Female servant bringing a gazelle and a tray laden with grapes, from a wall painting in the tomb of Amenemhet (TT 82), temp. Tuthmosis III, at Sheikh Abd el-Qurna in Thebes:

• pencil tracing
• mounted
• 30.4 x 43 cm
• [on recto of tracing] encircled '1' (pencil)

A priest, wearing a long cloak and carrying a staff, and a priestess, from the funeral cortege accompanying the sarcophagus which is being dragged to the tomb, in the tomb of Amenemhet (TT 82), temp. Tuthmosis III, at Sheikh Abd el-Qurna in Thebes:

• pencil tracing
• mounted
• 30.5 x 36.9 cm
• [on mount] '2' (pencil note)
• [on verso of tracing] 'No 13.' (pencil)

Two men in a pool collecting water in large jars (for brick-making), detail from a scene in the tomb of Rekhmire (TT 100), temp. Tuthmosis III to Amenophis II, at Sheikh Abd el-Qurna in Thebes:

• pencil tracing with edges folded in on two sides (top and right)
• mounted
• 35.2 x 45.6 cm
• [on recto of tracing] 'Taking fish out of a tank. / Tomb at Thebes. / No. 35 ? / 10th July 1843.' (pencil note)
• [on mount] '3' (pencil note)
• [on verso of tracing] 'No. 12' (pencil note)

Design for a title-page for Lloyd's 'Sketches of Ancient Egyptian Sculpture and Painting' with the goddess Seshat and Maat, which are based on two other drawings in the same album (see Lloyd MSS 103 and Lloyd MSS 104):

• pencil drawing
• loose item, originally a tipped-in page perhaps for this album, with remains of mounting-strip on right side of verso
• 25 x 34.9 cm (excluding mounting-strip)
• [on drawing] 'SKETCHES OF ANCIENT EGYPTIAN SCULPTURE AND PAINTING' (pencil note)

Explanatory note on design:

• pencil handwritten text
• loose item, originally a tipped-in page perhaps for this album, with remains of mounting-strip on right side
• 25.5 x 34.9 cm (including mounting-strip)
• [text] 'I have drawn this simply as a title for my sketches. / The semicircle at the top, excepting the Cartouches / is from the doorway of the first vaulted Chamber / in the temple of El Assasief erected by Amensä / the mother of Thothmes 3rd. The other part is mere / composition. On the right is Thmai or Truth, and / on the left Safrä, the Goddess of Letters. The characters / are ornamented with the emblems of Lower and / Upper Egypt. The Cartouches are for Our Lady / Victoria, when I can get those from Birche's work. / 27th July sketched / 1st August finished / } / 1843 / { / G Lloyd. / Gurna / Thebes.'

Pages 101-192.

Album of watercolours, drawings, and tracings of Egypt produced close to the end of Lloyd's life. It is a folio volume (33 x 44 cm, pages 32.7 x 43 cm), containing 135 watercolours and drawings (74 of which are full-page and 1 folding) and 10 tracings (8 folding). They are all mounted and most are captioned either on the image itself or on the mount. Captions on the mount seem to have been added when the album was put together after Lloyd's death. The album also contains a loose watercolour, a loose drawing and a loose lithographed portrait of George Lloyd by Prisse d'Avennes, who published it in his Oriental Album: Characters, Costumes and Modes of Life in the Valley of the Nile (1848). One of the drawings in the album is a pencil portrait of Lloyd sketched by Prince A. Soltykoff.

Over one thousand colour slides (group III), several hundred black and white photographs (group II), and correspondence (group I).

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the production date of the postcard is not known, but it was almost certainly in the 1920s.
• Members of the Egyptian team manoeuvring a large carrying tray out through the entrance to the modern enclosure wall constructed shortly after Tutankhamun's tomb was discovered. The team are carrying two black shrine-like boxes (Carter 37) and (Carter 38) and a gabled-roofed box (Carter 32), transporting them from the tomb's Antechamber to the Laboratory.

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• Two Egyptian team members carrying a white chest (Carter 50) up the rock-cup steps leading out of Tutankhamun's tomb, with Howard Carter assisting (head visible behind the left shoulder of the man at the front). This chest contained many items of Tutankhamun's wardrobe.

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• (Carter 116)
• Howard Carter (second from right, striding, wearing a hat with a black band) accompanying the wooden portrait figure of Tutankhamun (the so-called "mannequin"; Carter 116), which is carried by an Egyptian member of the team transporting the object to the "Laboratory" tomb (KV 15, of Sethos II) for cleaning and conservation.
• Also present in the photograph is Lord Carnarvon (sitting on the wall at the far left), who watches as the group passes by. The man walking to the left of the Earl is Arthur Weigall (dark hat with a darker headband), a former Egyptian Antiquities Service Inspector now engaged as a journalist reporting on the excavation. The other Europeans present here are also journalists or tourists.
• The portrait bust of Tutankhamun [Carter 116] was found in the tomb's Antechamber. The King is portrayed wearing a yellow flat-topped crown featuring the centrally positioned uraeus on the crown's temple band. The King also wears a close-fitting white garment.
• The bust's purpose is unclear, but it probably displayed part of the King's regalia. A recent proposal is that it may have been originally used for supporting and storing the King's gold corset (Carter 54k) in the tomb. When thieves ransacked the tomb in antiquity, these robbers likely removed the corset from the bust before breaking the heavy regalia into smaller, portable pieces.

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• (Carter 116)
• An Egyptian team member carrying the wooden portrait figure of Tutankhamun, the so-called "mannequin", from the King's tomb to the nearby "Laboratory" tomb (KV 15, of Sethos II) for cleaning and conservation.
• The portrait bust of Tutankhamun [Carter 116] was found in the tomb's Antechamber. The King is portrayed wearing a yellow flat-topped crown featuring the centrally positioned uraeus on the crown's temple band. The King also wears a close-fitting white garment.
• The bust's purpose is unclear, but it probably displayed part of the King's regalia. A recent proposal is that it may have been originally used for supporting and storing the King's gold corset (Carter 54k) in the tomb. When thieves ransacked the tomb in antiquity, these robbers likely removed the corset from the bust before breaking the heavy regalia into smaller, portable pieces.

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• Four Egyptian members of the excavation team carrying trays of objects from Tutankhamun's tomb, escorted by Arthur Callendar (on left, wearing a pith helmet) and armed guards. The men at the front transport a wheel from one of the King's chariots, followed by two men, each carrying a tray containing smaller items, including a reed basket or tray (Carter 119) with partitions.