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Research material relating to Andjety and Bat/Hathor

Research material relating to Andjety, Bat/Hathor and the symbol of the 7th nome of Upper Egypt, including material relating to a hypothesis by Newberry that the symbol of Hathor is a cow's uterus, and that the symbol of Andjety is a goat's uterus.

Includes:
-Photograph of statue of nome triad: King, Hathor Mistress of the Sycamore and bat-fetish nome goddess (Cairo Museum, JE 46499) (TopBib iii.28)
-Photographs of a predynastic pot featuring dancing figures with headresses bearing the 'cow horn' symbol (British Museum, EA 35502)
-Drawings and tracings of a cow's uterus
-Rubbing, drawing and tracing of the 'Gerzeh palette' featuring Bat symbol (Cairo Museum, CG 34173)
-Drawings showing the head dress of Andjety and the similarity to the shape of a female goats uterus
-Drawings of symbols of Bat and the similarity to the shape of a cow's uterus
-Letter from L. Pugh, Department of Agriculture, relating to the reproductive organs of a goat, 5 Aug 1921
-Notes relating to the symbol representing the bicornate uterus of animals [F45]
-Notes relating to the sistrum
-Draft, notes and draft correspondence on the symbol of the 7th nome of Upper Egypt
-Notes on identification of symbol believed by Victor Loret to be the standard of the 7th nome of Upper Egypt and the symbol of Hathor
-Notes on the standard or ensign as it appears on predynastic pottery
-Notes on shepherds
-Notes on the girdle tie and Tjet amulet also known as the Isis knot
-Notes on 'split totems' or the worship of parts of animals
-Cutting of Griffith, F., 'Notes on Mythology: Eileithyia in Egypt. The God of Busiris. Hermes Trismegistus', in Proceedings of the Society of Biblical Archaeology, (1899) (OEB 140774)
-Notes on Astarte

Notes include reference to NB [Notebook] 35, NB 38, and NB 41.

Research material on Second Intermediate Period Kings

Research material on Second Intermediate Period Kings, mainly 13th Dynasty but also references to the 12th and 18th Dynasties.

Includes:
-Material relating to the Turin King List (also known as the Turin Royal Canon) including copied sections and groupings of Kings by Newberry
-Letter from Alan Gardiner relating to fragments 76 and 78 of the Turin King List, 9 May 1928
-Notes on Khutawyre Wegaf including draft letter to William Edgerton on Georges émile Jules Daressy's readings of the Cairo Demotic Papyrus (Cairo Museum, CG 31169)
-Notes on Sekhemkare Amenemhat Sonbef
-Notes on Sekhemrekhutawy Pantjeny (including rubbing of cartouches from stela of Prince Djehuti-aa (British Museum, 630) (TopBib v.45)
-Notes on Lufni
-Notes on the Sobekhotep Kings
-Rubbings of prenonem of Sedjefakare Kay Amenemhat VII from stand for sacred bowl (Cairo Museum, JE 51900) (TopBib v.145)
-Notes on Amenemhat Sobekhotep and two letters from E. Lowry Whyte, 10-17 August 1902, and enclosed tracing of cartouche of Amenemhat Sobekhotep from limestone fragment at Sothebys
-Envelope with reference PEN/G.X/E.C containing rubbings, tracings, drawings, and draft relating to Khendjer, and draft letter to Jaroslav Cerný
-Notes on Sobekhotep III and letter from Rosalind Louisa Beaufort Moss, Griffith Institute relating to stela of Sobekhotep III (TopBib vii.277), 13 April 1949
-Envelope sent from James Breasted to Newberry and labelled by Newberry 'Hyksos' containing notes by Breasted on 'On the Hyksos Question' by William Spiegelberg (OEB 150922) and 'New Material for the History of the Hyksos' by William M. Müller (OEB 145820). Also includes draft titled 'The Second Intermediate Period'.

Research notes on viziers

Envelope containing notes on viziers including on the title vizier, lists of viziers, officials of the vizier, the ceremony to install a vizier, and the history of the position.

Also includes cutting of Spiegelberg, W., 'The Viziers of the New Empire', in Proceedings of the Society of Biblical Archaeology, Vol. XV. 23rd Session, pp.522-526, (1893) (OEB 150895).

Research material on the Royal Annals of Egypt

Rubbings, tracings, drawings, cuttings of the Palermo Stone (1028, Palermo Museo archeologico), Cairo fragments (Cairo Museum, JE 44859; JE 39735; JE 39734; JE 44860), London fragment (Petrie Museum, UC 15508), and notes.

Also includes diagrams reconstructing the Royal Annals of Ancient Egypt, and showing suggested positions of surviving fragments.

Research material on Theban private tombs

Folder of loose notes on Theban private tombs. Notes have been organised by Diana Magee according to tomb number. The folder has been re-used and there is a list inside the front cover which does not relate to the contents.

Includes:
-Notes on tomb TT131 User (TopBib i.245) including description, sketch of exterior, and copy of text
-Copies of inscriptions and sketches of objects from tomb TT86 Menkheperra'sonb (TopBib i.175)
-Notes and copy of text from tomb TT71 Senenmut (listed by Newberry as 110) (TopBib i.139)
-Notes and copy of text from tomb TT64 Hekerneheh (TopBib i.128)
-Notes and copy of text from tomb TT81 Ineni (TopBib i.159)
-Notes on tomb TT40 Amenhotep called Huy (TopBib i.75) including diary notes 16 and 21 November 1900 on work and finds, drawings of stone jamb and stela of Mermes, (items originally from tomb TT383 Merymosi, TopBib i.436), and funeral cone, sketch plan of the tomb and copy of text
-Notes and copy of text from tomb TT83 Amethu (TopBib i.167)
-Notes and copy of text from tomb TT82 Amenemhet (TopBib i.163)
-Notes on tomb TT100 Rekhmire (TopBib i.206), including cuttings from Newberry, P.E., The life of Rekhmara, vezîr of Upper Egypt under Thothmes III and Amenhetep II (circa B.C. 1471-1448), (Westminster, 1900) (OEB 146373) with annotations, tracing, cuttings from Virey, P., Le tombeau de Rekhmara, Préfet de Thébes sous la XVIIIe Dynastie, (Paris, 1889) (OEB 151820)
-Notes and copy of text from tomb TT85 Amenemhab (TopBib i.170), and cutting titled 'The Biographical Inscription'
-Copy of text from tomb TT353 Senenmut (TopBib i.417)
-Notes on tomb TT99 Senufer (TopBib i.204)
-Copy of names and titles from tomb TT59 Ken (TopBib i.120)
-Copy of text from tomb TT66 Hepu (TopBib i.132)
-Copy of text from tomb TT39 Puimre (TopBib i.71)
-Copy of text from tomb TT263 Piay (TopBib i.344)
-Copy of text from tomb TT78 Haremhab (TopBib i.152)

Copies of Theban graffiti

Envelope labelled 'Graffiti : Thebes 1912' and numbered A.15.

Contains copies of graffiti including from the chamber above Deir el-Bahari. Includes reference to NB [Notebook] 5 and numbered notes by Howard Carter e.g. Carter 47.23.

Research material on tombs in Asyut

Research material on tombs in Asyut, identified during previous archival processing as being for a publication on Assiut [Asyut], and corrections to Griffith, F., The inscriptions of Siut and Dêr Rîfeh, (1889) (OEB 140749).

The original folder has been re-used and the title 'Flora - General (1)' crossed out. The folder includes a list of material relating to the original contents on flora.

Contains notes on tombs in Asyut including descriptions of tomb decoration with sketches, sketch plans of tombs including measurements with position of objects and paintings, copy of inscriptions, translations of inscriptions, and family trees.

Also includes copy of inscriptions from an 11th Dynasty tomb at Asyut (TopBib iv.265A), see Magee, Diana. 1988. Asyût to the end of the Middle Kingdom : a historical and cultural study. Thesis (D.Phil.), volume 2 page 34, University of Oxford. Faculty of Oriental Studies, and corrections to Griffith, F., The inscriptions of Siut and Dêr Rîfeh, (1889) (OEB 140749), including cuttings of lines from plate 9 and 10.

Bilbeis, view of the settlement

Bilbeis, view of the settlement

View of the settlement at Bilbeis:

  • watercolour
  • mounted
  • 35.5 x 25.9 cm
  • [on mount] 'Belbies from the SW.' (ink note)
  • [on mount] encircled '2' (pencil note)
  • [on verso of watercolour] 'Belbeis from the S.W. / 25th Feb. 1843.' (pencil note)
Abu Zaabal, a nearby mosque

Abu Zaabal, a nearby mosque

A mosque near Abu Zaabal:

  • watercolour
  • mounted
  • 35.5 x 25 cm
  • [on mount] 'Mosque N.N.E. Abu Zaabel.' (ink note)
  • [on mount] encircled '6' (pencil note)
  • [on verso of watercolour] ''Mosque N.N.E. Abu Zaabel / 12th Jan 1843' (pencil note)
Birket el-Fil

Birket el-Fil

Birket el-Fil:

  • watercolour
  • mounted
  • 35.3 x 25.8 cm
  • [on mount] 'Berket el Hiel from Seba el Muchfer.' (ink note)
  • [on mount] encircled '8' (pencil note)
  • [on verso of watercolour] 'Birket El Fiel from Seba El [xxx]fer(?). / 30th Jan. 1843.' (pencil note)
Mokattam Hills viewed from Giza

Mokattam Hills viewed from Giza

Mokattam Hills viewed from Giza:

  • watercolour
  • mounted, together with Lloyd MSS 022
  • 26 x 17.8 cm
  • [on mount] 'The Mōkăttăn hills from the Well near the Pyramids of Gizeh.' (ink note)
  • [on mount] encircled '21' (pencil note)
  • [on verso of watercolour] 'The Mōkăttăm hills from the Well / near to Pyramids of Gizeh 1st Dec. 1842.'
Um Gummer

Um Gummer

Um Gummer:

  • watercolour
  • mounted, together with Lloyd MSS 024
  • 26 x 17.8 cm
  • [on mount] 'Um Gummer from the Westward Sunset.' (ink note)
  • [on mount] encircled '23' (pencil note)
  • [on verso of watercolour] 'Um Gummer. From the Westward / Sunset 20th Jan. 1843.' (ink note)
Beni Habaseh

Beni Habaseh

Beni Habaseh:

  • unfinished watercolour with pencil details
  • mounted, together with Lloyd MSS 023
  • 25.6 x 17.7 cm
  • [on mount] 'Beni Habaseh.' (ink note)
  • [on mount] encircled '24' (pencil note)
  • [on verso of watercolour] 'Beni Habaseh. / 23 Jan. 1843.' (pencil note)
Asyut, Eurasian oystercatcher (Haematopus ostralegus)

Asyut, Eurasian oystercatcher (Haematopus ostralegus)

Eurasian oystercatcher (Haematopus ostralegus) at Asyut:

  • watercolour
  • mounted, together with Lloyd MSS 033
  • 17.4 x 12.1 cm
  • [on mount] 'Shot near the Nile.' (ink note)
  • [on mount] encircled '32' (pencil note)
  • [on verso of watercolour] 'Shot near Siut on the Nile. / '22 April 1843' (pencil note)
  • [on verso of watercolour] 'It has webbed feet and / the beak is very singular. / The size is about half as / large again as the Sterna / Nilotica' (pencil note)
Bilbeis, Egyptian goose (Alopochen aegyptiacus)

Bilbeis, Egyptian goose (Alopochen aegyptiacus)

Egyptian goose (Alopochen aegyptiacus) at Bilbeis:

  • watercolour
  • mounted, together with Lloyd MSS 032
  • 17.4 x 12.1 cm
  • [on mount] 'Common wild Goose, shot at Belbeis.' (ink note)
  • [on mount] encircled '33' (pencil note)
  • [on verso of watercolour] 'Shot xxx Belbeis near(?) Tel Kebir. / at Tel Kebir. 24th Jan. 1843. / Common Wild Goose' (pencil note)
Egypt, Bedouin campsite in the desert

Egypt, Bedouin campsite in the desert

Bedouin campsite in the desert, at an unidentified site in Egypt:

  • watercolour
  • mounted, together with Lloyd MSS 035
  • 17.4 x 12.1 cm
  • [on mount] 'Bedouins.' (ink note)
  • [on mount] encircled '34' (pencil note)
  • [on verso of watercolour] '31st Dec. 1842. / Beduweens.' (pencil note)
Abu Zaabal, 'The Sunnyside', three foxes basking in the sun

Abu Zaabal, 'The Sunnyside', three foxes basking in the sun

'The Sunnyside', three foxes basking in the sun at Abu Zaabal:

  • watercolour
  • mounted, together with Lloyd MSS 036 and Lloyd MSS 037
  • 17.5 x 12.2 cm
  • [on mount] 'Abu Zaable, "The Sunnyside."' (ink note)
  • [on mount] '38' (pencil note)
  • [on verso of watercolour] 'Abu Zaable. 11th.15th Jan. 1843. The sunny side.' (ink note)
Upper Egypt, a portrait of a woman carrying a young child on her shoulder

Upper Egypt, a portrait of a woman carrying a young child on her shoulder

A portrait of a woman and child in Upper Egypt; the woman carries the young child on her left shoulder and holds a small round vessel in her left hand; they stand in front of a raised bank with two palm trees beyond:

  • watercolour
  • mounted, together with Lloyd MSS 039, Lloyd MSS 041 and Lloyd MSS 042
  • 8.9 x 12.7 cm
  • [on mount] 'Costume of Upper Egypt.' (ink note)
  • [on mount] '40' (pencil note)
  • [on verso of watercolour] 'Costume of Upper Egypt / 9th April 1843.' (pencil note)
El Menair, pool with wading birds

El Menair, pool with wading birds

Pool with wading birds, probably black-winged stilt (Himantopus himantopus) or pied avocet (Recurvirostra avosetta) at El Menair:

  • watercolour
  • mounted, together with Lloyd MSS 039, Lloyd MSS 040 and Lloyd MSS 041
  • 12.2 x 17.5 cm
  • [on mount] 'Longshanks. El Menair going from Abu Zaable.' (ink note)
  • [on mount] '42' (pencil note)
  • [on recto of watercolour] 'El Menair. 18th Jan. 1843' [date faded] (pencil note)
  • [on verso of watercolour] 'Longshanks. / El Menair going to Belbeis from / Abu Zaable. 18th Jan: 1843' (ink note)
El Tut, West bank of the Nile with moored boat

El Tut, West bank of the Nile with moored boat

West bank of the Nile with moored boat at El Tut:

  • watercolour
  • mounted, together with Lloyd MSS 044
  • 12.6 x 8.9 cm
  • [on mount] 'Near El Tut W Bank of the Nile' (ink note)
  • [on mount] '43' (pencil note)
  • [on verso of watercolour] not legible (pencil note)
Karnak, Great Temple of Amun, Eighth and Ninth Pylons with the Pylon of the Temple of Khonsu in t...

Karnak, Great Temple of Amun, Eighth and Ninth Pylons with the Pylon of the Temple of Khonsu in the background

View of the Eighth and Ninth Pylons of the Great Temple of Amun at Karnak, with the Pylon of the Temple of Khonsu in the background:

  • watercolour
  • mounted
  • 35.5 x 26.1 cm
  • [on mount] 'Temple of Khons. / near the Great Hypostile, Karnac.' (ink note)
  • [on mount] '49' (pencil note)
  • [on verso of watercolour] 'Temple of Khons and the Pylon of Horus and Thothmes 2nd. / From of S entrance of the Great Hypostyle. Karnac. / 30th May 1843.' (pencil note)
Karnak, Temple of Khonsu, Forecourt, column 11, upper part of the goddess Hathor

Karnak, Temple of Khonsu, Forecourt, column 11, upper part of the goddess Hathor

The upper part of the goddess Hathor, from a scene on column 11 in the Forecourt of the Temple of Khonsu at Karnak:

  • pencil drawing
  • mounted
  • 26 x 35.5 cm
  • [on recto of drawing] 'Athor. / From a bas-relief on a column in the Pronaos of the / Temple of Khons. Karnac. 21st May 1843.' (pencil note)
  • [on recto of drawing] 'G Ll [erased] G Ll.' (abbreviated pencil signature of George Lloyd)
  • [on mount] '3' (pencil note)
Medinet Habu, Great Temple, exterior wall, outer face, North side, Ramesses III shooting on foot

Medinet Habu, Great Temple, exterior wall, outer face, North side, Ramesses III shooting on foot

Ramesses III shooting on foot and trampling enemies, accompanied by a group of archers and a fan-bearer, detail from the battle against the sea-peoples, from a scene on the North side of the outer face of the exterior wall of the Great Temple of Ramesses III at Medinet Habu:

  • pencil drawing
  • mounted
  • 34.9 x 25 cm
  • [on recto of drawing] 'Medinet Abu. / 1st Sept 1843' (pencil note)
  • [on mount] '9' (pencil note)
Tell el-Maskhuta (Pithom), Temple, monolithic statue-group of Ramesses II between Re and Atum, in...

Tell el-Maskhuta (Pithom), Temple, monolithic statue-group of Ramesses II between Re and Atum, inscriptions

Inscriptions on the monolithic statue-group of Ramesses II between Re and Atum, from the Temple at Tell el-Maskhuta (Pithom):

  • pencil drawing
  • mounted
  • 26 x 35.4 cm
  • [on recto of drawing] 'W. / Back / N. - S.' (pencil note)
  • [on recto of drawing] 'N. / N. angle / North side' (pencil note)
  • [on recto of drawing] 'Front / East / S. - N.' (pencil note)
  • [on recto of drawing] 'S / South side / Southern angle lost' (pencil note)
  • [on mount] '11' (pencil note)
Thebes, Sheikh Abd el-Qurna, tomb of Amenhotep-si-se (TT 75), female musicians

Thebes, Sheikh Abd el-Qurna, tomb of Amenhotep-si-se (TT 75), female musicians

Five female musicians playing the harp, lute, double-pipe, lyre and tambourine, accompanied by a small female dancer, from a scene in the tomb of Amenhotep-si-se (TT 75), temp. Thutmosis IV, at Sheikh Abd el-Qurna in Thebes:

  • pencil drawing
  • mounted
  • 35 x 24.9 cm
  • [on recto of drawing] 'Tomb near 17. / 1st Sept 1843.' (pencil note)
  • [on mount] '12' (pencil note)
  • [on verso of drawing] 'Female Minstrels. / Tomb to which there is a forced passage from / No 17. / 1st Sept / 2nd Sept / } / 1843. / With exception of the first face on the left, all the others have been / carefully injured. I have restored these. The date of the tomb / I do not know, but it is probably about Amenophth 3rd. The / paintings are very badly done, and the tomb is unfinished. / The colours however are very fresh. There is in this as in other / tombs different colours for the females. The harper is yellow, / but the next woman is rather copper coloured, so is the / little girl, and the lute player. Were they women from the / Upper country, brought expressly for their national instru / ments? The girdle was not confined to the Upper country / women. Sotennofrä wears it.' (pencil note)
Thebes, Mortuary Temple of Amenhotep III, southern colossus, statue of Queen Teye

Thebes, Mortuary Temple of Amenhotep III, southern colossus, statue of Queen Teye

Statue of Queen Teye next to the right leg of the southern colossus of Amenhotep III (Memnon Colossi), in the Mortuary Temple of Amenhotep III at Thebes:

  • pencil drawing
  • mounted
  • 24.9 x 35 cm
  • [on recto of drawing] 'Taia. / 8th Aug: 1843.' (pencil)
  • [on mount] 'The Wife of Amenophth 3rd. Height about 18 ft.' (pencil note)
  • [on mount] '17' (pencil note)
  • [on verso of drawing] 'Taia the wife of Amenophth 3rd / From the S. colossal statue. Gurna. / The other statue is the Memnon. 8 Aug. 1843 / The height of this beautiful and unfortunately / mutilated figure is about 18 ft.' (pencil note)
Thebes, unidentified private tomb, woman carrying a menat and a floral bouquet

Thebes, unidentified private tomb, woman carrying a menat and a floral bouquet

Woman carrying a menat and floral a bouquet, detail of a scene from an unidentified tomb at Thebes:

  • pencil drawing
  • mounted
  • 25 x 34.9 cm
  • [on mount] 'From a Tomb.' (pencil note)
  • [on mount] '18' (pencil note)
  • [on verso of drawing] 'From a tomb to the N. perhaps No 5. or / near it. / 11 July 1843. / The paintings are stiff but the style is not bad. / The details are very much worked out. All the / heads of the women were effaced, it is said by / Mr. Hay's draughtsman. I have restored the face, the / band round the head, and the feet.' (pencil note)
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