Female lute player, detail from a scene with female musicians performing for guests at a banquet in the tomb of Kha (TT 8), temp. Amenhotep II, Tuthmosis IV and Amenhotep III, at Deir el-Medina in Thebes:
pencil tracing with right edge folded in twice [right side of album page]
41.8 x 66 cm
[on recto of tracing] 'Woman playing and dancing. / 19th (or perhaps 10th) July 1843 [lower part of date lost]' (pencil note)
Portrait of a young woman holding two cockerels(?) [unfinished], the women is wearing a brown galabiya, a long white and red headscarf, earring, a double-stranded bead necklace, and three bracelets, Egypt:
Mausoleum of Amir Tankizbugha in the Northern Cemetery of Cairo:
watercolour
mounted
35.2 x 25.7 cm
[on recto of watercolour] 'النجعاوية' {= Al-Tanjizawia} (ink note)
[on mount] 'The Mosque Etingozamēa to the E. of the Citadel - Cairo.' (ink note)
[on mount] encircled '9' (pencil note) -[on verso of watercolour] 'The Mosque Etingezawēa to the E. of the Citadel / Cairo / 13th Dec 1842.' (pencil note)
Giza, the Pyramids of Khafra [Khephren] and Menkaure with the Tomb of Khentkaus in the foreground:
watercolour
mounted
35.3 x 25.7 cm
[on mount] 'The second & third Pyramids of Gizeh. Sunrise. / The building in the centre is an old Tomb / Sketch taken from the Well S of the great Pyramid.' (ink note)
[on mount] encircled '10' (pencil note)
[on verso of watercolour] 'The second and third Pyramids of Gizeh. / Sunrise. 2 Dec. 1842. The building in the centre is an old Tomb. / Sketch taken from the Well S. of the Great Pyramid, near / our tent.' (pencil note)
Three studies of foxes at Abu Zaabal. Top scene: fox, presumably dead, lying on the ground; middle scene: dead fox, strung-up by back-legs; bottom scene: a mountainous desert scene with two foxes:
watercolours
mounted, together with Lloyd MSS 039, Lloyd MSS 040 and Lloyd MSS 042
12.2 x 17.5 cm
[on recto of watercolour] 'Abu Zaabel.' (pencil note)
[on watercolour/mount] '41' (pencil note)
[on verso of watercolour] '[Abu Zaabel. 14th Jan: 1843.]' (pencil note)
Thutmosis III, accompanied by his ka, purifying ithyphallic Amun-Re with water, scene from the Festival Temple (Akhmenu) in the Great Temple of Amun at Karnak (specific scene not identified):
pencil drawing
mounted
35.5 x 26 cm
[on mount] 'Thothmes 3d from the Palace Karnac' (pencil note)
[on mount] '7' (pencil note)
[on verso of drawing] 'Thothmes 3rd / From a bas relief in the private apartments of the Palace / of Thothmes 3rd. Karnac 5th July 1843.' (pencil note)
Three female musicians seated on the ground, one playing the double-pipe and the other two clapping, from a scene in the tomb of Amenhotep-si-se (TT 75), temp. Thutmosis IV, at Sheikh Abd el-Qurna in Thebes:
pencil drawing
mounted
35 x 24.9 cm
[on recto of drawing] 'Tomb near 17. / 2nd Sept 1843.' (pencil note)
[on mount] '25' (pencil note)
[on verso of drawing] 'These women are under the others which I have copied / playing on the Harp, the double pipe, the lute and / the onestringed mandolin. Their faces have been / I believe also purposely defaced, and whoever traced / those above has used sealing wax to fasten the / paper.' (pencil note)
Two princesses holding fans, detail of a scene from room VIII on the second storey of the Tower of the Pavilion or East fortified gate of the Great Temple of Ramesses III at Medinet Habu:
pencil drawing
mounted
35 x 24.9 cm
[on recto of drawing] 'Medinet Abu.' (pencil note)
The standing Obelisks of Tuthmosis I and Hatshepsut, viewed from the west, with the ruins of the 4th Pylon between them, in the Great Temple of Amun at Karnak:
unfinished pencil drawing
mounted
35.5 x 25.9 cm
[on recto of drawing] 'Obelisks at Karnac. 11 June 1843'. (pencil note)
Upper part of Shoshenq I and his son, the High priest of Amun, Iuput, from a scene showing the king receiving the heb-sed from Amun, on a pilaster in the Portico of the Bubastides, in Great Temple of Amun at Karnak:
pencil drawing
mounted, together with Lloyd MSS 112
25.7 x 17.8 cm
[on recto of drawing] 'Sheshonk. I.' (pencil note)
[on mount] 'Schischak and his Son. Great Hypostile Karnac.' (ink note)
[on mount] '53' (pencil note)
[on verso of drawing] 'Schischak and his son. / From a bas-relief on the eastern side of the Northern / part of the Gate leading into the lower Western corner / of the Great Hypostyle, at Karnac. / 18th May 1843. / G Lloyd.' (pencil note)