Image inspired by a relief scene from side room I of the tomb of Ramesses III (KV11, Valley of the Kings) on the west bank of Thebes. The scene includes two harpist figures dressed in white robes, and damage to the original scene is noted by the omission of one figures' face and a lower part of the left side harp:
watercolour
mounted
[on recto, bottom left corner] 'G. A. Hoskins'. (pencil note)
[on mount, bottom edge] 'painted in the tomb of Rameses 3d (Called Bruces tomb) Thebes'. (ink note)
A tomb relief scene from the hallway of the early 18th Dynasty tomb of Neferhotep (TT50) at the west bank of Thebes. This scene comes from register I, and shows a group of male figures with servants before the royal figure of Horemheb and Neferhotep being rewarded:
watercolour
mounted
[on recto, top left corner] 'Plate 4'. (pencil note)
[on mount, bottom edge] 'Tomb of King Amulek or Horus Thebes opened by G A H'. (ink note)
Relief scene from Hall E and Corridor C of the tomb of Sety I (KV17, Valley of the Kings) on the west bank of Thebes. The upper scene shows part of the relief scenes and text from the Book of Gates, including several male figures of different races. Other figures are partially outlined in pencil, while others include bright coloured details. The lower scene shows a large serpent figure and text from the Book of Imi-Duat, with two male figures on either side only partially outlined in pencil:
watercolour
mounted
[on mount, bottom edge] 'Tomb of King Osirei Thebes'. (ink note)
Relief scene (register 1, scene 2-3) from the second court area of the temple at Medinet Habu. The scene shows the king Ramesses III on the far left, followed by groups of priests and preceded by the Kahedj (White Bull) during the Min festival:
watercolour
mounted
[on recto, bottom left corner] 'No.3 [over 4]'. (ink note)
Relief scene from the early 18th Dynasty tomb of Neferhotep (TT50) at the west bank of Thebes. This scene comes from register II, and shows a kneeling harpist and a female lutist, both facing to the right side:
watercolour
mounted
[on recto, top left corner] '82 plate 2'. (pencil note)
[on recto, bottom left corner] 'G A Hoskins'. (ink note)
[on mount, bottom edge] 'Tomb of Amulek Thebes'. (ink note)
A large false door from the early 18th Dynasty tomb of Benia Pakehmen (TT383) at the west bank of Thebes. This scene shows a large false-door outlined in red, and on either side three registers including a kneeling relief figure of the tomb-owner bearing offerings:
Relief scene from the early 18th Dynasty tomb of Neferhotep (TT50) at the west bank of Thebes. This scene comes from register I, and shows May making offerings before the king Horemheb, with several male figures behind wearing garlands:
watercolour
mounted
[on recto, top left corner] 'plate 1' (ink note)
[on recto, bottom left corner] 'Amunmai Amulek king of the 18th dynasty'. (ink note)
Relief scene from the early 18th Dynasty tomb of Neferhotep (TT50) at the west bank of Thebes. This scene comes from register II, and shows the seated tomb-owner and his wife on the far right while a row of male figures carry flowers, and make offerings including incense and libations before a large offering table:
Drawing of a seated man and his wife behind him from an unidentified tomb in Thebes. A faint border for hieroglyphs is visible along the top edge, and a small star shape is visible on the top left corner:
Two photographs of Oxhyrhynchus papyri fragments with preliminary translation. Includes letter from Charles Batey (Printer to the University) enclosing the photographs, 9 July 1952.
Publication by Maria Cramer titled ‘Versuch eines Vergleichs arabischer Coptischer und demotischer Rechtsurkunden gezeigt an einigen Stiftungs - Schenkungs - Auseinander-setzungs – und Verkaufs – Urkenden’.