Karnak, portrait of Ibrahim, the water-boy
Parte deGeorge Lloyd Album
Portrait of Ibrahim, the water-boy [sakka], standing next to a large water-jar on a stand, probably inside the Great Temple of Amun at Karnak:
Karnak, Second Pylon, colossus of Ramesses II
Parte deGeorge Lloyd Album
The colossus of Ramesses II at the entrance to the Second Pylon, with the Portico of the Bubastides in the background, in the Great Temple of Amun at Karnak:
Karnak, Great Temple of Amun, unidentified scene, upper part of Tuthmosis III wearing the atef crown
Parte deGeorge Lloyd Album
Upper part of Tuthmosis III wearing the atef crown, from an unidentified ritual scene, probably in one of the rooms against the North girdle wall, in the Great Temple of Amun at Karnak:
Parte deGeorge Lloyd Album
Oblong base of quartzite monument with tapering sides (called 'obelisk'), with dedication texts of Seti I and Ramesses II to Horus of Mesen commemorating Ramesses I, once at Tell Abu Seifa in el-Qantara, and now in Ismailia Museum, 2249; left side, left part, with scene at top with kneeling Ramesses I wearing the atef-crown, followed [presented?] by Horus (holding palm-rib) and a goddess, and remains of four columns of text below and two lines of text at the bottom [drawn separately]:
Saqqara, camel standing beneath a palm tree
Parte deGeorge Lloyd Album
Camel standing beneath a palm tree, with a tall-necked vessel in the foreground, at Saqqara:
El-Qantara, Tell Abu Seifa, oblong base of quartzite monument with tapering sides, front - scene
Parte deGeorge Lloyd Album
Oblong base of quartzite monument with tapering sides (called 'obelisk'), with dedication texts of Seti I and Ramesses II to Horus of Mesen commemorating Ramesses I, once at Tell Abu Seifa in el-Qantara, and now in Ismailia Museum, 2249; front, with remains of a scene with kneeling Seti I offering water to Horus:
Parte deGeorge Lloyd Album
Female servant bringing a gazelle and a tray laden with grapes, from a wall painting in the tomb of Amenemhet (TT 82), temp. Tuthmosis III, at Sheikh Abd el-Qurna in Thebes:
Thebes, Sheikh Abd el-Qurna, tomb of Amenemhet (TT 82), a priest and a priestess
Parte deGeorge Lloyd Album
A priest, wearing a long cloak and carrying a staff, and a priestess, from the funeral cortege accompanying the sarcophagus which is being dragged to the tomb, in the tomb of Amenemhet (TT 82), temp. Tuthmosis III, at Sheikh Abd el-Qurna in Thebes:
Thebes, Sheikh Abd el-Qurna, tomb of Rekhmire (TT 100), two men collecting water from a pool
Parte deGeorge Lloyd Album
Two men in a pool collecting water in large jars (for brick-making), detail from a scene in the tomb of Rekhmire (TT 100), temp. Tuthmosis III to Amenophis II, at Sheikh Abd el-Qurna in Thebes:
Design for 'Sketches of Ancient Egyptian Sculpture and Painting'
Parte deGeorge Lloyd Album
Design for a title-page for Lloyd's 'Sketches of Ancient Egyptian Sculpture and Painting' with the goddess Seshat and Maat, which are based on two other drawings in the same album (see Lloyd MSS 103 and Lloyd MSS 104):
Parte deGeorge Lloyd Album
Explanatory note on design:
Parte deJenny Lane Collection
Pages 101-192.
Album of watercolours, drawings, and tracings of Egypt produced close to the end of Lloyd's life. It is a folio volume (33 x 44 cm, pages 32.7 x 43 cm), containing 135 watercolours and drawings (74 of which are full-page and 1 folding) and 10 tracings (8 folding). They are all mounted and most are captioned either on the image itself or on the mount. Captions on the mount seem to have been added when the album was put together after Lloyd's death. The album also contains a loose watercolour, a loose drawing and a loose lithographed portrait of George Lloyd by Prisse d'Avennes, who published it in his Oriental Album: Characters, Costumes and Modes of Life in the Valley of the Nile (1848). One of the drawings in the album is a pencil portrait of Lloyd sketched by Prince A. Soltykoff.
Lloyd, George
Amice Mary Calverley Collection
Over one thousand colour slides (group III), several hundred black and white photographs (group II), and correspondence (group I).
Calverley, Amice Mary
John Frederick Dewey Collection
Approximately 10,500 colour transparencies (35mm) mostly of Egypt (temples, tombs and other ancient monuments) [Dewey MSS 1], but also of different countries in the Middle East (Syria, Persia, Turkey, etc.) as well as the Far East [Dewey MSS 2]. They are cross-referenced with an extensive card index [Dewey MSS 3] and cover a period from the early 1980s until the early 2000s. They consist of images from virtually every site in the Egyptian Delta region and the Nile Valley.
Dewey, John Frederick
Egypt. Maidum. Pyramid of Snefru
Parte deJoseph Bonomi Collection
View of the Pyramid of Snefru at Maidum (TopBib iv.89):
Egypt. El-Lisht. North Pyramid of Amenemhet I
Parte deJoseph Bonomi Collection
View of the North Pyramid of Amenemhet I at El-Lisht (TopBib iv.77):
Egypt. Saqqara. Step pyramid enclosure of Netjerikhet. Underground rooms
Parte deJoseph Bonomi Collection
Plans with measurements of underground rooms of step pyramid enclosure of Netjerikhet at Saqqara (TopBib iii2.401-402):
Parte deJoseph Bonomi Collection
Illegible text:
Parte deJoseph Bonomi Collection
Profile of a female head (design or Modern Egypt):
Parte deJoseph Bonomi Collection
Portfolio titled 'Thebes' (ink)
Pencil note: 'Medamoud, Karnak and Luxor' (almost certainly by Dr Moss)
Red pencil note at top right corner: encircled 'C' (reference to previous arrangement, almost certainly introduced by Dr Moss).
Parte deJoseph Bonomi Collection
Top: view of a boat being towed (Modern Egypt); second from top: unclear subject, not finished; second from bottom and bottom: views of Philae temple from West (TopBib vi.205):
Parte deJoseph Bonomi Collection
Note on signet rings:
'Signet ring of fine gold weighing nearly 3 sovereigns
bearing the name of Shufu the (Suphis) of the Greeks
This remarkable piece of antiquity is in the highest state
preservation
andsaid to have been found at Gezehin a tomb near
thatto the excavation of Col CampbellThe work
inThe style of the hieroglyphics is perfectly that of those
sculptorshieroglyphicsof the tombs about thegreat pyramid all the details are eminently executed
The heaven is engraved with
minutestars; The Fox or Jackall hassignificant lines within its con[t]our; The hatchets have
their handles bound with thongs as usual in the sculptures; The volumes have the
string that binds them
differentlyhanging below theroll differently placed from any example in sculptured or
painted hierogs in the tombs; The determinative for country
is studded with dots representing the sand of the mountainous
margins of the
sidevalley of Egypt The sign [F35] has thetongue and semilunar mark of the longer examples as also
the vase in the shape of the heart. The Name is surmounted
by the
usualglobe and feathers decorated in the usual way exceptthat the lines are more horizontal than in the sculptured examples,
and the ring of The cartouch is engraved with lines representing
a rope
ofofwhich decorationI know noof the line inclosingthe hieroglyphics of a royal name I know of no example but
this; the [Aa1] in the name is placed as in the tombs not in
the
centreas of the cartouch; the chickens have their unfledgedwings The serastes its horns to be seen only with the magnifying
glass
Ofthe variationsinfrom the usual made of representinga volume and the inclosure of Royal names are circumstances
favorable to the genuineness of this remarkable piece of antiquity
for when taken into consideration with the style
of the workwhichis infinitely more difficult to imitate than
littlelittlex(?)
in whichdetailsfromin which the fabricator would not haveventured to differ from the known examples'
Note on signet rings (continuation)
Parte deJoseph Bonomi Collection
Note on signet rings (continuation):
'Ring of fine gold found in a wooden box
at Thebesin a tomb at ThebesGold ring with a figure of Isis sitting
it is massive and of that shape called OpisphendoneThebesSakkaraRing of fine gold with the figures of 2 goddesses
engraved in two cartouches surmounted with the
feathers SakkaraScarabeus set in gold on a pivot
Ring of
pure(?) gold in which is tastefully inserted
2 blue stones and one red oneRing of gold with a pyramidal stone in it
Ring of gold with a x plate
Ring of gold with a carnelian scarabeus
Ring of silver massive and of the greek form
Sakkara'
Parte deJoseph Bonomi Collection
Notes on the wooden sarcophagus and two coffins of Ir, Dyn. XXVI, from Thebes, formerly in H. Salt, J. Lee and Lord Amherst collections and at Sotheby's in 1921, current location not known (TopBib i2.835):
'Harwell House October 21 1850
The great Sarcophagus in the Chapel
The GoddessNeith NNeith [X1*W24:N1] who is depicted in
full length on the inside of the upper half of the
third coffin is compounded of the hieroglyphic [V39]
in the same manner as the god [Q1\:D4\:A40], likewise depicted
full length, is corresponded of the hieroglyphic [R11].In Sarcophagi from the necropolis of Thebes it is
usual to find the same Goddess in the likeness of a beautiful
woman,usually, with her arms streached over the deceased
as the heavens streachedover the earth. That she represents
the heavens the determinative of her name [N1] is a
voucher, and her figure [C199] in this position over astronomi
cal signs. But if other proof were wanting there is a
stone sarcophagus in the British Museum where she
is sculptured streached out, as the heavens over the
earth, and giving birth to the Planets. In the lower half
of Sarcophagi from Thebes it is usual to find an other
Goddess female figure and not the figure of aman or oneman or god in the
likeness of a man or compounded of the [R11] as in the Hartwell
Coffin; and this goddess [X1\:H8-Q1] is the goddess of the earth. as might be naturally suppose(?)ThisfigureShe extends her arms up each side of the coffin as if
embracing the deceased or receiving the deceased into her bosomThat the stone Sacrophagus here quoted came from Thebes
I my self can assert being present where the officers of the
Luxor brought it out of the pitWhence then is the great Sarcophagus in the Chapel
of Hartwell house? The answer is,most probably fromLower Egypt. Most probably from the great necropolis
of Lower Egypt there namely theNecropolisdesert of Sakkara of Memphis. First
because Pthahofto whom(underlined) the sign R11 is peculiar(underlined) had a celebrated
Temple at in the city of Memphis and secondly because the hierogly
phics are of the form or style of writing peculiar to
this region of Egypt and thirdly because the form of the outer
case is of theancientform [Q6] most usual from in this nearby(?)
the most ancient times to the most recent in that
district of Egypt (See ancient inscription in the same
collection)'
Two squeezes and nine sketches of Egyptian amulets in Dr Lee's collection
Parte deJoseph Bonomi Collection
Two squeezes and nine sketches of Egyptian amulets in Dr Lee's collection:
Eight sketches of shabtis in Dr Lee's collection
Parte deJoseph Bonomi Collection
Eight sketches of shabtis in Dr Lee's collection:
Vase with ivy decoration, and hieroglyphic inscription "Ra raises"
Parte deJoseph Bonomi Collection
Vase with ivy decoration, and hieroglyphic inscription "Ra raises":
Tiles with rosette / flower designs
Parte deJoseph Bonomi Collection
Tiles with rosette / flower designs: