The solar disk, emerging above the horizon of the mountains, is held by the arms of Nut and those of a personified ankh, with a dressed personified djad pillar supporting the whole group; this central group is adored by four baboons, kneeling Isis and Nephthys and two ba-birds, from a painted wall scene in the Ramesside tomb of Nefersekheru (TT 296), at El-Khokha in Thebes:

• pencil drawing
• mounted, together with Lloyd MSS 122
• 17.7 x 25.7 cm
• [on mount] '63' (pencil note)
• [on verso of drawing] 'From a tomb near the Scheich El Beleds. / Gurna. / 15th July 1843. / This is not very correct as I drew it from a rough sketch / in my Note Book, and as the place was extremely hard to / get to, I did not take the trouble of going there again. / It is painted, but I saw no cartouche. The style of the / tomb is bad, as are the statues in it. The tomb is possibly / of the time of Amenoph 3rd but it is impossible to judge / from the style the period. / G Ll.' (pencil note)

Oblong base of quartzite monument with tapering sides (called 'obelisk'), with dedication texts of Seti I and Ramesses II to Horus of Mesen commemorating Ramesses I, once at Tell Abu Seifa in el-Qantara, and now in Ismailia Museum, 2249; back, with remains of scene at top with a kneeling king offering to a seated [deity], and remains of four columns of text below with two lines of text at the bottom:

• pencil drawing
• mounted, together with Lloyd MSS 121
• 17.8 x 25.8 cm
• [on recto of drawing] 'Upper side. / Obelisk at Abu Saiffie / 12th Feb 1843. / x' (pencil)
• [on mount] '64' (pencil note)

Oblong base of quartzite monument with tapering sides (called 'obelisk'), with dedication texts of Seti I and Ramesses II to Horus of Mesen commemorating Ramesses I, once at Tell Abu Seifa in el-Qantara, and now in Ismailia Museum, 2249; left side, right part, with remains of a scene at top with seated deity, and remains of six columns of text below and two lines of text at the bottom [drawn separately]:

• pencil drawing
• mounted, together with Lloyd MSS 123
• 18.8 x 25.8 cm
• [on recto of drawing] 'No 1 a / 1 ft 6 in / x 4 ft. 8 in / a/ a - 1ft. 9 in - 2ft. 6 in' (pencil note)
• [on recto of drawing] 'Obelisk at Abu Saiffie. 12th Feb 1843. / x' (pencil note)
• [on mount] '66' (pencil note)

Oblong base of quartzite monument with tapering sides (called 'obelisk'), with dedication texts of Seti I and Ramesses II to Horus of Mesen commemorating Ramesses I, once at Tell Abu Seifa in el-Qantara, and now in Ismailia Museum, 2249; fragments from [at least] two sides with remains of scenes of kings kneeling before deities:

• pencil drawings
• mounted, together with Lloyd MSS 125
• 25.7 x 17.7 cm
• [on recto of drawing] 'a / a / Fragments of the Obelisk at Abu Saiffie. / a and a are different sides of the angle. / 12th Feb 1843. / x' (pencil note)
• [on mount] '68' (pencil note)

Two rows of female mourners squatting on the ground, detail from a funerary scene in the tomb of Haremhab (TT 78), temp. Tuthmosis III to Amenhotep III, at Sheikh Abd el-Qurna in Thebes:

• pencil tracing with edges folded in on two sides (top and right <twice>)
• mounted
• 38.1 x 44.8 cm
• [on recto of tracing] 'Women mourners wailing. / Tomb at Thebes. / No. 16 ? / 11th July 1843' (pencil note)
• [on recto of tracing] '4' (pencil note)
• [on verso of tracing] 'N 7 -' (pencil note)

Two men carrying a large wine-jar with painted grape-vine decoration, detail of a scene from an unidentified tomb at Sheikh Abd el-Qurna in Thebes:

• pencil and watercolour tracing with right edge folded in twice
• mounted
• 58.5 x 42.1 cm
• [on recto of tracing] 'Gurna. / 25th Sept 1843' (pencil note)
• [on mount] '5' (pencil note)
• [on verso of tracing] 'No 9 -' (pencil note)

Two women, each holding a sistrum and a bouquet, detail of a scene from an unidentified tomb at Thebes:

• pencil tracing with right edge folded in [right side of album page]
• mounted
• 42.9 x 55 cm
• [on recto of tracing] 'Women making an offering / Tomb 4.' (pencil note)
• [on verso of mount] '6' (pencil note)

Female lute player, detail from a scene with female musicians performing for guests at a banquet in the tomb of Kha (TT 8), temp. Amenhotep II, Tuthmosis IV and Amenhotep III, at Deir el-Medina in Thebes:

• pencil tracing with right edge folded in twice [right side of album page]
• 41.8 x 66 cm
• [on recto of tracing] 'Woman playing and dancing. / 19th (or perhaps 10th) July 1843 [lower part of date lost]' (pencil note)
• [on verso of tracing] '9' (pencil note)

Female musicians and dancers, detail from a scene in the tomb of Mery (TT 95), temp. Amenhotep III, at Sheikh Abd el-Qurna in Thebes:

• pencil tracing with right edge folded in twice
• mounted
• 66.3 x 42.2 cm
• [on recto of tracing] '10' (pencil note)

View of the Pyramid of Snefru at Meidum (TopBib iv.89):

• pencil sketch on paper
• loose
• 12.1 x 4.9 cm

View of the upper part of the Great Sphinx at Giza (TopBib iii2.35):

• pencil sketch on paper
• loose
• 21.8 x 24.8 cm
• [on sketch] encircled '2' (pencil note, almost certainly by Dr Moss)

'Egypt in Tears'. Encircled design of kneeling woman holding a flower in front of Pyramid complex at Giza, and studies of hands, flower, column and legs:

• pencil sketches, pencil and brown watercolour drawing (woman) and inked sketch (hands) on paper
• loose
• 18.4 x 22.6 cm
• [on sketches] 'Au' (pencil note)
• [on verso] 'EGYPT IN TEARS' (pencil note)

Pattern of an ancient Egyptian sandal:

• paper cut-out
• loose
• 30.2 x 11.4 cm
• [on cut-out] 'Pattern of an ancient Egyptian Sandal' (pencil note)

Notes (continuation) on the wooden sarcophagus and two coffins of Ir, Dyn. XXVI, from Thebes, formerly in Salt and Amherst collections, current location not known (TopBib i2.835):

• ink text on paper
• loose
• 20.6 x 33.2 cm
• [text]:

'The [V39] hieroglyphic represents the fastening of the

belt worn by the Gods and Kings round the waist

The [R11] hieroglyphic in the upper part of the

staff carried by the Divinity Pthath only

The age of the Sarcophagus is apparently

discovered settled by Mr Sharpe's discovery *

namely after the the time of the Persian

rule with which time the style of the hieroglyphics

agree

Mr Sharpe also remarks the [X1\:X1-Q1] for the

more ancient forms [X1\:H8-Q1]

X See Mr Sharpes notes

The drawing of the heads of the different figures

on all three of the Cases show that they were

all three decorated by the work of the same artist in all

of them there is a remarkable protrusion of the

lips. This remark does not apply to the sculptured

heads on the 2d and 3d case and therefore thus the

Sculptor and painter were not the same person

as there is abundant proof I Bonomi to show in other

monts'

[Upper] Top and side views of knob inscribed with the cartouches of Amenhotep III, not identified, with measurements; [lower] sketch of a box, not finished:

• ink (blue and black) drawings and pencil sketch on paper
• loose
• 20.7 x 22.6 cm
• [on drawing] '1 " 9/10' (black ink note)
• [on drawing] '1 " 6/10' (black ink note)

Two views of chairs from Thebes, with measurements:

• pencil and watercolour (black, grey and red) sketches on paper, with pricked marks for pouncing technique
• loose
• 20.9 x 30.3 cm
• [below sketches] 'Ancient Chair. / found at Thebes / Egypt' (black ink note)

Note identifying the owner of the Egyptian amulets reproduced on Bonomi MSS 3.9 (recto):

• pencil note on paper
• loose
• 29.6 x 22.8 cm
• [text]: 'Dr Lee's / Antiquities (underlined)'

A Hereditary prince, Count, etc., upper part of statue, right side of the face and left shoulder damaged, with the cartouches of Psammetikhos I on shoulders, basalt, temp. Psammetikhos I, formerly in J. Lee and Lord Amherst collections and at Sotheby's in 1921, current location not known (TopBib viii.801-763-510):

• blue and green watercolor and pencil sketch on paper
• loose
• 16 x 22.1 cm

Tiles with rosette / flower designs:

• light blue, dark blue, yellow and magenta watercolour on paper
• loose
• 21.3 x 26.7 cm

Tiles with rosette / flower and geometric designs, not finished:

• pencil sketches with blue, green, yellow and magenta watercolour on paper
• loose
• 21.3 x 26.7 cm

[Upper left] sketch of inscribed metal vase, with copy of inscription, not identified; [lower left] incomplete sketch of sistrum, not identified; [right] copy of inscription with prenomen of Necho II:

• pencil sketches and copies on paper, mounted on blue lined paper
• loose
• 6.5 x 12.8 cm (6.7 x 13.1 with mount)

Upper half of Egyptian male statue in profile, not identified:

• pencil sketch on paper
• loose
• 8.7 x 10.9 cm

Two sketches showing the disposition of blocks and the entrance of the Pyramid of Khufu (Great Pyramid) at Giza, with measurements:

• pencil sketches on paper
• loose
• 28.0 x 22.9 cm

Two sketches showing the disposition of blocks, with measurements, and a section of the interior of the Pyramid of Khufu (Great Pyramid):

• pencil sketches on paper
• loose
• 28.0 x 22.9 cm

Upper half of Egyptian male statue in profile, not identified:

• pencil sketch on paper
• loose
• 8.8 x 10.9 cm

Details of Bonomi MSS 3.35 (recto):

• pencil sketches on paper
• loose
• 13.2 x 11.4 cm
• [on sketch] 'no ear except the boy' (pencil note)

Texts from a scene depicting Osorkon I receiving heb-sed from Amun holding scimitar, in register I of pilaster (129) in the Portico of the Bubastides in the Great Temple of Amun at Karnak, on the East Bank of Thebes (TopBib ii2.36(129).I):

• pencil sketch on paper
• loose
• 8.5 x 5.7 cm
• [on sketch] 'KARNAK' (pencil note)

Sethos I or Sethos II offering vases to a hawk-headed god, with inscriptions including cartouche, not identified:

• pencil tracing with brown pastel on tracing paper
• loose
• 12.5 x 13.9 cm

[Left] Brick-stamp bearing the name of a king Amenhotep, wood, provenance not known, now in London, British Museum, EA5993 (TopBib viii). [Right] Funerary cone (Davis & Macadam no. 255), pottery, from the Tomb of Userhat (TT 150) at Dra Abu el-Naga, on the West Bank of Thebes (TopBib i2.261):

• ink sketches and notes on paper
• loose
• 18.7 x 12.7 cm
• [under sketches on the left] 'Wooden brick stamp / in the Col of E Lane Esq' (ink note)
• [under sketch on the right] ''Terra cotta cone / in the Sh... Col' (ink note)

Sketch of front and texts of front and sides of a headless sphinx of Amenophis III, found in the Palace of Diocletian in Split (Croacia) and now in Split, Archaeological Museum (TopBib vii.407):

• ink sketch on paper
• loose
• 14.7 x 9.3 cm