Head of reclining woman asleep:

• pencil sketch on paper
• loose, together with Bonomi MSS 38.6
• 16.5 x 17.8 cm

Back view of torso of marble sculpture, probably from the Parthenon (438-432 BC) :

• pencil drawing on card
  -l oose, together with Bonomi MSS 38.7-8 and 38.10
• 7.3 x 9.2 cm

Marble relief of standing female figure from Block V from the East frieze of the Parthenon (London, British Museum, reg. 1816,0610.19 - BM Sculpture 324 fig. no. 32, 438-432 BC):

• camera lucida pencil tracing/drawing on paper
• mounted
• 18.2 x 26.5 cm
• [on mount] '9' (ink note)

Sketches of details of centaurs from the pediment of the temple of Jupiter at Elis, Arabic text and incomplete English text:

• ink sketches on paper
• loose
• 21.6 x 7.3 cm

Half of lid of sarcophagus and front of sarcophagus:

• pencil drawings on paper
• loose
• 12.9 x 19.6 cm
• [on drawing] 'No 726. C, half of the lid.' (pencil note)
• [on drawing] 'h' / 'x' / 'N' (pencil labels)
• [on drawing] 'No 708 A; - the front' (pencil note, with remains of erased previous note)
• [on drawing] 'D M DOCTANI ACMARI' (pencil note)

Sarcophagus:

• pencil sketch on paper
• 12.9 x 13.3 cm
• loose
• [on sketch] 'DIOSCHORI ISIDORIS V A' (penicl note)

Copy of Greek inscription:

• pencil sketch on paper
• loose
• 31.6 x 16.0 cm

Architectural drawings of the Temple of Olympian Zeus at Agrigento, Sicily (Italy), with measurements:

• blue ink sketches on tracing paper
• loose
• 49.4 x 44.2 cm
• [on sketch] 'Plan of half the Temple of Jupiter Olympius at Agrigentum.' (ink note)
• [on sketch] 'Length of side 369.5' (ink note)
• [on sketch] 'Length of End 182.8' (ink note)
• [on sketch] 'Windows' / 'Profile' (ink note)
• [on sketch] 'Centre not roof?' (ink note)
• [on sketch] 'Elevation within the Centre or nave.' (ink note)
• [on sketch] 'Section of outer wall Large scale.' (ink note)
• [on sketch] 'Elevation Large scale.' (ink note)
• [on sketch] 'Restoration of the Temple of Jup. Olympius Agrigentum' (ink note)
• [on sketch] 'with comparison of relative scale of Temple of Concord at Agrigentum & Parthenon at Athens.' (ink note)
• [on sketch] 'Temple of Concord Agrigentum.' (ink note)
• [on sketch] 'Parthenon at Athens.' (ink note)

Lithograph of Britannia replenishing the lamp of the genius of art:

• monochrome lithograph
• loose
• 33.9 x 27.4 cm

Print of "Nelson's Column. Trafalgar Square. &c." in London (England), by J. Shury, published by J. Harwood, with addition of statue of Britannia and other statues in watercolour:

• print with watercolour (grey and brown) on paper
• mounted
• 18.9 x 15.7 cm
• [on print] 'J. Shury. sculp' (printed note)
• [on print] '12, Gt Carter Lane, Doctors Commons.' (printed note)
• [on print] 'Nelson's Column. Trafalgar Square. &c.' (printed note)
• [on print] 'PLACE DE TRAFALGAR.' (printed note)
• [on print] 'DIE NELSON SAULE.' (printed note)

Angel and three cloaked, hooded female figures:

• sketch on paper
• loose, adjacent to Bonomi MSS 40.1
• 18.4 x 11.4 cm

Three designs featuring the goddess Britannia:

• partially inked pencil drawings on paper
• loose, adjacent to Bonomi MSS 40.6
• 17.7 x 22.0 cm

Winged female figure (Victoria):

• pencil sketch on tracing paper
• loose, adjacent to Bonomi MSS 40.6
• 15.2 x 12.6 cm

Seated female figure with nude child on her lap, chasing a bee:

• print on paper, mounted on paper
• mounted
• 14.2 x 18.6 cm (17.0 x 23.5 cm with mount)

Christ standing between two figures, possibly Saint Paul and Saint Peter:

• ink sketch on paper
• mounted, together with Bonomi MSS 40.11
• 11.2 x 10.1 cm
• [on sketch] 'as for example the Transfig the 3 cardinal virtues' (ink note)
• [on sketch] 'this plan' (ink note)

Two angels flanking a door:

• pencil drawing on tracing paper
• mounted, together with Bonomi MSS 40.15 and 40.17
• 24.5 x 12.8 cm
• [on drawing] 'JB' (pencil note)

Nude young Lapith holds a centaur's head from behind with his left; marble metope from the Parthenon (South metope XXVII) (London, British Museum, reg. 1816,0610.11 - BM Sculpture 316, 438-432 BC):

• ink sketch on treated tracing paper
• loose, adjacent to Bonomi MSS 40.20
• 27.8 x 21.9 cm

Britannia replenishing the lamp of the genius of art in grid:

• pencil sketch on paper
• mounted
• 25.6 x 20.7 cm

Two designs featuring the goddess Britannia:

• pencil drawings on tracing paper, ink circles
• mounted, together with Bonomi MSS 40.22
• 25.6 x 16.5 cm

Figure from plate 11 of the Compositions from the tragedies of Aeschylus, designed by John Flaxman, engraved by Thomas Piroli, London (1795):

• ink and wash sketch on paper (remains of pencil)
• mounted, together with Bonomi MSS 40.21
• 14.5 x 10.6 cm
• [on sketch] 'Flaxman's Eschilylus. Pl. 11.'

Shepherd carrying lamb and Luke 15:5 verse:

• inked pencil sketch on paper
• loose, adjacent to page 1
• 7.5 x 12.3 cm
• [on sketch] 'καὶ ἐὑρὼν ἐπιτίθησιν ἐπὶ τους / ωμους εἑαυτοῦ χαιρων / L 15 5' (pencil note) [translation: 'and when he has found it, he lays it on his shoulders, rejoicing']

Jesus performing a miracle (probably the raising of Lazarus):

• inked pencil sketch on paper
• mounted on loose paper, together with Bonomi MSS 41.4, adjacent to page 2
• 22.8 x 18.8 cm

Crouched putto sleeping:

• pencil sketch on paper
• mounted, together with Bonomi MSS 41.13 and Bonomi MSS 41.14
• 14.2 x 10.8 cm
• [on mount] '4' (pencil note)

Seated female figure with nude child on her lap, chasing a bird and a bee:

• pencil sketch on tracing paper
• loose, adjacent to page 5
• 25.3 x 12.6 cm

Murder of the sacred Apis bull by Cambyses II, with study of the king's hand:

• pencil sketches on paper
• loose, adjacent to page 6
• 39.5 x 24.8 cm
• [on sketch] 'No 8' (ink note)
• [on sketch] 'Egyptian priests in despair.' (ink note)
• [on sketch] 'The Bull dying' (ink note)
• [on sketch] 'Persian king & attendants' (ink note)

The sacred bull Apis predicts the downfall of emperor Germanicus:

• inked pencil sketch on paper
• loose, adjacent to page 11
• 37.0 x 22.3 cm
• [on sketch] 'Germanicus consults the Bull Apis by offering him food' (ink note)
• [on sketch] 'the Bull Apis returns an unfavourable answer to Germanicus by refusing to eat out of / his hands' (ink note)

Plato at Heliopolis discoursing on the immortality of the soul with Egyptians and Jews, with studies of scene and Jew:

• pencil sketches on paper
• loose, adjacent to page 11
• 37.0 x 22.6 cm
• [on sketch] 'Plato at Heliopolis discoursing / on the Immortality of the Soul / with the Egyptians & Jews' (pencil note)
• [on sketch] 'Trial Scene' (pencil note)
• [on sketch] 'Jews' (pencil note)
• [on sketch] 'Greek' (pencil note)
• [on sketch] 'Plato' (pencil note)
• [on sketch] 'Egyptians' (pencil note)
• [on sketch] 'Neath the Great Mother' (pencil note) [continuation of note in Bonomi MSS 41.26 (verso)]

Mother reading with daughter:

• inked pencil sketch with pencil frame on paper
• partially attached, together with Bonomi MSS 42.6
• 10.2 x 14.1 cm
• [on sketch] 'JB' (pencil note)

Sketches of rider on horseback, angel, and warrior:

• pencil sketches on paper
• partially attached
• 25.9 x 19.2 cm
• [on sketch] 'Α+Ω' (pencil note)

Ewer and lamp design:

• pencil sketch on paper
• mounted, together with Bonomi MSS 42.10
• 18.3 x 16.7 cm
• [on sketch] 'PRUDENCE' (pencil note)
• [on sketch] 'PR' (pencil note, erased)
• [on sketch] '[P]RUD - ENCE' (pencil note, erased)