• Album of drawings and watercolours made during Amelia Edwards's visit to the Dolomites.
• Album of drawings and watercolours made during her visit to Egypt in 1873-4.
• Album with 26 pencil sketches and one watercolour titled 'Small Egyptian Scraps, 1874', made during same visit to Egypt.
• Album, notebook, packet containing an assortment of drawings, letters, and notes, another packet contains copies of deeds and accounts issued following her death.
• Two watercolours of the temples on Philae island, assumed to have been painted by A. Edwards.
• First edition of Amelia B. Edwards, Pharaohs, Fellahs and Explorers (1891); Kate Griffith's (née Bradbury) copy, with handwritten dedication to ‘My Katie - Novr. 1891 - A.B.E’.

Front end paper:

• [On pasted note] 'This volume was re-bound through the generosity of AEMES (Ancient Egypt & Middle East Society, Lincolnshire), Manchester Ancient Egypt Society and the Society for the Study of Ancient Egypt (Derbyshire) in August 2002' (printed).

Nine sketches:

• top left: pencil sketch of donkey
• top middle: pencil sketch of mountains above Denderah
  • [on mount] 'Mountains above Denderah.' (ink note)
• top right: pencil sketch of man wading
• middle left: pencil sketch of two figures
• middle middle: pencil sketch of three men at Beni Suef
  • [on sketch] 'Benisouf' (pencil note)
• middle right: pencil sketch of seated figure
• bottom left: pencil sketch of male figure standing
  • [on mount] 'Georgi Hassan' (ink note)
• bottom middle: pencil and watercolour sketch of dahabiyyas
  • [on mount] 'Nerghaileh. W. Bank.' (ink note).

Four pencil sketches:

• top centre: two men with staffs; one standing, one sitting
• middle left: man standing
• middle middle: five men sitting and standing
• middle right: man standing
• bottom: three men and two camels.

Pencil and watercolour sketch of dahabiyya near Aswan:

• mounted
• [on mount] 'Native Boat. Assouan.' (ink note).

Two pencil and watercolour sketches:

• upper: building next to river
  • [on mount] 'Ruins of Coptic Convent. (near Philae.)'
• lower: structure with two male figures
  • [on sketch] 'Soudan traders at Manhatta. Jan 21.' (pencil note)
  • [on mount] 'Trader's Camp: Manhatta.' (ink note).

Pencil and watercolour sketch of two camels.

Pencil sketch of woman and child:

• mounted
• [on mount] 'Nubian woman & child (Maharrakeh)' (ink note).

Two watercolour and pencil sketches:

• upper: Temple of Amada
  • [on mount] 'Temple of Amada (Nubia)' (ink note)
• lower: Temple of Dakka
  • [on mount] 'Temple of Dakkeh' (ink note).

Pencil drawing of sistrum.

• mounted
• [on mount] 'Finis' (ink note).

Mounted pencil and watercolour sketch.

Two mounted watercolours:

• upper: Marmolada viewed from Forcella d'Alleghe
• lower: unidentified peak.

Mounted watercolour of Predazzo

Three mounted watercolours:

• upper: the Pelmo from Val Fiorentina
  • [on mount] 'The Pelmo' (pencil note)
• lower left: the Aiguilles of the Schlern
  • [on mount] 'Needles of the Schlern' (pencil note)
• lower right: Silbergasse in Bolzen
  • [on mount] 'Silbergass - Bolzen' (pencil note)

Back cover bound in red leather.

Ink sketch of head:

• [on drawing] 'Poor Ribert has just heard her step-son died at 9.30 this morning.' (ink note)

Ink drawing of woman with crocodile:

• [on drawing] 'The Larches, Westbury-on-Trym, Nr. Bristol.' (printed) 'The delights of sketching 1000 miles up the Nile, Scene the Second (Rapid disappearance of A.B.E.) April 24 / 88. (underlined) Here is Scene the Second in this terrible Tragedy for you - + I' (ink note)

Ink drawing of man in profile:

• [on drawing] 'Pictorial Biography of A. B. E. (underlined) My first (underlined) Love. No 1.' (ink note)

Ink drawing of woman:

• [on drawing] 'She's all my fancy painted her' (ink note)

Pencil drawing of Percy Shelley's grave:

• [on drawing] 'Shelley's grave. Rome. Feby. 20th 1857.' (pencil note)
• [on mount] 'Shelley's grave, Rome. 1857.' (pencil note)

Printed invitation to the Egypt Exploration Fund's Annual General Meeting with pencil drawing of head of Ti pasted on reverse:

• [on mount] 'Ti (underlined) - a priest + landowner of Memphis. Vth Dynasty.' (ink note)

Printed image in colour of cherub.

Ink drawing of man:

• [on drawing] 'Mr Facing-Both-Ways' (ink note)

Ink drawing of statue of seated figure from Kom Firin:

• [on drawing] 'Limestone statuette from Kom Afrin. in ABE's collection. Such work - archaic.' (ink note)

Two drawings:

• left: pencil sketch of statue of man.
  • [on drawing] 'Archaic Greek torso (male figure) showing extreme development of muscles.' (pencil note)
• right: ink drawing of Greek head.
  • [on drawing] 'This is a rude attempt at a female figure - the "wings" are arms. Archaic Greek head female - circa B. C. 600. curls represented by [drawing of curls] + tresses as ropes. The eye, though face is profile, is always given as in full face - as in Egyptian paintings' (ink notes)

Ink sketch of building:

• [on drawing] 'Mock Hall. May 1888' (ink note)

Pen and wash sketch of scene at Interlaken mounted on reverse of invitation to Jolly & Son's Annual Winter Sale:

• [on sketch] 'A.B.E. Interlaken Oct. 18th. 1872.' (ink note)

Ink drawing of unidentified landscape with marabout tombs and dahabiyya.

Ink drawing of castle:

• [on drawing] 'A Castle in the Air, Hastings, July 28th 1888. A. B. E.'

Pencil drawing of Ramesses II:

• mounted
• [on drawing] 'Portrait of Rameses II. Karnac.' (pencil note)
• [on mount] 'On the wall of a corridor leading to the Sanctuary - Karnak.' (pencil note)