSS 3).

• Faulkner's translation (not published) of the stela of King Kamose [Kamosi], with an account of a victory over the Hyksos, found in the foundations of the Second Pylon, Karnak, and two additional blocks (found separately), found in the vicinity of the Third Pylon, now in the Egyptian Museum, Cairo [TopBib ii2.37, 73]. 6 manuscript pages with later annotations (changes and corrections).

Sections of Faulkner, Raymond O. 1962. A concise dictionary of Middle Egyptian (OEB 9012). Entries for parts of m, nrw and sḥtp. 13 manuscript pages with later annotations (changes and corrections).

Original housing for Faulkner MSS 1 and 2, consisting of one notebook cover, the inside covers are annotated by Faulkner and (probably) G. L. Norsworthy.

Notebooks, notes, card indexes of the Pyramid Texts and Late Egyptian, copies of inscriptions, corpus of transcribed hieratic ostraca and papyri, photographs, drawings, correspondence, copies of his own publications, and portraits.

Third copy of My Early Years by Sir Alan Gardiner (1968).

Third copy of My Working Years by Sir Alan Gardiner (1962).

With an unsigned dedication on the front matter by Mr Rolf Gardiner:

"For the Library of the Griffiths[sic] Institute
on the occasion of a Memorial Dinner
held, by invitation of the Provost, at the
Queen's College, Oxford, in commemoration of
Sir Alan Gardiner
on Saturday 23 May 1964

Followed by the signatures of the attendees.

With an enclosure at the back containing the souvenir booklet printed by Oxford University Press on the occasion of the Memorial Dinner (sections: "Menu", "Sir Alan Gardiner, Kt.", a portrait photograph, and "Sir Alan Gardiner's Publications"), and a loose calling card of Rolf Gardiner.

Three notebooks containing Gell's copies of hieroglyphic inscriptions from objects and publications, also drawings (some coloured) of objects seen by Gell in museums and private collections.

Copies of texts, mostly from Theban tombs.

Correspondence and notes relating to the geography of the Hittite Empire, Babylonian music, decipherment, and various other topics.