Transcripts of diaries kept during his stay as a Commonwealth Fund Fellow at the University of Michigan 1926-8, and albums of photographs taken during trips to Italy, Tunisia and Egypt 1923-9.
Copies, transcriptions, facsimiles, drawings and some photographs of mummy labels in Demotic, Greek or bilingual, presented as loose sheets in folders arranged by cities/museums/collections, housed in five slip-cover boxes. They were collected by Möller from printed sources and from several collections he visited on research journeys. One folder in box V is by W. Spiegelberg (1893).
313 black-and-white glass negatives made during the excavation of Antinoë (modern el-Sheikh Ibâda, opposite el-Ashmûnein, in Middle Egypt) in 1913-14 by John de Monins Johnson for the Graeco-Roman branch of the Egypt Exploration Society. The negatives are not accompanied by any supporting written records or descriptions of the photographed objects.
1) Photograph album entitled ‘Abusir. Summer 1923’, also including other older photographs (1918 to 1923). 2) Photograph album of family portraits [non egyptological]. 3) Copy of the Arabic publication Arab Architecture in Egypt: The Principal Structural Characteristics of the Style Classified; by Wilfrid Joseph Dilley (...); with plates prepared by F. Chatterton (...); translated by Mahmoud Ahmed (...); Cairo: National Printing Press, 1923; including 2 manuscript English translations of Arabic title page [non egyptological] [http://www.worldcat.org/oclc/869282469]. 4) Additional folder with photographs, 2 postcards and a small group of family papers.
Negatives and prints of paintings of Egypt in the Victoria and Albert Museum, London (Searight collection) by several artists, including Francis Arundale, Frederick Cathewood, Vivant Denon, L. M. A. Linant de Bellefonds, Prisse d'Avennes, etc.
Various papers and correspondence connected with the obituary written by Dr I.E.S. Edwards and published in <i>JEA</i> 42 (1956), 99-101. Includes a portrait and a distribution list of Glanville's papers.
Notebooks, notes, maps, plans, drawings, photographs, and correspondence. There is a small amount of material amongst these papers relating to Westminster Abbey (correspondence).
Notebooks, notes, card indexes, copies of inscriptions, a corpus of transcribed hieratic ostraca and papyri, photographs, correspondence, and personal items.
Series 1 to 4, 6, 7 contain photographs, copies, transcriptions and translations of Egyptian texts, and photographs of objects and sites.
Series 5 contains articles and lectures, some unpublished.
Series 5 and 10 contain notes on Egyptian history.
Series 8, 14, 22, 24, 26 contain notes and indexes on lexicography and grammar and card indexes for a late Egyptian and general hieroglyphic dictionary.
Series 17 contains notebooks with transcriptions of texts from ostraca, graffiti, papyri and other monuments. There is a card index of ostraca with references to notebooks in series 28.
Series 18 and 23 contain Coptic notes and a card index for Coptic grammar.
Series 25 contains data on Egyptian personal names.
Diary with brief retrospective entries dated 6th January 1920 to 13th January 1939. Notebook containing Dawson's list of his own publications, 1903 to 1936.
Three A4 folders containing an unpublished annotated typescript of a monograph on the constellations of the Babylonian and Egyptian sphere and their modifications by the Greeks of the Achaean period.
Black and white photographs of TT55, Qurna (Temple of Sethos I), Deir el-Shelwît (Temple of Isis), and Luxor Temple. Photographs taken by the University of Chicago, Oriental Institute Epigraphic Survey, Luxor, Egypt. See https://oi.uchicago.edu/research/projects/epigraphic-survey.
Consists of at least two sets of slides which have been combined. Made by a tourist(s), probably between 1910 and 1930. Views include Alexandria, Karnak, Luxor, Ramesseum, objects in the Egyptian Museum, Cairo, and scenes of daily life.
Notes collected on Hierakonpolis (<i>The Hierakonpolis finds</i>). Consists of handwritten notes made by M. A. Murray, typescript, and additional notes in a different hand.
