Pencil drawing of landscape at Albano:

• [on mount] 'Old houses at Albano. Nr Rome. 1857.' (pencil note)

Ink drawing of woman with crocodile:

• [on drawing] 'The Larches, Westbury-on-Trym, Nr. Bristol.' (printed) 'The delights of sketching 1000 miles up the Nile, Scene the Second (Rapid disappearance of A.B.E.) April 24 / 88. (underlined) Here is Scene the Second in this terrible Tragedy for you - + I' (ink note)

Ink drawing of woman sketching with crocodile:

• [on drawing] 'The Larches Westbury-on-Trym Nr. Bristol.' (printed) 'April 20th. 1888. The delights of sketching from Nature, 1000 miles up the Nile.' (ink note)

Ink drawing of man walking:

• [on recto of drawing] 'Mr Smith ascending the Kobel-alp.' (pencil note)
• [on mount] 'or "The British Tourist ascending the Kobel-alp.' (ink note)
• [on verso of drawing] 'Amelia B. Edwards' (underlined) (pencil note)

Handwritten poem:
'To his mummy, (who is older than he) -

What shall I call thee? Mummy, - Sweetheart mine,
Where shall I find thee?... if in truth I dare
To disinter thee from the desert plain
And carry off thy body to afar.

Where shall I find thee? Burrowing with my hands
Tale[?] deep in the earth, as when they seek to meet
Some prised treasure. Yes, to far off lands
we'll travel now this summer fair my sweet.

Thy home shall be some great museum, framed
With all the splendours art can cast around,
Where thou shalt soon midst wond'ring peoples stand,
Nor think x [?] more to lie in native ground.

Yes come, I know, thou wilt! For well nigh due
Is now another find; since two days past
Have not seen a portrait, and anew
I seek to find another love at last.

I waked last night from dreams of finds, and lo!
Five new tombs have we opened now today,
And sure in one of them, deep down, full low,
Thy smiling face is lying! Come away!

Away dear love to meet and greet the sun,
Which yet thou hast not seen for ages past,
When thou lay down, Europe had scarce begun
To run its course, which thou shalt see at last.

Swift, swift, we'll travel by Northern shore
Dear lady! from the drowsy East fly fast,
Darkness + ignominy are no more,
Thy treasured features now are mine at last.

Hawara

W.m.F.P.
With many apologies to A.B.E.

Ink drawing of woman and crocodile:

• [on drawing] 'The Larches, Westbury-on-Trym, Nr. Bristol.' (printed) 'Act the Third (underlined) "''Tis distance lends enchantment to the view." May 1. 1888.' (ink note)

Envelope and pencil drawing of carving of people dressing themselves:

• [on drawing] From the Portal of St Gallus. Basel Minster - Aug 26th /62. The Dead putting on their clothes at the sound of the last Trumpet.' (pencil note)
  [on envelope] 'Miss Amelia B. Edwards, The Larches, Westbury-on-Trym, Near Bristol. NOT to be sealed.' (printed).

Pencil drawing of sitting scribe.

Ink drawing of man:

• [on drawing] 'He was a Man. Take him for all in all, we shall not look upon his like again.' (ink note)

Ink drawing of man:

• [on drawing] 'Sketch from life. Nast [?]. (underlined) Listening to the Band. West[?] [?] [?] 1889.' (ink note)

Watercolour of dormer window with washing in Basel:

• [on drawing] 'Basle July 16th 1891' (ink note)

Ink sketch of head:

• [on drawing] 'Poor Ribert has just heard her step-son died at 9.30 this morning.' (ink note)

Bound in brown leather.

• [on label] 'With the compliments of the Acting Keeper of the Department of Western Art, Ashmolean Museum, Oxford' (printed) '3 Albums brought down from upper Library by Mrs. Gunn. They seem to be Griffith, one having F.II. G. (underlined) inside.' (pencil note)

Ink drawing of Monte Gennaro:

• [on verso] 'Monte Gennaro (the Mons Lucretilis of Horace) from Monte Mario Rome - 1872' (ink note)

Pencil drawing of woman dancing:

• [on reverse] 'Roman peasant girl dancing the Saltarello. after Pinelli (undelined) ABE (underlined)' (pencil note)

Ink drawing of male figure riding camel:

• [on drawing] 'Scenting the Spring from afar.' (ink note)
• [on reverse of drawing] 'to her (underlined). But a nice capable girl was found in the village, who came up [?] to-day - + for two hours to-day - but - <who> cannot come any more, having an engage-ment at the Anna's[?] from tomorrow for a month. They are taking her as temporary housemaid till they leave for Cannes in Feby.' (ink note)

Watercolour of bowl on recto and pencil sketch of outline of bowl on verso:

• [on recto of drawing] '"The Great God Pan" - E. B. Browning. ABE' (pencil note)

Back cover bound in red leather.

Mounted watercolour of Predazzo

Three mounted watercolours:

• upper: the Pelmo from Val Fiorentina
  • [on mount] 'The Pelmo' (pencil note)
• lower left: the Aiguilles of the Schlern
  • [on mount] 'Needles of the Schlern' (pencil note)
• lower right: Silbergasse in Bolzen
  • [on mount] 'Silbergass - Bolzen' (pencil note)

Mounted watercolour and pencil sketches of Castellàz and Monte Serrata from Pieve di Zoldo.

Mounted watercolour and pencil sketches of Sciliar (Schlern).

Mounted watercolour of Sassolungo and Sassopiatto.

Mounted watercolour of the Rosengarten.

• [on mount] 'The Rosengarten from Bolzen. 3.30. Am.' (pencil note)

Two mounted watercolours:

• left: Castel Pietra
• right: Primiero

Watercolour of Monte Piacedel from Forcella d'Alleghe:

• mounted
• [on mount] 'The Monte Piacidel from Passo Coldai' (pencil note)

Four mounted sketches:

• top left: watercolour of the Rosengarten from the bridge in Bolzano
• top right: watercolour of the Rosengarten from the bridge in Bolzano
• middle: watercolour of an unidentified building
• bottom: pencil drawing of the Rosengarten from the bridge in Bolzano

Two mounted watercolours:

• upper: Marmolada viewed from Forcella d'Alleghe
• lower: unidentified peak.