The standing Obelisks of Tuthmosis I and Hatshepsut, viewed from the west, with the ruins of the 4th Pylon between them, in the Great Temple of Amun at Karnak:
unfinished pencil drawing
mounted
35.5 x 25.9 cm
[on recto of drawing] 'Obelisks at Karnac. 11 June 1843'. (pencil note)
Upper part of Shoshenq I and his son, the High priest of Amun, Iuput, from a scene showing the king receiving the heb-sed from Amun, on a pilaster in the Portico of the Bubastides, in Great Temple of Amun at Karnak:
pencil drawing
mounted, together with Lloyd MSS 112
25.7 x 17.8 cm
[on recto of drawing] 'Sheshonk. I.' (pencil note)
[on mount] 'Schischak and his Son. Great Hypostile Karnac.' (ink note)
[on mount] '53' (pencil note)
[on verso of drawing] 'Schischak and his son. / From a bas-relief on the eastern side of the Northern / part of the Gate leading into the lower Western corner / of the Great Hypostyle, at Karnac. / 18th May 1843. / G Lloyd.' (pencil note)
Two female guests with two female attendants pouring water or oil onto the head of one of them, detail from a banquet scene in the tomb of Ptahemhet (TT 77), later usurped by Roy, temp. Tuthmosis IV, at Sheikh Abd el-Qurna in Thebes:
pencil tracing with edges folded in on two sides (right <twice> and bottom)
mounted
66.2 x 46 cm
[on recto of tracing] 'Lady in a bath. / Tomb at Thebes. No. 15 ? / 11th July 1843' (pencil note)
Memorial portrait of George Lloyd. Lloyd is portrayed reclining on a rug, wearing Arab clothing and holding the mouth-piece of a hookah-pipe in his right hand. The scene is set in a desert campsite, perhaps fictional, in Egypt, with a man standing with three camels in the background. The drawing this lithograph was based on was created by É. Prisse d'Avennes sometime between 1843 and 1848:
three colour tinted lithograph
loose item, perhaps not originally with the album but placed with it later
41.5 x 30.5 cm (print area of 36.1 x 27.7 cm)
[on recto of lithograph] 'Drawn on stone by Lemoine. [caption]
[on recto of lithograph] 'Portrait of the late George Lloyd Esqr' [caption]
[on recto of lithograph] 'James Madden_London' [caption]
[on verso of lithograph] '330' and enclosed ',1039' (pencil notes)
The photograph was probably taken in early 1923; the production date of the postcard is not known, but it was almost certainly in the 1920s.
An Egyptian team member carrying a tray containing the four 'candlesticks' (Carter 41a-d), transporting them from the tomb's Antechamber to the Laboratory. Each 'candlestick' is in the form of an anthropomorphic ankh with arms raised to either hold a bronze torch-cup or a small pottery cup.
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
Egyptian team members transporting one of Tutankhamun's elaborate vessels (Carter 57) from the King's tomb to the nearby 'Laboratory' set up in the tomb of King Sethos II (KV15). The large vessel, carved from a single piece of Egyptian alabaster, originally contained unguent, its contents stolen by the tomb robbers who entered the tomb in antiquity. The vessel's body is flanked by openwork side pieces incorporating bound papyrus and lotus flowers, symbolising Upper and Lower Egypt and its unification, as well as representing the King's sovereignty. The vessel's body is decorated with Tutankhamun's cartouches; the incised decoration has been filled with black pigment.
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
View of the modern enclosure wall of Tutankhamun's tomb, erected by Howard Carter following the discovery of the King's tomb in November 1922, with the tomb's entrance visible in the foreground (left of centre).