Eric Parrington Uphill Collection
- Uphill MSS
- Colección
- c. 1954-2018
Complete working papers, including notebooks, notes, card indexes, slides, photographs, correspondence and teaching notes.
Eric Parrington Uphill
4245 resultados con objetos digitales Muestra los resultados con objetos digitales
Eric Parrington Uphill Collection
Complete working papers, including notebooks, notes, card indexes, slides, photographs, correspondence and teaching notes.
Eric Parrington Uphill
Parte deTutankhamun Archive
(a) 20 folders containing handwritten notes, pencil drawings, negatives, photographs, and postcards of furniture from the tomb of Tutankhamun (= MSS 1-20) (1935).
(b) 18 folders containing notes, drawings, negatives and photographs of thrones, chairs, stools and footstools mainly from the Egyptian Museum in Cairo (1935) and the British Museum in London (1936), as well as from other collections, and material gathered from publications; 1 index card box with Segal's reference notes for his furniture records; and letter from T. G. H. James to M. Eaton-Krauss regarding Segal correspondence in the British Museum along with photocopies of the letters.
Segal, Walter
Parte deTutankhamun Archive
Parte deTutankhamun Archive
Drawing of tree with poem:
'What shall I call thee - Song bird? Sweetheart mine?
How shall I woo thee?... If, in truth I dare
To cast my shadow on that path of thine;
To braid my silver with thy golden hair.
How shall I woo thee? - Stretching out my hands
As elms in spring stretch forth their boughs to greet
Wing'd wanderers from sunny far-off lands?
Ah, seek some younger, fresher shade, my sweet!
Thy nest should be a bow'r of blossoms rare;
Thy shade should be all perfumed, + thy lay
Poured forth upon the summer-spicèd air
Of some soft chime, when it is always May!
Alas! my boughs are tempest-toss'd + shorn;
My roots have struck the rock - my leaves are shed;
Shall winter mate with spring, or eve with morn?
Despair with hope? The living with the dead?
Yet come, if thou wilt! For well-nigh due
In God's great miracle, when earth + sky,
Mountain, + moon, + copse their youth renew -
And if the daisies, dearest, why not I?
I wak'd last night from dreams of spring, + lo!
The first dear crocus shows its head today;
And yonder limes are crimsoned with the glow
Of the imprison'd summer! Come away!
Away, dear lover, to meet + greet the spring!
Unfold, ye buds! Laugh out in lead, ye trees!
Come, perfum'd winds, your summer sweetness bring,
From tropic isles beyond the Western seas!
Sing, sing, ye thrushes! To our Northern Shore
Dear swallows, from the purple East fly fast!
Darkness, + doubt, + winter are no more -
The eternal youth of Hope is mine at last!
A.B.E.
Oct. 1887 - Jany. 1888 (underlined)' (ink note)
Letter with drawing of carving on the Via Augustales, Pompeii
Handwritten letter with ink drawing of carving:
Poem 'To his mummy (who is older than he)'
Handwritten poem:
'To his mummy, (who is older than he) -
What shall I call thee? Mummy, - Sweetheart mine,
Where shall I find thee?... if in truth I dare
To disinter thee from the desert plain
And carry off thy body to afar.
Where shall I find thee? Burrowing with my hands
Tale[?] deep in the earth, as when they seek to meet
Some prised treasure. Yes, to far off lands
we'll travel now this summer fair my sweet.
Thy home shall be some great museum, framed
With all the splendours art can cast around,
Where thou shalt soon midst wond'ring peoples stand,
Nor think x [?] more to lie in native ground.
Yes come, I know, thou wilt! For well nigh due
Is now another find; since two days past
Have not seen a portrait, and anew
I seek to find another love at last.
I waked last night from dreams of finds, and lo!
Five new tombs have we opened now today,
And sure in one of them, deep down, full low,
Thy smiling face is lying! Come away!
Away dear love to meet and greet the sun,
Which yet thou hast not seen for ages past,
When thou lay down, Europe had scarce begun
To run its course, which thou shalt see at last.
Swift, swift, we'll travel by Northern shore
Dear lady! from the drowsy East fly fast,
Darkness + ignominy are no more,
Thy treasured features now are mine at last.
Hawara
W.m.F.P.
With many apologies to A.B.E.
The Damascus Gate; men riding donkeys; a shaduf; camels; and water bearers
Nine mounted pencil sketches:
9 pencil sketches:
Back cover with green leather binding.
Pencil drawing of Ramesses II at Abu Simbel:
Pencil drawing of sistrum at Abu Simbel:
Resurrection of Osiris, Philae
Pencil drawing of resurrection of Osiris at Philae:
Detail of cornice of from Abu Simbel
Pencil drawing of detail of cornice at Abu Simbel:
Pencil drawing of Horus from Abu Simbel:
Pencil drawing of djed at Philae:
Shrine of arm of Osiris at Philae
Pencil drawing of shrine of arm of Osiris:
Pencil drawing of scarab beetle at the Temple of Dendur:
Shrine of legs of Osiris at Philae
Pencil drawing of shrine of legs of Osiris:
Goddess Taurt at Gebel el-Silsila
Pencil drawing of Taurt at Gebel el-Silsila:
Pencil drawing of head of captive at Abu Simbel:
Pencil drawing of Ta-urt:
Head of captive at Medinet Habu
Pencil drawing of head of captive at Medinet Habu:
Head of Kushite captive at Abu Simbel
Pencil drawing of Kushite captive at Abu Simbel:
Pencil drawing of the headdress of a king:
Headdress of a king at Kalabsha
Pencil drawing of the headdress of a king at Kalabsha:
Head of Pelasigian captive at Medinet Habu; helmet of captive
Two mounted pencil drawings:
Head of Syrian captive at Medinet Habu
Pencil drawing of Syrian captive:
Portrait of Ramesses II, Karnak
Pencil drawing of Ramesses II: