Scene on the bank of Nile, showing Egyptian team members loading packing cases containing Tutankhamun's objects on to a boat, in preparation for their transport by boat to Cairo.
A group of tourists listen to a local guide while standing next to the modern enclosure wall surrounding the entrance to the tomb of Tutankhamun. On the right, a man stands holding a tray of objects, possibly refreshments or souvenirs.
An Egyptian team member carrying the wooden portrait figure of Tutankhamun (116), the so-called mannequin, from the King's tomb to the nearby 'laboratory' (KV 15, Sethos II). The Egyptologist and journalist Arthur Weigall can be seen walking alongside, in the background.
Arthur Callender and Egyptian team members transporting a chariot body (121) from Tutankhamun's tomb to the nearby 'laboratory' (tomb KV 15, Sethos II).
The original photographer is not known, perhaps taken by The Times photographer, probably in early 1923.
A donkey procession in the Valley of the Kings. At the front, riding sidesaddle is Howard Carter, followed by Arthur Mace (wearing a dark hat). The man partially obscured by Mace is Alfred Lucas. At the back, riding the last donkey is Arthur Callender.
Donkeys were the main form of transport to and from Tutankhamun's tomb.
TAA ii.6.62 almost certainly records the same event.
Part of a set of six photographs all taken by James Deardon Holmes (1873-1937), showing the backfilled entrance to Tutankhamun’s tomb in 1925. Each of these photographs represents one-half of a miniature stereoscopic image.
Part of a set of six photographs all taken by James Deardon Holmes (1873-1937), showing the backfilled entrance to Tutankhamun’s tomb in 1925. Each of these photographs represents one-half of a miniature stereoscopic image.
Part of a set of six photographs all taken by James Deardon Holmes (1873-1937), showing the backfilled entrance to Tutankhamun’s tomb in 1925. Each of these photographs represents one-half of a miniature stereoscopic image.
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
An Egyptian team member, accompanied by Arthur Callendar [right, foreground] and an armed guard [centre, background], carries a tray containing a reed and papyrus box (Carter 42) and an ornamental box made of redwood inlaid with ebony and ivory. The objects are being transported from Tutankhamun's tomb to the nearby 'Laboratory' (the tomb of King Sety II, KV15).
The photograph was taken on 24th January 1923, the day Carter recorded this couch being moved; the postcard's production date is unknown, but it was almost certainly sometime in the 1920s.
Howard Carter (left), assisted by Walter Hauser (right), manoeuvring the right side of the cow-headed couch (Carter 73) into a packing case in preparation for its transfer to the nearby 'Laboratory' set up in the tomb of Sethos II (KV15).
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
(Carter 116)
An Egyptian team member carrying the wooden portrait figure of Tutankhamun, the so-called "mannequin", from the King's tomb to the nearby "Laboratory" tomb (KV 15, of Sethos II) for cleaning and conservation. The man holding the bust is escorted by an armed guard and another Egyptian excavation team member, which was necessary to ensure the safe movement of objects through the Valley of the Kings following the announcement of the tomb's discovery, which attracted large crowds of journalists and tourists who flocked to Luxor hoping to see the tomb and view objects as they were being moved.
The portrait bust of Tutankhamun [Carter 116] was found in the tomb's Antechamber. The King is portrayed wearing a yellow flat-topped crown featuring the centrally positioned uraeus on the crown's temple band. The King also wears a close-fitting white garment.
The bust's purpose is unclear, but it probably displayed part of the King's regalia. A recent proposal is that it may have been originally used for supporting and storing the King's gold corset (Carter 54k) in the tomb. When thieves ransacked the tomb in antiquity, these robbers likely removed the corset from the bust before breaking the heavy regalia into smaller, portable pieces.
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
Egyptian team members carrying the body of one of Tutankhamun's chariots (Carter 122) from the King's tomb to the nearby 'Laboratory' set-up in the tomb of Sethos II (KV15). The chariot is also escorted by an armed guard and Howard Carter (background, wearing a bowtie and a pale-coloured hat with a dark band).
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
Egyptian team members manoeuvering a tray loaded with a chariot wheel up the rock-cut steps leading out of Tutankhamun's tomb. The wheel is from one of the four chariots found in the Antechamber.
Created by Hermes Knauer, Metropolitan Museum Objects Conservation Department, who made a limited number of pins as presentation pieces for people closely connected with the organisation of the USA Tutankhamun exhibitions. Knauer presented this pin to Dr Lilyquist in New York in 1978.
The shen-amulet motif was used for other merchandise sold at the 'Treasures of Tutankhamun' exhibition.
Cigarette card (2 copies) issued by Churchman's Cigarettes from the set titled: 'Treasure Trove: A Series of 50' (1937).
No. 26: 'The Tomb of Tut-Ankh-Amen: The First Inspection'.
Artist's impression of Howard Carter, Lord Carnarvon and Lady Evely exploring the Antechamber of Tutankhamun's tomb, showing the objects in situ against the west wall.
Two copies of the Prestige Stamp Book, 'Tutankhamun: Finding a Pharaoh', issued on 12 December 2022 as part of the Special Stamp Issue 'Tutankhamun', produced by Royal Mail in collaboration with the Griffith Institute, to mark the centenary of the discovery of Tutankhamun's tomb.
Two copies (identical) of the coin cover, 'The Burial of a King: Tutankhamun', produced by Royal Mail in partnership with the Royal Mint, marking the 100th anniversary of the discovery of Tutankhamun’s tomb. Special Stamp Issue 'Tutankhamun', produced by Royal Mail in collaboration with the Griffith Institute, to mark the centenary of the discovery of Tutankhamun's tomb. Royal Mail Group Ltd commissioned the Griffith Institute to act as consultants supplying all the text and required images for all the Special Stamp products.
Anonymous (ed.) 2022. A postcard from..: Royal Mail special stamps 2022. Royal Mail Yearbook 39. London: Royal Mail Group Ltd. ISBN: 9780946165773. 24.4 x 25.7 cm; 64 p., [117] figs [ills (mostly colour)] (OEB 307243).
The publication contains every stamp and miniature sheet issued by Royal Mail in 2022, with a chapter devoted to every Special Stamp issue. An expert in their field has written each dedicated chapter for each stamp issue. The subjects include The Rolling Stones, Her Majesty The Queen’s Platinum Jubilee and the discovery of Tutankhamun’s Tomb.
Contains the chapter 'Tutankhamun' and discusses the extraordinary period during which Tutankhamun lived, the significance of his burial and its site in the Valley of the Kings.
Also contains the Special Stamp Issue 'Tutankhamun', produced by Royal Mail in collaboration with the Griffith Institute, to mark the centenary of the discovery of Tutankhamun's tomb.
The main set of eight colour stamps, each featuring an object from Tutankhamun's tomb, images supplied by Araldo De Luca.
Mini stamp sheet of four stamps featuring black and white photographs, including three Harry Burton photographs supplied by the Griffith Institute.
A Hereditary prince, Count, etc., upper part of statue, right side of the face and left shoulder damaged, with the cartouches of Psammetikhos I on shoulders, basalt, temp. Psammetikhos I, formerly in J. Lee and Lord Amherst collections and at Sotheby's in 1921, current location not known (TopBib viii.801-763-510):
