1) Two typescripts with pages from the published edition, and handwritten notes and editing marks, together with a small box of glass negatives of plates marked 'Plates for Part 2'. Both titled ''Egypt's Beginnings', being the third edition of The Cultures of Prehistoric Egypt by Elise J. Baumgartel.' Also notes on the manuscript by Barry Kemp, dated 1975.
2) Collected notes and photographs relating to Predynastic material in The Brooklyn Museum. Two reports: one a copy of 'Report of Henry de Morgan on his researches in the Nile Valley between Esneh and Gebel-Silsilèh, during the winter of 1907-1908'; the other, no title or date, addressed 'To A. Augustus Healy, Esq., President of the Brooklyn of Arts & Sciences' [sic].
3) Seven card index boxes:
a) Naqada and Ballas Site Index [4 boxes]: Identified contents of grave groups from numbered tombs in Predynastic cemetery at Naqada, also Naqada town site, and Ballas (excav. Petrie, 1895), with current museum location; arranged by tomb number and cross referenced to Naqada and Ballas (London, 1896). The card index was created by Elise J. Baumgartel as the basis for her Petrie's Naqada Excavation. A Supplement (London, 1970); subsequently maintained and updated by Joan Crowfoot Payne, ‘Appendix to Naqada Excavations Supplement’, JEA 73 (1987), 181-9.
b) Petrie’s Naqada Site Records [2 boxes] (sketches of numbered graves showing disposition of bodies and grave goods): photocopies of the entries in site notebooks, filed by tomb number.
c) Petrie’s Ballas Site Records [1 box] (sketches of numbered graves showing disposition of bodies and grave goods): photocopies of the entries in site notebooks, filed by tomb number.

Notes, transcriptions, translations, article drafts, lecture drafts, card index, photographs, slides, overhead projector sheets, electronic data files, microfilm, correspondence, annotated photocopies and off-prints, relating to Coptic and Greek documents and Coptic archaeology.

• 3 copies (1 typescript and two carbon copies) of a transcript made from Linant de Bellefonds' diary (1821-1822).
  • Titled: "Journal d'un Voyage en Ethiopie dans les Annees 1821 & 1822."
  • 279 typescript pages
  • Not Griffith Institute copyright. See below for details.
• 14 glass plate negatives, two sizes, with a set of modern prints made from the larger-sized negatives (1818-1826). Not Griffith Institute copyright. Negatives made from the originals in the Louvre.
• The negatives are copies of the following MSS:
• B.15 (parts A and B)
  • Triple statue (same as following), not identified, with texts
• B.26
  • Maison du Melek d'Argos
• B.30
  • Gebel Barkal. View of Pyramid field (North and South groups)
  • TopBib vii.208, 203
  • = Bankes MSS XV.C.7
• B.32
  • Gebel Barkal. Temple B.300. View of interior
  • TopBib vii.209
  • = Bankes MSS XV.C.2
• B.32 bis
  • Gebel Barkal. Great Temple B.500. Sketch, general view showing granite stand of Taharqa, with Nile-gods binding sma-symbol etc.
  • TopBib vii.216A & 209(43)
• B.36
  • Gebel Barkal. Great Temple B.500. Inner Court. Meroitic battle scene, including man on horseback and archer
  • TopBib vii.219(30)
  • = Bankes MSS XV.A.28
• B.38 bis
  • Gebel Barkal. Temple B.700. Pylon (destroyed). West wing, outer face, Senkamanisken smites captives before Amun-Re
  • TopBib vii.214
  • = Bankes MSS XV.C.8 [middle]
• B.45
  • Gebel Barkal. Temple B.300. Third Hall. View
  • TopBib vii.209
• B.62
  • Musauwarat el-Sofra. Great Temple. Views
  • TopBib vii.264
  • = Bankes MSS XVII.B.15
• B.68
  • Musauwarat el-Sofra. South-East Temple. Interior. North-East row of columns. Column 2, three registers
  • TopBib vii.267
  • = Bankes MSS XVII.B.6
• B.69
  • Musauwarat el-Sofra. South-East Temple. Interior. North-East row of columns. Column 1, two registers
  • TopBib vii.265
  • = Bankes MSS XVII.B.5
• B.73
  • Naga'. General view
  • TopBib vii.267
• B.105
  • Naga'. Lion Temple of Apedemak. Exterior. King, Queen and Prince, before Isis holding captives, Mut, Hathor and Satis
  • TopBib vii.269(21)-(22)
  • = Bankes MSS XVII.C.7-8

(1) Excavation journals for 1899-1901 (working with W. M. F. Petrie) and 1901-1903 (working with G. A. Reisner).
(2) Personal correspondence exchanged between Mace and his wife Winifred during the Winter season 1922-1923, Winifred Mace and her mother during the Winter season 1923-1924, and other correspondence related to the excavation of the tomb of Tutankhamun.
(3) Two typewritten articles by Mace on work in Tutankhamun's tomb: "DESPATCH No. 5" (3 pages), and "THE CLOSING OF THE TOMB" (incomplete, first page only + newspaper cutting of The Times article); both submitted to The Times and subsequently published on 31/01/1923 and 28/03/1923.
(4) 39 photographs, most are original Burton images, some of which have been annotated by Howard Carter; they may have been used during the preparation of H. Carter and A. C. Mace, The Tomb of Tut.ankh.Amen i (1923).
(5) Newspaper cuttings, most from The Times, published between 1922 and 1925.

(y) Mace's account of the opening of the burial chamber of Tutankhamun - typewritten version (TAA iv.1). Diary for 1922-3 (TAA iv.2).
(z) Mace's account of the opening of the burial chamber of Tutankhamun - original handwritten version (TAA iv.3).

Drawings (by Winifred M. Brunton), letters, and working notes for a publication on button seals.
Negatives taken during the Matmar excavations in 1928-30.
Card index created 1958.

Tutankhamun object cards with accompanying photographs, notes (some group notes listed below) and letters, compiled by Howard Carter and other members of the excavation team [TAA i.1.1-620]

• Most cards are manuscript records, as well as many original typescript records

• Many cards are illustrated with drawings of objects, or details of objects, by Howard Carter and A. C. Mace

  The object cards record:

  • Object number, main description of the object, location in the tomb, measurements, description of the object - Howard Carter and A. C. Mace (1922-1925)
  • Hieroglyphic inscriptions, transcriptions and translations - Mostly Alan H. Gardiner and P. E. Newberry, but some inscriptions are transcribed by Carter
  • Conservation records - Alfred Lucas and A. C. Mace (1922-1925)
  • Botanical and textile notes - P. E. Newberry
  • Photographic documentation - Harry Burton

  Other groups of notes filed with the object cards include:

  • Notes on the [ancient] robberies, by Howard Carter, Alfred Lucas and Lord Carnarvon
  • Notes on various aspects of the Annexe by Howard Carter (1-4, 10-43, 47-64), Alfred Lucas (5-9, 44-6) and A. H. Gardiner (41)
  • Notes and memoranda on various aspects of the tomb by Alfred Lucas
  • Notes on the contents of baskets by Howard Carter
  • Note on a wooden docket by A. H. Gardiner
  • Two letters from Howard Carter to A. H. Gardiner

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• Two Egyptian team members, accompanied by Howard Carter [wearing hat and waistcoat, left foreground], carry trays containing objects from the Antechamber of Tutankhamun's tomb while being pursued by tourists. The man on the left carries a decorated box (Carter 44), probably a footstool or stool, while the tray conveyed by the man contains two items, perhaps a box lid and a vessel (not identified). The objects are being transported to the nearby 'Laboratory' (the tomb of King Sety II, KV15).

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• Egyptian excavation team members transport some of Tutankhamun's food provisions from the King's tomb to the nearby 'Laboratory' set up in the tomb of King Sethos II (KV15) in the Valley of the Kings.
• Forty-eight boxes (Carter 62) containing choice cuts of meat and whole geese were prepared to accompany the King's burial and were placed in a neat pile beneath one of the ceremonial couches in the Antechamber. They were some of the first items Howard Carter saw when he looked into the tomb for the first time on 26th November 1922, recording them as "a heap of large curious white oviform boxes".

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• (Carter 116)
• An Egyptian team member carrying the wooden portrait figure of Tutankhamun, the so-called "mannequin", from the King's tomb to the nearby "Laboratory" tomb (KV 15, of Sethos II) for cleaning and conservation.
• The portrait bust of Tutankhamun [Carter 116] was found in the tomb's Antechamber. The King is portrayed wearing a yellow flat-topped crown featuring the centrally positioned uraeus on the crown's temple band. The King also wears a close-fitting white garment.
• The bust's purpose is unclear, but it probably displayed part of the King's regalia. A recent proposal is that it may have been originally used for supporting and storing the King's gold corset (Carter 54k) in the tomb. When thieves ransacked the tomb in antiquity, these robbers likely removed the corset from the bust before breaking the heavy regalia into smaller, portable pieces.

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the production date of the postcard is not known, but it was almost certainly in the 1920s.
• Members of the Egyptian team manoeuvring a large carrying tray out through the entrance to the modern enclosure wall constructed shortly after Tutankhamun's tomb was discovered. The team are carrying two black shrine-like boxes (Carter 37) and (Carter 38) and a gabled-roofed box (Carter 32), transporting them from the tomb's Antechamber to the Laboratory.

View of the Pyramid of Snefru at Meidum (TopBib iv.89):

• pencil sketch on paper
• loose
• 12.1 x 4.9 cm

View of the upper part of the Great Sphinx at Giza (TopBib iii2.35):

• pencil sketch on paper
• loose
• 21.8 x 24.8 cm
• [on sketch] encircled '2' (pencil note, almost certainly by Dr Moss)

'Egypt in Tears'. Encircled design of kneeling woman holding a flower in front of Pyramid complex at Giza, and studies of hands, flower, column and legs:

• pencil sketches, pencil and brown watercolour drawing (woman) and inked sketch (hands) on paper
• loose
• 18.4 x 22.6 cm
• [on sketches] 'Au' (pencil note)
• [on verso] 'EGYPT IN TEARS' (pencil note)

Pattern of an ancient Egyptian sandal:

• paper cut-out
• loose
• 30.2 x 11.4 cm
• [on cut-out] 'Pattern of an ancient Egyptian Sandal' (pencil note)

Notes (continuation) on the wooden sarcophagus and two coffins of Ir, Dyn. XXVI, from Thebes, formerly in Salt and Amherst collections, current location not known (TopBib i2.835):

• ink text on paper
• loose
• 20.6 x 33.2 cm
• [text]:

'The [V39] hieroglyphic represents the fastening of the

belt worn by the Gods and Kings round the waist

The [R11] hieroglyphic in the upper part of the

staff carried by the Divinity Pthath only

The age of the Sarcophagus is apparently

discovered settled by Mr Sharpe's discovery *

namely after the the time of the Persian

rule with which time the style of the hieroglyphics

agree

Mr Sharpe also remarks the [X1\:X1-Q1] for the

more ancient forms [X1\:H8-Q1]

X See Mr Sharpes notes

The drawing of the heads of the different figures

on all three of the Cases show that they were

all three decorated by the work of the same artist in all

of them there is a remarkable protrusion of the

lips. This remark does not apply to the sculptured

heads on the 2d and 3d case and therefore thus the

Sculptor and painter were not the same person

as there is abundant proof I Bonomi to show in other

monts'

[Upper] Top and side views of knob inscribed with the cartouches of Amenhotep III, not identified, with measurements; [lower] sketch of a box, not finished:

• ink (blue and black) drawings and pencil sketch on paper
• loose
• 20.7 x 22.6 cm
• [on drawing] '1 " 9/10' (black ink note)
• [on drawing] '1 " 6/10' (black ink note)

Two views of chairs from Thebes, with measurements:

• pencil and watercolour (black, grey and red) sketches on paper, with pricked marks for pouncing technique
• loose
• 20.9 x 30.3 cm
• [below sketches] 'Ancient Chair. / found at Thebes / Egypt' (black ink note)

Note identifying the owner of the Egyptian amulets reproduced on Bonomi MSS 3.9 (recto):

• pencil note on paper
• loose
• 29.6 x 22.8 cm
• [text]: 'Dr Lee's / Antiquities (underlined)'

A Hereditary prince, Count, etc., upper part of statue, right side of the face and left shoulder damaged, with the cartouches of Psammetikhos I on shoulders, basalt, temp. Psammetikhos I, formerly in J. Lee and Lord Amherst collections and at Sotheby's in 1921, current location not known (TopBib viii.801-763-510):

• blue and green watercolor and pencil sketch on paper
• loose
• 16 x 22.1 cm

Tiles with rosette / flower designs:

• light blue, dark blue, yellow and magenta watercolour on paper
• loose
• 21.3 x 26.7 cm

Tiles with rosette / flower and geometric designs, not finished:

• pencil sketches with blue, green, yellow and magenta watercolour on paper
• loose
• 21.3 x 26.7 cm

[Upper left] sketch of inscribed metal vase, with copy of inscription, not identified; [lower left] incomplete sketch of sistrum, not identified; [right] copy of inscription with prenomen of Necho II:

• pencil sketches and copies on paper, mounted on blue lined paper
• loose
• 6.5 x 12.8 cm (6.7 x 13.1 with mount)

Upper half of Egyptian male statue in profile, not identified:

• pencil sketch on paper
• loose
• 8.7 x 10.9 cm

Two sketches showing the disposition of blocks and the entrance of the Pyramid of Khufu (Great Pyramid) at Giza, with measurements:

• pencil sketches on paper
• loose
• 28.0 x 22.9 cm

Two sketches showing the disposition of blocks, with measurements, and a section of the interior of the Pyramid of Khufu (Great Pyramid):

• pencil sketches on paper
• loose
• 28.0 x 22.9 cm

Upper half of Egyptian male statue in profile, not identified:

• pencil sketch on paper
• loose
• 8.8 x 10.9 cm

Details of Bonomi MSS 3.35 (recto):

• pencil sketches on paper
• loose
• 13.2 x 11.4 cm
• [on sketch] 'no ear except the boy' (pencil note)

Texts from a scene depicting Osorkon I receiving heb-sed from Amun holding scimitar, in register I of pilaster (129) in the Portico of the Bubastides in the Great Temple of Amun at Karnak, on the East Bank of Thebes (TopBib ii2.36(129).I):

• pencil sketch on paper
• loose
• 8.5 x 5.7 cm
• [on sketch] 'KARNAK' (pencil note)

Sethos I or Sethos II offering vases to a hawk-headed god, with inscriptions including cartouche, not identified:

• pencil tracing with brown pastel on tracing paper
• loose
• 12.5 x 13.9 cm

[Left] Brick-stamp bearing the name of a king Amenhotep, wood, provenance not known, now in London, British Museum, EA5993 (TopBib viii). [Right] Funerary cone (Davis & Macadam no. 255), pottery, from the Tomb of Userhat (TT 150) at Dra Abu el-Naga, on the West Bank of Thebes (TopBib i2.261):

• ink sketches and notes on paper
• loose
• 18.7 x 12.7 cm
• [under sketches on the left] 'Wooden brick stamp / in the Col of E Lane Esq' (ink note)
• [under sketch on the right] ''Terra cotta cone / in the Sh... Col' (ink note)