Rubbing of a hieroglyphic inscription on an object thought to come from Carthage (not identified) (TopBib vii.367A):

• ink rubbing on tracing paper, mounted on paper
• mounted
• 4 x 16.2 cm (11.2 x 17.6 cm with mount)
• [on rubbing mount] 'This is a rubbing / from some Hieroglyphics / found among the ruins / of Carthage. / Given to me by / Doctor Lee of Aylesbury / 1840' (ink note)
• [on mount] '6' (pencil note)

List of places in and near Egypt mentioned in the Bible, with corresponding Hebrew renderings:

• ink text on paper
• mounted
• 9.8 x 18.1 cm
• [on mount] '7' (pencil note)

Rubbing of the hieroglyphic inscription of an inscribed headrest, provenance not know, formerly in Walter Hawkins collection, current location not known:

• rubbing highlighted with pencil on paper
• mounted
• 3.6 x 11.2 cm
• [on mount] '8' (pencil note)

View of the First Pylon of the Small Temple of Medinet Habu, looking East towards the Colossi of Memnon, on the West Bank of Thebes, not finished (TopBib ii.462):

• pencil sketch on paper
• loose, between Bonomi MSS 4.8 and Bonomi MSS 4.13
• 44.7 x 29.5 cm

Print of "Nelson's Column. Trafalgar Square. &c." in London (England), by J. Shury, published by J. Harwood, with addition of statue of Britannia and other statues in watercolour:

• print with watercolour (grey and brown) on paper
• mounted
• 18.9 x 15.7 cm
• [on print] 'J. Shury. sculp' (printed note)
• [on print] '12, Gt Carter Lane, Doctors Commons.' (printed note)
• [on print] 'Nelson's Column. Trafalgar Square. &c.' (printed note)
• [on print] 'PLACE DE TRAFALGAR.' (printed note)
• [on print] 'DIE NELSON SAULE.' (printed note)

Christ standing between two figures, possibly Saint Paul and Saint Peter:

• ink sketch on paper
• mounted, together with Bonomi MSS 40.11
• 11.2 x 10.1 cm
• [on sketch] 'as for example the Transfig the 3 cardinal virtues' (ink note)
• [on sketch] 'this plan' (ink note)

Three designs from the life of Christ:

• ink sketches on paper
• mounted, together with Bonomi MSS 40.10
• 11.2 x 11.2 cm

Reclining figure of Christ(?) [no wounds depicted]:

• pencil sketch on paper
• loose, adjacent to Bonomi MSS 40.10-11
• 18.6 x 11.5 cm

Britannia replenishing the lamp of the genius of art in grid:

• inked pencil drawing on tracing paper
• mounted
• 29.2 x 23.5 cm

Britannia replenishing the lamp of the genius of art in grid:

• inked pencil unfinished drawing on tracing paper
• mounted
• 27.7 x 23.4 cm

Two angels flanking a door:

• pencil sketch on paper
• mounted, together with Bonomi MSS 40.16-17
• 19.3 x 12.4 cm

Two angels flanking a door:

• pencil drawing on tracing paper
• mounted, together with Bonomi MSS 40.15 and 40.17
• 24.5 x 12.8 cm
• [on drawing] 'JB' (pencil note)

Two angels flanking a door, each repeated on either side, in one case mirrored:

• pencil sketch on tracing paper
• mounted, together with Bonomi MSS 40.15-16
• 24.6 x 13.2 cm
• [on sketch] 'JB' (pencil note)

Circular design of Britannia replenishing the lamp of the genius of art, with annotations and sketches:

• print on paper
• mounted
• 20.9 x 24.1 cm
• [on print] 'no mouth see drawing' (pencil note)
• [on print] 'in' (pencil note) [different examples]
• [on print] 'out' (pencil note) [different examples]
• [on print] 'cut away' (pencil note) [different examples]
• [on print] 'ring lines all the same thickness' (pencil note)
• [on print] 'under' (pencil note)

Nude young Lapith holds a centaur's head from behind with his left; marble metope from the Parthenon (South metope XXVII) (London, British Museum, reg. 1816,0610.11 - BM Sculpture 316, 438-432 BC):

• ink sketch on treated tracing paper
• loose, adjacent to Bonomi MSS 40.20
• 27.8 x 21.9 cm

Angel and three cloaked, hooded female figures:

• sketch on paper
• loose, adjacent to Bonomi MSS 40.1
• 18.4 x 11.4 cm

Britannia replenishing the lamp of the genius of art in grid:

• pencil sketch on paper
• mounted
• 25.6 x 20.7 cm

Two designs featuring the goddess Britannia:

• pencil drawings on tracing paper, ink circles
• mounted, together with Bonomi MSS 40.22
• 25.6 x 16.5 cm

Figure from plate 11 of the Compositions from the tragedies of Aeschylus, designed by John Flaxman, engraved by Thomas Piroli, London (1795):

• ink and wash sketch on paper (remains of pencil)
• mounted, together with Bonomi MSS 40.21
• 14.5 x 10.6 cm
• [on sketch] 'Flaxman's Eschilylus. Pl. 11.'

Reclining figure of Christ(?) [no wounds depicted]:

• pencil sketch on paper
• loose, adjacent to Bonomi MSS 40.1
• 18.6 x 11.5 cm

Two female figures, one on left with a set of scales and one on right with a sword (allegories of Justice):

• pencil sketch/tracing on tracing paper
• mounted, together with Bonomi MSS 40.5
• 19.9 x 12.4 cm

Male figure with arms raised above head, with outline of figure (left) and sketch of head (below):

• pencil sketches on paper
• mounted, together with Bonomi MSS 40.4
• 12.8 x 25.7 cm

Four designs featuring the goddess Britannia:

• inked (red and black) pencil drawings on paper
• mounted
• 25.3 x 33.6 cm
• [on drawing] 'BRITANNIA SACRIFISING AT THE SHRINE OF ART' (pencil note)
• [on drawing] 'BRITANNIA WELCOMING MINERVA' (pencil note)
• [on drawing] 'BRITANNIA REPLENISHING THE LAMP OF THE GENIUS OF ART' (pencil note)
• [on drawing] '"STET NOMINS UMBRA"' (pencil note)

Three designs featuring the goddess Britannia:

• partially inked pencil drawings on paper
• loose, adjacent to Bonomi MSS 40.6
• 17.7 x 22.0 cm

Winged female figure (Victoria):

• pencil sketch on tracing paper
• loose, adjacent to Bonomi MSS 40.6
• 15.2 x 12.6 cm

Seated female figure with nude child on her lap, chasing a bee:

• print on paper, mounted on paper
• mounted
• 14.2 x 18.6 cm (17.0 x 23.5 cm with mount)

Seated woman holding bridal veil:

• inked drawing on paper
• loose, adjacent to page 1
• 26.6 x 25.9 cm
• [on drawing] 'JB' (pencil note)

Standing statue of Britannia (probably design for lighthouse):

• pencil sketch on paper
• mounted on loose paper, adjacent to page 2
• 6.4 x 10.2 cm (10.4 x 11.1 cm with mount)

Note on furniture:

• pencil note on lined paper
• mounted on loose paper, adjacent to page 2
• 9.0 x 8.8 cm (10.4 x 11.1 cm with mount)
• [text]

  ''Most judicious and valuable is a / deal table stained black with ink it / is agreeable to the eyes at candle / light and highly condusive to the / maintenance of the

  Also to be recommended a chair / made of boxes that would take the / shape [x] so conducive to longev- / ity as it is the position of complete / repose''.

Joseph riding in state:

• pencil sketch on paper
• loose, adjacent to page 2
• 48.5 x 29.4 cm
• [on sketch] 'separate Pharaoh / from Joseph's horse' (pencil note)
• [on sketch] 'JOSEPH RIDING IN STATE.' (pencil note)
• [on sketch] 'No. 1.' (pencil note)
• [on sketch] 'And Pharaoh made him ride in the second chariot which he had, / and they cried before him, Bow the knee. / Genesis XLI. 43.' (ink note)