A card index for a Coptic etymological dictionary and a large folder containing handwritten notes on Coptic etymologies, labelled "Devaud - 'Studies and Notes on Egyptian and Coptic Grammar, Lexicography and Palaeography'" (apparently unpublished).
(a) 20 folders containing handwritten notes, pencil drawings, negatives, photographs, and postcards of furniture from the tomb of Tutankhamun (= MSS 1-20) (1935). (b) 18 folders containing notes, drawings, negatives and photographs of thrones, chairs, stools and footstools mainly from the Egyptian Museum in Cairo (1935) and the British Museum in London (1936), as well as from other collections, and material gathered from publications; 1 index card box with Segal's reference notes for his furniture records; and letter from T. G. H. James to M. Eaton-Krauss regarding Segal correspondence in the British Museum along with photocopies of the letters.
Photographic records made during the excavation of the Tomb of Tutankhamun, consisting of approximately 1400 black and white glass negatives. 10 albums of original prints made from these negatives for Carter, and original prints made for and kept with the object card index for the excavation.
Notebooks, negatives, photographs, maps, and drawings made during the excavation of the tomb of Tutankhamun. For other material, refer to the catalogue.
Notebooks, loose notes, maps, plans, drawings, newspaper cuttings, watercolours, and a silver desk-set. The documentation was created during Carter's career between 1899-1939. This material excludes material connected with the tomb of Tutankhamun, see the Tutankhamun Archive.
Notebooks, notes, card indexes, copies of inscriptions, a corpus of transcribed hieratic ostraca and papyri, photographs, correspondence, and personal items.
Series 1 to 4, 6, 7 contain photographs, copies, transcriptions and translations of Egyptian texts, and photographs of objects and sites.
Series 5 contains articles and lectures, some unpublished.
Series 5 and 10 contain notes on Egyptian history.
Series 8, 14, 22, 24, 26 contain notes and indexes on lexicography and grammar and card indexes for a late Egyptian and general hieroglyphic dictionary.
Series 17 contains notebooks with transcriptions of texts from ostraca, graffiti, papyri and other monuments. There is a card index of ostraca with references to notebooks in series 28.
Series 18 and 23 contain Coptic notes and a card index for Coptic grammar.
Series 25 contains data on Egyptian personal names.
4 albums containing rubbings mainly of objects in the British Museum, and also other museums and private collections including those in the J. Lee collection.
Corpus of early traveller’s graffiti from selected sites and monuments in Egypt and Sudan, including transcriptions and photographs of graffiti, collated by Roger De Keersmaecker between 1965 and the 2010s, then published by him between 2001 and 2019.
3 copies (1 typescript and two carbon copies) of a transcript made from Linant de Bellefonds' diary (1821-1822).
Titled: "Journal d'un Voyage en Ethiopie dans les Annees 1821 & 1822."
279 typescript pages
Not Griffith Institute copyright. See below for details.
14 glass plate negatives, two sizes, with a set of modern prints made from the larger-sized negatives (1818-1826). Not Griffith Institute copyright. Negatives made from the originals in the Louvre.
The negatives are copies of the following MSS:
B.15 (parts A and B)
Triple statue (same as following), not identified, with texts
B.26
Maison du Melek d'Argos
B.30
Gebel Barkal. View of Pyramid field (North and South groups)
TopBib vii.208, 203
= Bankes MSS XV.C.7
B.32
Gebel Barkal. Temple B.300. View of interior
TopBib vii.209
= Bankes MSS XV.C.2
B.32 bis
Gebel Barkal. Great Temple B.500. Sketch, general view showing granite stand of Taharqa, with Nile-gods binding sma-symbol etc.
TopBib vii.216A & 209(43)
B.36
Gebel Barkal. Great Temple B.500. Inner Court. Meroitic battle scene, including man on horseback and archer
TopBib vii.219(30)
= Bankes MSS XV.A.28
B.38 bis
Gebel Barkal. Temple B.700. Pylon (destroyed). West wing, outer face, Senkamanisken smites captives before Amun-Re
TopBib vii.214
= Bankes MSS XV.C.8 [middle]
B.45
Gebel Barkal. Temple B.300. Third Hall. View
TopBib vii.209
B.62
Musauwarat el-Sofra. Great Temple. Views
TopBib vii.264
= Bankes MSS XVII.B.15
B.68
Musauwarat el-Sofra. South-East Temple. Interior. North-East row of columns. Column 2, three registers
TopBib vii.267
= Bankes MSS XVII.B.6
B.69
Musauwarat el-Sofra. South-East Temple. Interior. North-East row of columns. Column 1, two registers
TopBib vii.265
= Bankes MSS XVII.B.5
B.73
Naga'. General view
TopBib vii.267
B.105
Naga'. Lion Temple of Apedemak. Exterior. King, Queen and Prince, before Isis holding captives, Mut, Hathor and Satis
TopBib vii.269(21)-(22)
= Bankes MSS XVII.C.7-8
Linant de Bellefonds, (Bey and Pasha) Louis Maurice Adolphe
Plaster casts of objects in Edinburgh, Royal Museum of Scotland, 1956.144 (lower part of block statue of Pedehor, Late Period), and 1961.439 (stela of Anakht, New Kingdom); Reading, The Ure Museum of Greek Archaeology (copper mirror of Henuiti (woman), Dyn. XII), inked in by J. Černý; Samos, Archeological Museum of Vathy (inscription from bronze mirror of Antiuzashu, Dyn. XXV-XXVI), cast sent by J. Penrose Barron of Balliol College to J. Černý, kept with copies of the texts made by J. Černý and J. Harris.
Negatives and prints of paintings of Egypt in the Victoria and Albert Museum, London (Searight collection) by several artists, including Francis Arundale, Frederick Cathewood, Vivant Denon, L. M. A. Linant de Bellefonds, Prisse d'Avennes, etc.
1) Negatives and prints of drawings of Egypt by Henry Salt (1815-25), property of Lady Salt, Shillingstone House, Dorset. 2) Photocopies of a portfolio of coloured drawings of Egypt by Henry Salt at the Department of Ancient Egypt and Sudan, British Museum, London.
Notebooks, loose notes, drafts of articles, teaching notes, photocopies, card indexes, copies of inscriptions, impressions, photographs, negatives, transparencies (cut into strips and in rolls), videotape recording, tracings, drawings, and correspondence.
Annotated proofs of Capart, Jean (1905), Primitive Art in Egypt. Translated from the revised and augmented original edition by A. S. Griffith. London: Grevel [OEB 136284].
Bound volume (45 x 28 x 7.5 cm) titled Selections from Seventeen-Hundred Genuine Photographs: (Views-Portraits-Statuary-Antiquities). Taken around the Shores of the Mediterranean between the Years 1846-1852. With, or Without, Notes, Historical and Descriptive. By a Wayworn Wanderer. It contains salted paper photographic prints of Palestine, Greece, Constantinople, Egypt, Malta, Sicily, Italy and Algiers.
The Percy Newberry Collection has been listed thanks to a cataloguing grant from the The National Archives in 2015. The collection comprises a wide range of material on topics including Predynastic Egypt, Theban tombs, Egyptian flora and fauna, early Egyptian travellers, ancient Egyptian religion and culture, as well as Newberry's genealogy. Formats include notebooks, research notes, photographs, tracings, rubbings and newspaper clippings.
The collection has been divided into 5 series: Biographical Material; Correspondence; Research Notebooks; Subject Files, and Research Material.
