Proof print of hieroglyphic typography:

• print on paper
• mounted, together with Bonomi MSS 49.16-21
• 7.2 x 10.5 cm
• [on print] '59' (pencil note)

Different representations of child kings, from a temple relief (probably the mammisi of a Graeco-Roman temple, not identified) or composed from different sources:

• pencil sketch, with ink marks, on tracing paper
• mounted, together with Bonomi MSS 49.24 and Bonomi MSS 49.25
• 22.9 x 12.6 cm

Temple doorway lintel, with winged sun-disk and hieroglyphic inscription (not identified):

• pencil sketch on tracing paper
• mounted, together with Bonomi MSS 49.23 and Bonomi MSS 49.25
• 23.8 x 6.8 cm

Portfolio titled 'Designs / JB / Tracings' (ink)
Pencil notes: 'Tracings / Complete / Vol 2'.

Britannia replenishing the lamp of the genius of art:

• pencil sketch/tracing on tracing paper
• mounted
• 30.9 x 23.6 cm

Radiate head of Helios, probably obverse of ancient Greek coin:

• pencil sketch/tracing on tracing paper
• loose, adjacent to Bonomi MSS 50.3, originally mounted with Bonomi MSS 50.11-16
• 11.1 x 12.4 cm

Hermes in winged hat (petasos) and winged sandals with caduceus unveiling a woman in classical dress, and outline of nude Hermes:

• pencil sketches/tracings on tracing paper
• mounted
• 25.2 x 19.1 cm

Britannia replenishing the lamp of the genius of art:

• pencil sketch/tracing with partially inked helmet on tracing paper
• mounted, together with Bonomi MSS 50.12-16
• 12.3 x 10.9 cm

Tondo design with profile view of head of bearded man wearing headdress:

• pencil drawing/tracing on tracing paper
• mounted, together with Bonomi MSS 50.11-12 and Bonomi MSS 50.14-16
• 12.5 x 12.5 cm

Walking woman holding ewer and lamp:

• pencil sketch/tracing on tracing paper
• mounted, together with Bonomi MSS 50.11-15
• 8.4 x 15.1 cm

Egyptianizing cartouches (fragment and complete) from carved ivory inlay panels, from the North-West Palace at Nimrud (Kalhu) in Iraq, now in London, British Museum, BM 123855 = 1848,0720.78 = C.50 & BM 118120 = 1848,0720.20 = C.48, 9th-8th century BC (TopBib vii.397):

• pencil sketches/tracings on tracing paper
• mounted, together with Bonomi MSS 50.24 and Bonomi MSS 50.26-28
• 19.6 x 12.4 cm

Profile view of heads of Selene/Luna and Hermes/Mercurius:

• pencil sketches/tracings on tracing paper
• mounted, together with Bonomi MSS 50.30-37 and Bonomi MSS 50.39
• 12.4 x 6.8 cm

View of Acca (Acre):

• ink sketch on paper
• loose, adjacent to Bonomi MSS 51.1
• 10.3 x 5.0 cm
• [on sketch] 'Acca' (ink note)

Relief depicting Ashurnasirpal II and his army crossing the Euphrates, c. 865-860 BC; sketch in grid from gypsum slab (panel 10) from Room B in the North-West Palace at Nimrud (Kahlu) in Iraq, now in London, British Museum, BM 124543 = 1848,1104.8:

• pencil sketch on paper
• mounted
• 36.5 x 23.3 cm

Design for a ceiling fresco, with nude man emerging from between four cubic stone blocks (detail of Bonomi MSS 51.11):

• inked (brown) pencil drawing painted with watercolour on paper, with pricked marks for pouncing technique
• loose, adjacent to Bonomi MSS 51.9
• 22.2 x 28.5 cm

Seated Diana:

• ink sketch/tracing on light weight paper
• mounted
• 17.4 x 14.5 cm

Frontal view of torso of man with long side-whiskers beard and moustache:

• inked pencil sketch on paper
• loose, adjacent to Bonomi MSS 52.1
• 5.2 x 8.7 cm

Sea view with six ships:

• pencil sketch on paper
• loose, adjacent to Bonomi MSS 52.1
• 23.0 x 17.5 cm
• [on sketch] '3' (pencil note)

Sea view with six ships:

• pencil sketch on paper
• loose, adjacent to Bonomi MSS 52.1
• 23.0 x 17.5 cm
• [on sketch] '4' [originally '3'] (pencil note)

Profile view of woman in contemporary dress:

• pencil sketch on paper
• loose, adjacent to Bonomi MSS 52.1
• 11.2 x 17.8 cm

Memorial to Sir Robert Stanley (d. 1632) in Chelsea Old Church, London:

• pencil and watercolour drawing on paper
• loose, adjacent to Bonomi MSS 52.1
• 22.0 x 30.4 cm
• [on verso] 'Stanley Monument Chelsea Church' (ink note)

The Tenantry Column at Alnwick in Northumberland:

• watercolour sketch on paper
• loose, adjacent to Bonomi MSS 52.1
• 28.6 x 22.6 cm
• [on sketch] 'Alnwick / juin 23 1856' (pencil note)

Portrait (profile view) of Sir Long Thomas Roberts, based on a death mask made by Joseph Nollekens (1737-1823):

• ink drawing on paper
• mounted
• 19.0 x 24.7 cm

Plans with measurements of underground rooms of step pyramid enclosure of Netjerikhet at Saqqara (TopBib iii2.401-402):

• pencil sketch on paper
• loose
• 17.2 x 11 cm
• [on sketch] 'tuffle' (pencil note)
• [on sketch] 'block / block' (pencil note)
• [on sketch] 'North east / corner' (pencil note)
• [on sketch] 'blocked / tuffle' (pencil note)
• [on sketch] 'tuffle' (pencil note)
• [on sketch] 'blocked / up north / stairs' (pencil note)
• [on sketch] 'North(?) / first / room' (pencil note)
• [on sketch] 'blocked / middle / rubbish' (pencil note)
• [on sketch] 'end of masonry' (pencil note)
• [on sketch] 'blocked / stones / slight corner of 4 feet' (pencil note)
• [on sketch] 'cavern / ascending / well / blocked / rubbish / stones' (pencil note)
• [on sketch] 'of stone(?) stairs / Ceilings rough rock / never been smooth / ornaments following(?) the / irregularities of the rock' (pencil note)

Illegible text:

• rubbed out pencil text on paper
• loose
• 10.8 x 15.7 cm

Profile of a female head (design or Modern Egypt):

• pencil sketch on paper
• loose
• 7.8 x 7 cm

Portfolio titled 'Thebes' (ink)
Pencil note: 'Medamoud, Karnak and Luxor' (almost certainly by Dr Moss)
Red pencil note at top right corner: encircled 'C' (reference to previous arrangement, almost certainly introduced by Dr Moss).

Top: view of a boat being towed (Modern Egypt); second from top: unclear subject, not finished; second from bottom and bottom: views of Philae temple from West (TopBib vi.205):

• pencil sketches on paper
• mounted
• 22.2 x 32.2 cm
• [on sketch] 'passed the / cataracts / Thursday 15 October / 1826' (pencil note, inked year)
• [on sketch] 'Ruined Pylon / Karnac.' (black ink note)
• [on mount] 'Temple near Cataract.' (pencil note, almost certainly by Dr Moss)
• [on mount] encircled '2' (pencil note, almost certainly by Dr Moss)
• [on mount] '5' (black ink note, almost certainly by Bonomi)

Note on signet rings:

• ink text on paper
• loose
• 13.1 x 21.3 cm
• [page number] '36'
• [text]:

'Signet ring of fine gold weighing nearly 3 sovereigns

bearing the name of Shufu the (Suphis) of the Greeks

This remarkable piece of antiquity is in the highest state

preservation and said to have been found at Gezeh

in a tomb near that to the excavation of Col Campbell The work

in The style of the hieroglyphics is perfectly that of those

sculptors hieroglyphics of the tombs about the

great pyramid all the details are eminently executed

The heaven is engraved with minute stars; The Fox or Jackall has

significant lines within its con[t]our; The hatchets have

their handles bound with thongs as usual in the sculptures; The volumes have the

string that binds them differently hanging below the

roll differently placed from any example in sculptured or

painted hierogs in the tombs; The determinative for country

is studded with dots representing the sand of the mountainous

margins of the side valley of Egypt The sign [F35] has the

tongue and semilunar mark of the longer examples as also

the vase in the shape of the heart. The Name is surmounted

by the usual globe and feathers decorated in the usual way except

that the lines are more horizontal than in the sculptured examples,

and the ring of The cartouch is engraved with lines representing

a rope of of which decoration I know no of the line inclosing

the hieroglyphics of a royal name I know of no example but

this; the [Aa1] in the name is placed as in the tombs not in

the centre as of the cartouch; the chickens have their unfledged

wings The serastes its horns to be seen only with the magnifying

glass Of the variations in from the usual made of representing

a volume and the inclosure of Royal names are circumstances

favorable to the genuineness of this remarkable piece of antiquity

for when taken into consideration with the style of the work which

is infinitely more difficult to imitate than little little x(?)

in which details from in which the fabricator would not have

ventured to differ from the known examples'

Note on signet rings (continuation):

• ink text on paper
• loose
• 13.1 x 21.3 cm
• [page number] '37'
• [text]:

'Ring of fine gold found in a wooden box at Thebes in a tomb at Thebes

Gold ring with a figure of Isis sitting
it is massive and of that shape called Opisphendone Thebes Sakkara

Ring of fine gold with the figures of 2 goddesses
engraved in two cartouches surmounted with the
feathers Sakkara

Scarabeus set in gold on a pivot

Ring of pure(?) gold in which is tastefully inserted
2 blue stones and one red one

Ring of gold with a pyramidal stone in it

Ring of gold with a x plate

Ring of gold with a carnelian scarabeus

Ring of silver massive and of the greek form

Sakkara'