• Journal letters.
• Winter 1900 to 1901, no dates are recorded by Petrie.
• Handwritten.
• Site: Abydos (Osiris Temple Enclosure).
• Pages 9-16 by Hilda Petrie.

• Journal letters.
• November 20, 1903, through to January 15, 1904.
• Handwritten.
• Site: Ihnasya el-Medina.
• Pages 7-14 by Hilda Petrie.

• Journal letters.
• January 13 and March 27, 1912.
• Handwritten / typewritten.
• Site: Tarkhan (Kafr Ammar; Akanthopolis) and Heliopolis.
• Pages 1-20 original pages written by Hilda Petrie.
• Pages 20bis-21 are copied extracts from journal letters.

• Journal for the 1899-1900 season (working with W. M. F. Petrie).
• 1 November 1899 to 25 April 1900 (with gaps).
• Handwritten.
• Sites: Abydos, Umm el-Qa'ab.

• Journal for the 1901-1902 season (working with G. A. Reisner).
• 23 November 1901 to 20 July 1902 (with gaps).
• Handwritten.
• Site: Naga el-Deir.

Portfolio titled 'Sphinx, Great Pyramid, Memphis etc' (ink)
Original ink title: 'Sphinx, Great Pyramid, / Sesostris heads, Memnons.'
Pencil additions: 'Memphis etc' after 'Great Pyramid,' and lines crossing out 'Sesostris heads, Memnons'
Red pencil note at top right corner: encircled 'B' (reference to previous arrangement, almost certainly introduced by Dr Moss).

View of the Mastabet Faraun at Saqqara (TopBib iii2.434):

• pencil drawing on paper
• loose
• 11.2 x 8.6 cm
• [on drawing] 'MUSTABA FARAOON' (pencil note)

Upper: section of the stone courses of the Mastabet Faraun at Saqqara (TopBib iii2.434):

• pencil sketch on paper
• loose
• 11.4 x 8.5 cm
• [on sketch] 'Mustaba Farahoon' (pencil note)
• [on sketch] '6 2 / 6.2 / stones piled up' (pencil note)

Lower: view of the Mastabet Faraun at Saqqara (TopBib iii2.434):

• pencil sketch on paper
• 11.3 x 8.5 cm

Walking woman with amphora on head and holding drop spindle:

• partially inked pencil drawing on paper
• loose
• 18.7 x 22.9 cm

Portfolio titled 'Egyptian Antiquities. / JB' (ink)
Pencil note: 'Thebes (underlined) & Various Uncertain. / Also about Dr Lee's Collections / Hartwell House' (almost certainly by Dr Moss)
Red pencil note at top right corner: encircled 'D' (reference to previous arrangement, almost certainly introduced by Dr Moss).

View of the mounds at Sheikh Abd el-Qurna on the West Bank of Thebes (TopBib i2.669):

• pencil sketch on paper
• loose
• 39.2 x 15.4 cm
• [on sketch] 'Mounds Gorna CL' (pencil note, almost certainly by Bonomi)
• [on sketch] 'fallow' (pencil note, almost certainly by Bonomi)
• [on sketch] encircled '5' (pencil note, almost certainly by Dr Moss)

A Hereditary prince, Count, etc., upper part of statue, right side of the face and left shoulder damaged, with the cartouches of Psammetikhos I on shoulders, basalt, temp. Psammetikhos I, formerly in J. Lee and Lord Amherst collections and at Sotheby's in 1921, current location not known (TopBib viii.801-763-510):

• pencil drawing on paper
• loose
• 13.5 x 16.8 cm

Outline of Bonomi MSS 3.5 (recto):

• pencil sketch on paper
• loose
• 13.5 x 16.8 cm

Studies of classical figures in profile:

• pencil sketches on paper
• loose
• 12.6 x 10.3 cm

Lion with tongue out from the third scene of the lower register, in the Great Hall of the Great Temple of Ramesses II at Abu Simbel (TopBib vii.103.(39)-(40)):

• pencil sketch on paper
• loose
• 41.9 x 26.8 cm
• [on sketch] '.ABOO SIMBEL.' (pencil note)
• [on sketch] 'lyon de Sesostrifs' (pencil note)
• [on sketch] encircled '9' (pencil note, almost certainly by Dr Moss)
• [on verso] encircled '4' (pencil note, almost certainly by Dr Moss)
• [on verso] 'Abu Symbel etc' (pencil note, almost certainly by Dr Moss)

Relief depicting four male captives removing stones in baskets, c. 700-692 BC; sketch in grid from gypsum slab (panels 66-67) from Court VI (I) in the South-West Palace of Sennacherib at Nineveh in Iraq, now in London, British Museum, BM 124821 = 1851,0902.5:

• pencil sketch on paper
• loose
• 44.5 x 56.7 cm
• [on sketch] 'The younger men are chained {two} together / Some have fetters on their legs' (pencil note)
• [on sketch] '"Thou didst show them no mercy / whom the ancient hast thou very / heavily laid thy yoke" Isaiah 47.6 / This is said of the Babylonians but is equally / applicable as we see to the Ninevites who were in / fact under the same rule / "Woe to him that buildeth a town / with blood (underlined) and stablisheth a city / by iniquity!" Habak 2 12 / Woe to the bloody city Nahum 3 1' (pencil note)
• [on sketch] 'This is a remarkable expression / of age and fatigue in the attitude / and countenance of their figures / which no doubt was the intention / of the assyrian artist to convey / It represents a number of jewish? / captives carrying stones up a steep / mound so steep as to require holes / or foot steps to enable the me / to go up to its top / It may be they are conveying stones / to make an inclined / plain over which to / drag a colossal bull / to the top of one of the / artificial mounds {or hills} on / which the palaces of / the kings of Nineveh / were built.' (pencil note)
• [on sketch] 'The word translated blood (underlined) / in the quotation from Habakak / is [...] in the plural / perhaps to signify (partially rubbed out) the {repeated} cruel / waste of life occasioned by / own fatigue / So in the quotation from / Nahum the word bloods is [...] / which might be rendered city of bloods / {that is} city built at the cost of so many lives / a succession of captives, of deportations of the inhabitants / from neighbouring countries' (pencil note)

Relief depicting an Assyrian eunuch general with three Elamite captives, c. 660-650 BC; unfinished sketch in grid from gypsum slab (panels 4-6) from Room XXXIII in the South-West Palace of Sennacherib at Nineveh in Iraq, now in London, British Museum, BM 124802.a = 1851,0902.7.a:

• Pencil sketch
• loose
• 58.6 x 44.7 cm
• [on verso] 'Josephs' (pencil note)

Detail of locusts in Bonomi MSS 32.10 (recto) and relief depicting horses being led by grooms, c. 700-692 BC; sketch from gypsum slab (panels 37-38) from Room LI (North) in the South-West Palace of Sennacherib at Nineveh in Iraq, now in London, British Museum, BM 124795,a-c = 1851,0902.14:
-pencil sketches on paper
-loose
-7.7 x 17.5 cm

Names of kings, gods and places in cuneiform with their English equivalents:

• ink text on paper
• loose
• 25 x 20.2 cm
• [text]:
  'great / Rasarar RASARAR (Median) / (Westegard) /
  waz arka great Persian /
  rabhu (underlined) great / Ninevite /
  God Median / [?] BAGA. ANAP / Westegard /
  God Assyrian / AN. /
  BAGA in Persian.'

Relief depicting two ships rowing away from palace surrounded by sea creatures, c. 730 BC; drawing after Henry Layard's drawing of gypsum wall panel from the Central Palace of Tiglath-Pileser III at Nimrud (Kahlu) in Iraq, now partially in London, British Museum, BM 102981 = 1908,1010.1:

• Pencil drawing on paper
• loose
• 42 x 28.5 cm
• [on drawing] 'A.H. Layard.' (pencil note)
• [on drawing] 'Ceptre.' (pencil note)