Relief scene from the passageway of the early 18th Dynasty tomb of Neferhotep (TT50) at the west bank of Thebes. This scene shows part of three registers, the majority of these containing text on festival processions and rituals. The text is interspersed with images of the seated tomb-owner and his wife, the divine barque and other funerary ritual scenes:
pencil drawing
hieroglyphs in ink
mounted
[on recto, top left corner] 'plate 3'. (ink note)
[on recto, bottom left corner] 'plate 1'. (ink note)
Relief scene from the passageway of the early 18th Dynasty tomb of Neferhotep (TT50) at the west bank of Thebes. This scene shows part of three registers, the top complete with text and the two below including images of the seated tomb-owner and his wife, and images of the divine barque. The text is concerned with festival processions and rituals:
Relief scene from the passageway of the early 18th Dynasty tomb of Neferhotep (TT50) at the west bank of Thebes. This scene shows the seated tomb-owner and his wife on the left, with a smaller figure of their daughter beside them, with a table of offerings placed before them on the right side:
Relief scene from the early 18th Dynasty tomb of Neferhotep (TT50) at the west bank of Thebes. This scene comes from register II, and shows a kneeling harpist and a female lutist, both facing to the right side:
Relief scene from the early 18th Dynasty tomb of Neferhotep (TT50) at the west bank of Thebes. This scene comes from register II, and shows the seated tomb-owner and his wife on the far right while a row of male figures carry flowers, and make offerings including incense and libations before a large offering table:
Relief scene from the early 18th Dynasty tomb of Neferhotep (TT50) at the west bank of Thebes. This scene comes from register I, and shows the son of the tomb-owner making offerings to his seated parents and rows of seated relatives, who are shown embracing each other and wearing funerary cones:
Relief scene from the early 18th Dynasty tomb of Neferhotep (TT50) at the west bank of Thebes. This scene comes from register I, and shows May making offerings before the king Horemheb, with several male figures behind wearing garlands:
watercolour
mounted
[on recto, top left corner] 'plate 1' (ink note)
[on recto, bottom left corner] 'Amunmai Amulek king of the 18th dynasty'. (ink note)
A large false door from the early 18th Dynasty tomb of Benia Pakehmen (TT383) at the west bank of Thebes. This scene shows a large false-door outlined in red, and on either side three registers including a kneeling relief figure of the tomb-owner bearing offerings:
Drawing of the lower portion of small columns within the hypostyle hall of the Amun temple complex at Karnak, including details of the relief scenes and cartouches inscribed on the column:
[on recto, bottom left corner] '[...] a generally interesting [pl]ant I have given it my work at the [...] glad of any remarks Indigo [L] B'. (pencil note)
[on recto, bottom left corner] 'P.4'. (ink note)
[on recto, bottom right corner] 'Tephrosia Apollinea'. (pencil note)
Relief scene from the early 18th Dynasty tomb of Neferhotep (TT50) at the west bank of Thebes. This scene comes from register II, and shows a kneeling harpist and a female lutist, both facing to the right side:
watercolour
mounted
[on recto, top left corner] '82 plate 2'. (pencil note)
[on recto, bottom left corner] 'G A Hoskins'. (ink note)
[on mount, bottom edge] 'Tomb of Amulek Thebes'. (ink note)
Relief scene (register 1, scene 2-3) from the second court area of the temple at Medinet Habu. The scene shows two rows of priests with statuettes of kings, and at the far end of the scene men releasing birds before the larger image of king Ramesses III during the Min festival:
Relief scene (register 1, scene 3) from the second court area of the temple at Medinet Habu. The scene shows the Queen, chief lector priest and a row of other priests with emblems and standards during the Min festival:
watercolour
mounted
[on recto, bottom left corner] 'Plate 4'. (ink note)
Relief scene (register 1, scene 2-3) from the second court area of the temple at Medinet Habu. The scene shows the king Ramesses III on the far left, followed by groups of priests and preceded by the Kahedj (White Bull) during the Min festival:
watercolour
mounted
[on recto, bottom left corner] 'No.3 [over 4]'. (ink note)
Relief scene (register 1, scene 2) from the second court area of the temple at Medinet Habu. The scene shows the king Ramesses III (in following part of register, Hoskins MSS 3.49) censing and libating to statue of Min during the Min festival, followed by rows of male figures including fan-bearers:
watercolour
mounted
[on recto, bottom left corner] 'No. 2'. (ink note)
Relief scene (register 1, scene 1) from the second court area of the temple at Medinet Habu. The scene shows the seated king Ramesses III in procession during the Min festival, as he leaves the palace in a palanquin followed by rows of male figures including fan-bearers:
watercolour
mounted
[on recto, bottom left corner] 'No 1 a " 5'. (ink note)
Relief scene from the early 18th Dynasty tomb of Benia Pakehmen (TT383) at the west bank of Thebes. This scene shows the tomb-owner seated before a table piled high with offerings:
watercolour
mounted
[on recto, top left corner] '91'. (pencil note)
[on mount, bottom edge] 'Tomb at Thebes'. (ink note)
Relief scene from Hall E and Corridor C of the tomb of Sety I (KV17, Valley of the Kings) on the west bank of Thebes. The upper scene shows part of the relief scenes and text from the Book of Gates, including several male figures of different races. Other figures are partially outlined in pencil, while others include bright coloured details. The lower scene shows a large serpent figure and text from the Book of Imi-Duat, with two male figures on either side only partially outlined in pencil:
watercolour
mounted
[on mount, bottom edge] 'Tomb of King Osirei Thebes'. (ink note)
Relief scene from side room M of the tomb of Sety I (KV17, Valley of the Kings) on the west bank of Thebes. The scene shows the divine cow with a range of other deities underneath, which is a vignette from the Book of the Cow: