Mostrando 4333 resultados

• Correspondence with other Egyptologists (now deceased) and some miscellaneous correspondence. Includes Eaton-Krauss's exchanges with Cyril Aldred, Martha R. Bell, Bernard V. Bothmer, Jochen Briegleb, Helmut Brunner, Ricardo A. Caminos, Henry G. Fischer, Wolfgang Helck, Barry J. Kemp, Christine Lilyquist, Jaromir Malek, Geoffrey T. Martin, William Murnane, James Romano, John Romer, and Walter Segal.
• Notes and correspondence relating to articles and books peer-reviewed by Eaton-Krauss.
• Recommendations for appraisals of academic posts.
• Correspondence with Marc Gabolde between 1987 and 2023 about a research project to study the monuments associated with king Tutankhamun in the Temple of Karnak; accompanied by a chronological summary.
• Folder with items relating to a Festschrift contribution on the el-Tôd Treasure, in press.
• Folder with items relating to Eaton-Krauss's participation in "Transcending Eternity: The Centennial Tutankhamun Conference" (Luxor, 4-6 November 2022).
• Folder with miscellaneous items, including:
  • a) School project on Egypt completed by Eaton-Krauss at the age of 11 (November 1944).
  • b) Pamphlet containing the programme for the symposium "What Was Art in Ancient Egypt? Inquiries in Honorem Marianne Eaton-Krauss", held at the Berlin Academy of Sciences and Humanities on 22 November 2019 to celebrate Eaton-Krauss's 75th birthday.
  • c) Self-published book of family photographs compiled by Eaton-Krauss for her daughter, titled Cassandra's "Roots" [closed file; not available for consultation].

Card indexes used in compilation of the Coptic Dictionary, photographs, photostats, notebooks, notes, correspondence, newspaper cuttings, negatives, and casts.

Notebooks, notes, copies of texts, photographs, lecture notes, drafts of articles, and facsimiles..

Textual graffiti from across Karnak, including transcriptions of texts, tracings, notes and analysis; p. 1-139 and plates I-X.

Details of graffiti of barques and other sacred objects (protomes, naoi) from across Karnak, including range of designs and placements, as well as tracings.

Indexes.

1) Original measured perspective drawing of the tomb of Tutankhamun in the Valley of the Kings (1978) [corrected version].
2) Drawings of Eighteenth Dynasty tombs (incomplete original set and complete sets of photocopies/prints) (1980s).
3) Prints of the measured perspective drawing of the tomb of Tutankhamun in the Valley of the Kings (1978) [version with error].
4) Drawings of reconstructions of Egyptian boats (1993-4).
5) Models, plaster and resin moulds and casts for plaque depicting a scene from the lid of box from the tomb of Tutankhamun (c. 1979) - the plaque has been sold in the British Museum shop since the late 1990s (copyright issued in the late 1990s for a while, then reissued c. 2010).
6) Model, plaster and resin moulds and casts for the mask of Tutankhamun (1978).
7) Models, plaster and resin moulds and casts for small figurines (2 seated Isis suckling Horus, Bes amulet and scarab, 1970s).
8) Album of newspaper cuttings titled "Illustrations", mostly from the Illustrated London News, bound in illustrated binding by Harold Parkinson (c. 1930).
9) Copy of Simplified Hieroglyphs arranged according to Gardiner's Signlist. Drawn in both left and right directions together with samples of cursive hieroglyphs and hieratic signs. Hieratic versions are drawn from Möller Hieratische Paläographie Vol. I (6th to 13th dynasties), of which 'Sinuhe' provides the majority of the examples, by R. B. & H. Parkinson (1988-1989).
10) Original measured perspective drawing of the White Chapel at Karnak, by H. & R. B. Parkinson (c. 1989-1990).
11) Drawing in preparation of 6), made from Burton Photograph P0760 (c. 1976).

• Album of drawings and watercolours made during Amelia Edwards's visit to the Dolomites.
• Album of drawings and watercolours made during her visit to Egypt in 1873-4.
• Album with 26 pencil sketches and one watercolour titled 'Small Egyptian Scraps, 1874', made during same visit to Egypt.
• Album, notebook, packet containing an assortment of drawings, letters, and notes, another packet contains copies of deeds and accounts issued following her death.
• Two watercolours of the temples on Philae island, assumed to have been painted by A. Edwards.
• First edition of Amelia B. Edwards, Pharaohs, Fellahs and Explorers (1891); Kate Griffith's (née Bradbury) copy, with handwritten dedication to ‘My Katie - Novr. 1891 - A.B.E’.

Notes, transcriptions, translations, article drafts, lecture drafts, card index, photographs, slides, overhead projector sheets, electronic data files, microfilm, correspondence, annotated photocopies and off-prints, relating to Coptic and Greek documents and Coptic archaeology.

Tracing (on both recto and verso) of one register of child and female deities; composition inspired by depictions from different monuments and publications possibly in preparation for the engraved plate 46A in Wilkinson's Supplement (1841):

• pencil and ink tracing on tracing paper
• mounted, together with Bonomi MSS 9.21 (upper)
• 23 x 12 cm
• [on mount] encircled '29' (pencil note, almost certainly by Dr Moss)

Sketch of a view inspired by the Osiride Pillars in the Great Hall of the Great Temple of Ramesses II at Abu Simbel in Nubia (TopBib vii.101); the view includes a number of alterations/additions, such as the nemes-headdress of the pillar figures:

• pencil sketch on tracing paper
• mounted, together with Bonomi MSS 9.21 (lower)
• 23.5 x 29.6 cm
• [on mount] 'Abu Simbel' (pencil note, almost certainly by Dr Moss)
• [on mount] encircled '29' (pencil note, almost certainly by Dr Moss)

Tracing of two designs of statues of ibis-headed Thoth:

• pencil tracing on tracing paper
• mounted, together with Bonomi MSS 9.20 (upper)
• 18.3 x 17 cm
• [on mount] encircled '28' (pencil note, almost certainly by Dr Moss)

Tracing after figure 1, plate XXXV in Rosellini, Ippolito, I monumenti dell'Eggito e della Nubia (Band 4,1, Atlas): Monumenti storici. Pisa: Nicoló Capurro, 1832 (OEB 148870), of a fragment of scene 4 with Queen Meritamun consecrating boxes of coloured cloth to Osiris and Hathor as Western goddess (here, just Queen), from the Hall of the Tomb of Queen Meritamun (QV 68) in the Valley of the Queens, on the West Bank of Thebes (TopBib i2.766(4)):

• pencil tracing on tracing paper
• mounted reversed, together with Bonomi MSS 9.20 (lower)
• 23.2 x 11.9 cm
• [on sketch] 'M. R. No. 35. Fig. 1.' (pencil note)
• [on mount] encircled '28' (pencil note, almost certainly by Dr Moss)

Tracing of a register with figures of falcon-headed Horus and falcon; preliminary sketch inspired by depictions from different monuments and publications in preparation for the engraved plate 37 in Wilkinson's Supplement (1841):

• pencil tracing on tracing paper
• mounted, together with Bonomi MSS 9.19 (upper)
• 22.9 x 12.6 cm
• [on mount] '2' (pencil note, upside down)
• [on mount] encircled '27' (pencil note, almost certainly by Dr Moss)

Tracing after figure 23, plate XIX in Rosellini, Ippolito, I monumenti dell'Eggito e della Nubia (Band 4,1, Atlas): Monumenti storici. Pisa: Nicoló Capurro, 1832 (OEB 148870), of princess Neferure in a scene from Room X preceding the Sanctuary in the Great Temple of Hatshepsut at Deir el-Bahari, on the West Bank of Thebes (TopBib ii2.365-366(132).2):

• pencil tracing on tracing paper
• mounted reversed, together with Bonomi MSS 9.19 (lower)
• 17.9 x 28.5 cm
• [on sketch] 'green / Pale yellow / Red / Blue / Red' (pencil note)
• [on sketch] 'Blue / Green - Gold - Blue - white - Green / Green / Blue / Gold / Green / Blue' (pencil note)
• [on sketch] 'Red' (pencil note)
• [on sketch] 'Greenish head-disk(?) with / blue, Red & green band.' (pencil note)
• [on sketch] 'gold, blue, green / & Red (?) on(?) / pale yellow' (pencil note)
• [on sketch] 'Red (?)s' (pencil note)
• [on sketch] 'Blue & Red' (pencil note)
• [on sketch] 'Red & green' (pencil note)
• [on sketch] 'gold' (pencil note)
• [on sketch] 'M. R. No. 19 - Fig. 23' (pencil note)
• [on mount] '2' (pencil note, upside down)
• [on mount] encircled '27' (pencil note, almost certainly by Dr Moss)

Tracing of designs of designs of capital fragments with vegetal decoration:

• pencil tracing on tracing paper
• mounted, together with Bonomi MSS 9.18 (upper)
• 11.6 x 10.5 cm
• [on mount] encircled '26' (pencil note, almost certainly by Dr Moss)

Tracing after figure 2, plate XXXII in Rosellini, Ippolito, I monumenti dell'Egitto e della Nubia (Band 4,1, Atlas): Monumenti storici. Pisa: Nicoló Capurro, 1832 (OEB 148870), of one of the faces of the North Obelisk of Hatshepsut, from the Colonnade of Thutmosis I, in the Great Temple of Amun at Karnak, on the East Bank of Thebes (TopBib ii2.81); specifically scene from the pyramidion (Hatshepsut kneeling in front of Amun) and top (1st) and bottom (8th) scenes from the upper part of the shaft (Hatshepsut and Amun):

• pencil tracing on tracing paper
• mounted reversed, together with Bonomi MSS 9.18 (lower)
• 14.9 x 47.1 cm
• [on sketch] 'M. R. No. XXXII. Fig. 2.' (pencil note)
• [on mount] encircled '26' (pencil note, almost certainly by Dr Moss)
• [on mount] 'Karnak' (pencil note, almost certainly by Dr Moss)

Tracing (on verso) of a design of a djed-pillar after plate 16 in Champollion le Jeune, J. F., Panthéon égyptien: collection des personnages mythologiques de l'ancienne Égypte, d'après les monuments. Figures d'après les dessins de L. J. J. Dubois. Paris: Firmin Didot, 1823 (OEB 136967), in preparation for the engraved plate 25 (part 1) in Wilkinson's Supplement (1841):

• pencil tracing on tracing paper
• mounted reversed, together with Bonomi MSS 9.16 (upper) and Bonomi MSS 9.16 (lower left)
• 12.6 x 15.6 cm
• [on sketch] 'y / R - y - gr / R / y / Bk / y / R / w / R - R' (pencil notes)
• [on sketch] 'with (?) / and Frog gods' (pencil note)
• [on mount] encircled '24' (pencil note, almost certainly by Dr Moss)

Sketch of a pharaoh's head, inspired by unidentified monument:

• pencil sketch on tracing paper, partially glued to paper
• mounted, together with Bonomi MSS 9.16 (upper) and Bonomi MSS 9.16 (lower right)
• 8.1 x 7.5 cm (9.4 x 10.7 cm with mount)
• [on mount] encircled '24' (pencil note, almost certainly by Dr Moss)

Tracing after figure 1, plate XXXV in Rosellini, Ippolito, I monumenti dell'Egitto e della Nubia (Band 4,1, Atlas): Monumenti storici. Pisa: Nicoló Capurro, 1832 (OEB 148870), of a fragment of scene 4 with Queen Meritamun in front of Osiris and Hathor as Western goddess, both seated (here, just Osiris and Hathor), from the Hall of the Tomb of Queen Meritamun (QV 68) in the Valley of the Queens, on the West Bank of Thebes (TopBib i2.766(4)):

• pencil tracing on tracing paper
• mounted reversed, together with Bonomi MSS 9.16 (lower right) and Bonomi MSS 9.16 (lower left)
• 25.2 x 24.9 cm
• [on mount] encircled '24' (pencil note, almost certainly by Dr Moss)

Tracing (on recto, but mounted reversed) after Roberts, David, Egypt and Nubia, from drawings made on the spot by David Roberts. London: F. G. Moon, 1849 (OEB 148677), vol. II, 7th plate; view of the standard-bearer colossus of Ramesses II from the Pylon before the Inner Court of the Temple of Amun and Re-Harakhti at El Sebua in Nubia (TopBib vii.57(28)):

• pencil tracing on tracing paper
• mounted
• 21.4 x 38.3 cm
• [on mount] '3' (pencil note, upside down)
• [on mount] encircled '25' (pencil note, almost certainly by Dr Moss)

Graffiti of Oeil [Eyes] in H, I, K B, V, Z, and U:

Eyes in H: Court of Pylon VII (CR7: KIU 3312) [H3, H5, H7];

• H3: East massif (môle) of Pylon VII (KIU 2026), south face;
• H5: West massif (môle) of Pylon VII (KIU 2026), south face, first flagstaff;
• H7: West massif (môle) of Pylon VII (KIU 2026), south face, second flagstaff.

Eyes in I: Court of Pylon VII (CR7: KIU 3312) [I6];

• I6: West wall of the court, east face, north part.

Eyes in R: Exterior face (east) of the southern processional way [R16];

• R16: South face of the edifice of Amenhotep II (not included in the court of Pylon X).

Eyes in B: The first (great) court, Temple of Ramesses III (KIU 4324) and the barque shrine of Seti II (KIU 4645) [B1-2];

• B1-2: North wall, south face, west (1) and east (2) parts.

Eyes in V: Contratemple (Eastern temple of Thutmose III) [V1]:

• V1: Pillars of Osiris on the façade.

Eyes in Z: Wall (south) of the court of the east temple (KIU 4666) [Z1]:

• Z1: South wall of the court of the east temple, south face.

Eyes in U: Exterior face (north) of the temple, east part and north tier of the east face [U4];

• U4: East portion and east face of the wall of Thutmose III, decorated by Ramesses II.

Graffiti of Cynocephale [Jackal-headed people] in Q, H, I, R, FF, BB, T, B, C, N, and U:

Jackal heads in Q: West (exterior) face of the southern processional way [Q4];

• Q4: West massif, north face of Pylon VII (KIU 2026).

Jackal heads in H: Court of Pylon VII (CR7: KIU 3312) [H4];

• H4: Gate in the south-west corner or the court, interior faces.

Jackal heads in I: Court of Pylon VII (CR7: KIU 3312) [I6];

• I6: West wall of the court, east face, north part.

Jackal heads in R: Exterior face (east) of the southern processional way [R2-3, R6, R14, R16-17];

• R2: East massif (môle) of Pylon VII, north face (not included in the court of Pylon VII);
• R3: East massif (môle) of Pylon VII, east face;
• R6: North face of the Barque shrine (reposoir) of Thutmose III;
• R14: East face of the edifice of Amenhotep II, north part;
• R16: South face of the edifice of Amenhotep II (not included in the court of Pylon X);
• R17: East wall of the court of Pylon X, between the edifice of Amenhotep II and Pylon X, east face, north part.

Jackal heads in FF: Exterior walls of the Temple of Khonsu (KIU 4876) [FF4];

• FF4: West wall.

Jackal heads in BB: Temple of Ptah [BB8];

• BB8: South façade of the temple.

Jackal heads in T: Exterior face (north) of the first (great) court and Hypostyle Hall (KIU 859) [T1, T6];

• T1: Bubastite wall (north), north face, west part;
• T6: Northern massif, eastern face of Pylon III.

Jackal heads in B: The first (great) court, Temple of Ramesses III (KIU 4324) and the barque shrine of Seti II (KIU 4645) [B23];

• B23: 9th western column of the southern portico.

Jackal heads in C: XXXX [C101];

• C101: Northern staircase.

Jackal heads in N: Court of Pylon VI (KIU 3433) and related areas [N1];

• N1: South rooms of Hatshepsut, south face.

Jackal heads in U: Exterior face (north) of the temple, east part and north tier of the east face [U4];

• U4: East portion and east face of the wall of Thutmose III, decorated by Ramesses II.

Graffiti of Insectes [Insects] in Q, R, A, and B:

Insects in Q: West (exterior) face of the southern processional way [Q4];

• Q4: West massif, north face of Pylon VII (KIU 2026).

Insects in R: Exterior face (east) of the southern processional way [R5, R10];

• R5: East wall of the court of Pylon VIII, east face, between the north corner and Barque shrine (reposoir) of Thutmose III;
• R10: East massif (môle) of Pylon VIII, east face.

Insects in A: In front of Pylon I [A2-3];

• A2-3: Quay, east (2) and north (3) faces.

Insects in B: The first (great) court, Temple of Ramesses III (KIU 4324) and the barque shrine of Seti II (KIU 4645) [B22];

• B22: 8th western column of the southern portico.

Graffiti of Fleurs [Flowers] in F, H, I, R, and U:

Flowers in F: Court of Pylon X [F1];

• F1: East massif, north face of Pylon X.

Flowers in H: Court of Pylon VII (CR7: KIU 3312) [H3, H8];

• H3: East massif (môle) of Pylon VII (KIU 2026), south face;
• H8: West massif (môle) of Pylon VII (KIU 2026), south face, between second flagstaff and south-west corner.

Flowers in I: Court of Pylon VII (CR7: KIU 3312) [I4];

• I4: West massif (môle) of Pylon VII, north face (included in the court).

Flowers in R: Exterior face (east) of the southern processional way [R15-17];

• R15: East face of the edifice of Amenhotep II, central part;
• R16: South face of the edifice of Amenhotep II (not included in the court of Pylon X);
• R17: East wall of the court of Pylon X, between the edifice of Amenhotep II and Pylon X, east face, north part.

Flowers in U: Exterior face (north) of the temple, east part and north tier of the east face [U4];

• U4: East portion and east face of the wall of Thutmose III, decorated by Ramesses II.

Two winged female figures (probably Muses) and young man presenting offerings; probably memorial to Michael Faraday:

• pencil sketch on tracing paper, glued on card
• loose
• 20.8 x 24.2 cm
• [on sketch] 'SPLENDET / ÆTERNUMQUE / SPLENDEBIT' (pencil note)
• [on sketch] 'FARADAY' (pencil note)

Tracing after figure 18, plate XIX in Rosellini, Ippolito, I monumenti dell'Egitto e della Nubia (Band 4,1, Atlas): Monumenti storici. Pisa: Nicoló Capurro, 1832 (OEB 148870), of a fragment of scene 6, with Queen Meritamun before Thoth (here, just Queen), from the Hall of the Tomb of Queen Meritamun (QV 68) in the Valley of the Queens, on the West Bank of Thebes (TopBib i2.766(6)):

• pencil tracing on tracing paper
• mounted reversed, together with Bonomi MSS 9.15 (lower)
• 19.9 x 27.4 cm
• [on sketch] '9.16t' (pencil note, recent annotation)
• [on sketch] 'Green' (pencil note)
• [on sketch] 'Red' (pencil note)
• [on sketch] 'White' (pencil note)
• [on sketch] 'The rest / blue / also the border' (pencil note)
• [on sketch] 'Gold' (pencil note)
• [on sketch] 'Blue' (pencil note)
• [on sketch] 'Blue' (pencil note)
• [on sketch] 'Gold' (pencil note)
• [on sketch] 'Gold - Blue' (pencil note)
• [on sketch] 'Ribbons red' (pencil note)
• [on sketch] 'Red stripped' (pencil note)
• [on mount] '4' (pencil note, upside down)
• [on mount] encircled '23' (pencil note, almost certainly by Dr Moss)

Sketches and tracings (on both recto and verso) of a group of images of Bes, Ptah-Patek, and a sarcophagus lid; composition inspired by depictions from different monuments and publications, including a design of Bes holding flower bouquets from the inner face of the colonnade from the Birth House at Dendera [TopBib vi.104] (middle), together with designs of Ptah-Patek and Bes figures (left) and a sarcophagus lid (right), in preparation for the engraved plate 24A in Wilkinson's Supplement (1841):

• pencil and ink sketch/tracing on tracing paper
• mounted, together with Bonomi MSS 9.15 (upper)
• 23.2 x 11.9 cm
• [on sketch] '7.5' (ink note)
• [on mount] '4' (pencil note, upside down)
• [on mount] encircled '23' (pencil note, almost certainly by Dr Moss)

Sketches and tracings (on both recto and verso) of a group of designs, including menorahs, camel caravans, tents, and other related elements, together with a Demotic inscription:

• pencil sketches/tracings on tracing paper
• mounted, together with Bonomi MSS 9.14 (upper right), Bonomi MSS 9.14 (lower left), Bonomi MSS 9.14 (lower middle), and Bonomi MSS 9.14 (lower right)
• 25.6 x 9.6 cm
• [on mount] encircled '22' (pencil note, almost certainly by Dr Moss)

Tracing of two registers of deities; composition inspired by depictions from different monuments and publications in preparation for the engraved plates in Wilkinson's Supplement (1841); from top to bottom, right to left: Montu (plate 49, part 2), Tefnut (plate 51), Maat (plate 49), Ptah-Patek (not included), Satet (plate 21, part 2), Heqet (plate 25, part 4), Nut (plate 32), Geb (plate 31, part 1), Sobek (plate 50), Ra, (plate 29), Neith (plate 28), and Ptah (plate 23):

• pencil tracing on tracing paper
• mounted, together with Bonomi MSS 9.14 (upper left), Bonomi MSS 9.14 (lower left), Bonomi MSS 9.14 (lower middle), and Bonomi MSS 9.14 (lower right)
• 32.1 x 17.9 cm
• [on mount] encircled '22' (pencil note, almost certainly by Dr Moss)

Tracing of a design of an entrance to a building topped by a large pharaoh's head:

• pencil tracing on tracing paper
• mounted, together with Bonomi MSS 9.14 (upper left), Bonomi MSS 9.14 (upper right), Bonomi MSS 9.14 (lower middle), and Bonomi MSS 9.14 (lower right)
• 7.9 x 10.1 cm
• [on mount] encircled '22' (pencil note, almost certainly by Dr Moss)

Tracing of a design of unidentified plant:

• ink tracing on tracing paper
• mounted, together with Bonomi MSS 9.14 (upper left), Bonomi MSS 9.14 (upper right), Bonomi MSS 9.14 (lower left), and Bonomi MSS 9.14 (lower right)
• 4.6 x 3.0 cm
• [on sketch] 'd. - 234' (ink note)
• [on mount] encircled '22' (pencil note, almost certainly by Dr Moss)