Loose mounted watercolour inspired by a relief scene from the right wall of side room L of the tomb of Ramesses III (KV11, Valley of the Kings) on the west bank of Thebes. This scene is now destroyed within the tomb, and shows a series of five decorated chairs and accompanying stools. On the bottom edge of the mount is a handwritten note in ink: 'Chairs painted in the tomb of Rameses the 3d Thebes'.

Loose mounted watercolour inspired by a relief scene from side room I of the tomb of Ramesses III (KV11, Valley of the Kings) on the west bank of Thebes. The scene includes two harpist figures dressed in white robes, and damage to the original scene is noted by the omission of one figures' face and a lower part of the left side harp. Part of the hieroglyphic inscription of the scene has been included in faint pencil. On the bottom left corner of the paper is a small note 'G. A. Hoskins'. On the bottom edge of the mount is a handwritten note in ink: 'painted in the tomb of Rameses 3d (Called Bruces tomb) Thebes'.

Loose mounted watercolour of three registers of agricultural scenes from the hallway area of the 18th Dynasty rock-cut tomb of Paheri (rock tomb 3) at el-Kâb. On the top left corner of the paper is a number '101'. On the bottom edge of the mount is a handwritten note in ink: 'Agricultural scene Elythias'.

Loose mounted watercolour of a tomb relief scene from the hallway of the early 18th Dynasty tomb of Neferhotep (TT50) at the west bank of Thebes. This scene comes from register I, and shows a group of male figures with servants before the royal figure of Horemheb and Neferhotep being rewarded. Above them are short columns indicating the layout of the inscription, though no hieroglyphs are visible. On the top left corner of the paper is a note: 'Plate 4'. On the bottom edge of the mount is a handwritten note in ink: 'Tomb of King Amulek or Horus Thebes opened by G A H'.

Loose mounted watercolour of a section from side room N of the tomb of Sety I (KV17, Valley of the Kings) on the west bank of Thebes. The background includes a large relief scene from one of the walls, and shows a row of various deities and figures from the Book of Imi-Duat and a row of furniture. Slightly off-centre and in front of this wall is a pillar designated as pillar B, with a large representation of the god Osiris between the emblems of Anubis. Along the bottom edge of the paper are traces of handwritten notes in pencil, now partially visible. On the bottom edge of the mount is a handwritten note in ink: 'Section of one of the rooms in the sepulchre of King Osirei'.

Loose mounted watercolour of a tomb relief scene from the hallway of the early 18th Dynasty tomb of Neferhotep (TT50) at the west bank of Thebes. This scene comes from register I, and shows a young son making an offering to his seated parents and relatives, each of whom have a funerary cone on their head and are embracing one another. Above them are short columns indicating the layout of the inscription, though no hieroglyphs are visible. On the top left corner of the paper is a note: 'Plate 2'. On the bottom edge of the mount is a handwritten note in ink: 'Tomb of Amulek Thebes'.

Loose mounted watercolour of a seated man with a sword. On the bottom left corner of the paper is a small 'P 3', and along the bottom edge are faded traces of notes in pencil, now partially visible: '[...] Sayd Chief of the Ababde tribe'. On the bottom edge of the mount is a handwritten note in ink: 'Sheakh Sayd chief of the Ababde tribe'.

Loose mounted watercolour inspired by a relief scene from side room M of the tomb of Ramesses III (KV11, Valley of the Kings) on the west bank of Thebes. This shows a series of weapons and armour including several swords, spears, and headgear. On the bottom edge of the mount is a handwritten note in ink: 'from the tomb of Rameses the 3d Thebes'.

Loose mounted watercolour of a relief scene from side room M of the tomb of Sety I (KV17, Valley of the Kings) on the west bank of Thebes. The scene shows the divine cow with a range of other deities underneath, which is a vignette from the Book of the Cow. Some hieroglyph inscriptions have been included between the figures in pencil. Small hieroglyph signs are also positioned beside and above the cow figure. On the bottom edge of the mount is a handwritten note in ink: 'Belzonis tomb Thebes'.

Loose mounted watercolour of two men, each with a raised weapon and shield. Along the bottom left edge of the paper is a handwritten note: 'Arabs of the Shageea tribe fighting', and a small 'P 38' written in the bottom left corner. Other notes in now faded pencil are partially visible across the bottom of the paper: 'spears to be [...]'.

Loose mounted watercolour of a man wearing a white kilt and detailed armlets on both elbows. On the top right corner of the paper is a small number '4', and at the bottom left corner is a 'P 16'. A small 'L B' is visible above this in faded pencil. On the bottom edge of the mount is a handwritten note in ink: 'Shageea of the desert'.

Loose mounted watercolour of a seated man with a sword. On the bottom left corner of the paper is a small 'P 2', and along the bottom edge are faded traces of notes in pencil, now partially visible: '[...] Sheakh [...] Melek of Shendy'. On the bottom edge of the mount is a handwritten note in ink: 'Sheakh Besher now Melek of Shendy'.

Loose mounted watercolour of a seated young man with his arms crossed over his chest. On the bottom edge of the paper is a small note 'P 2', and a larger handwritten note in pencil that is only partially visible: '[...] Sheakh [...] Son of a Sheakh'. On the bottom edge of the mount is a handwritten note in ink: 'Son of the Sheakh of the Bishary tribe'.

Loose mounted watercolour of a man from the Ababda Bedouin tribe holding a spear, with a desert landscape in the background. On the top right corner of the paper is a small number '4', and at the bottom left corner is a 'P 1'. Along the bottom edge of the paper is a handwritten note in faded pencil, only partly legible: 'Camel man [...] look so fierce'. On the bottom edge of the mount is a handwritten note in ink: 'Camel man of the Ababde tribe'.

Loose mounted watercolour of a male chief from the Shaigiya tribe, wearing loose white clothing and holding a tall spear. On the bottom left corner is a 'P 30'. Along the bottom edge of the paper is a handwritten note in faded pencil: 'LB A Melek of the Shageea tribe'. On the bottom edge of the mount is a handwritten note in ink: 'Melek of the Shageea tribe'.

Loose mounted watercolour of three men, one seated on the ground straining beer and the other two standing. Along the bottom left edge of the paper is a handwritten note: 'P 39 L B [...]'. On the bottom edge of the mount is a handwritten note in ink: 'Arabs of the Hassanyeh tribe'.

Loose mounted watercolour of a crouching bearded man resting his left arm on a red sword. On the bottom edge of the mount is a handwritten note in ink: 'Nasr i Deen formerly Melek of Berber'.

Loose mounted pencil drawing of a view of the temple of Amun and Amenhotep III at Sûlb (Soleb). Some figures stand near the remains of the structure in the distance, while a couple of seated figures are positioned in the foreground. On the bottom edge of the paper is a faint handwritten note: 'Solib Temple of Amenoph Solib'. On the bottom edge of the mount is a handwritten note in ink: 'Temple of Solib Ethiopia'.

Loose mounted pencil drawing of a view of the great Meroitic temple at Musauwarât el-Sofra, including remains of columns with detailed relief scenes. On top left corner of the paper is a handwritten note: 'P 15'. On the bottom edge of the mount is a handwritten note in ink: 'Ruins at Wady Owataib - Ethiopia'.

Loose mounted pencil drawing of a view of the pyramid field area at Gebel Barkal, with one full pyramid structure in the foreground and a partial view of another pyramid in the distance at the right side. Two figures stand near the pyramid. Along the top left edge of the paper is a faded handwritten note: 'v 10 p 255 Pyramids of Napata -'. On the bottom edge of the mount is a handwritten note in ink: 'Pyramids at Gibel el Birkel'.

Loose mounted pencil drawing of a view of the north group of pyramids at Meroë, with one full pyramid structure in the left side foreground. A figure stands beside the nearby remains of a pyramid entrance, and another pyramid structure is visible in the distance. Along the top left edge of the paper is a very faded handwritten note: 'v 4 p [...] Pyramids of Meroe'. On the bottom edge of the mount is a handwritten note in ink: 'Pyramids of Meroe'.

Loose mounted pencil drawing of a view of the façade of the temple of Re-Harakhti at Abû Simbel, the colossi in the distance still partially buried in sand. Several figures stand close to the temple exterior in the background, while a group of three are positioned close to the right side foreground. On the top edge of the paper is a handwritten note: 'Abousimbel Temple of Abou Simbel - Lower Nubia'.

Loose mounted pencil drawing of a view of a fortified house on the Island of Argo (Arko). Along the top edge of the paper is a faded handwritten note: 'House of Melek Tombol'. On the bottom edge of the mount is a handwritten note in ink: 'Melek Tumbols house in the Isld of Argo. Ethiopia -'.

Loose mounted pencil drawing of a view of the Roman north temple at Tâfa (Taphis). On the bottom edge of the mount is a handwritten note in ink: 'Temple of Tafeh'.

Loose mounted pencil drawing of a view of the pyramid field area at Gebel Barkal, with several pyramid structures visible at the left side and in the distance on the right side. Along the top left edge of the paper is a faded handwritten note: 'P 27 Pyramids of Gebel el Birkel G A H'.

Loose mounted pencil drawing of a view of the north group of pyramids at Meroë, including the pyramid of Tarekenidal (No. 19) with a detailed relief scene on the entrance exterior. A seated and standing figure are positioned at the right side foreground. Along the top left edge of the paper is a handwritten note: 'P 9'. On the bottom edge of the mount is a handwritten note in ink: 'Pyramids of Meroe capital of Ethiopia'.

Loose mounted pencil drawing of a view of several men gathered at the riverbank while a small boat is prepared at the waters edge. Some men are seated, and in the distance on the right side another group are also positioned at the bank. Another boat is sailing across the Nile on the left side, and in the distance Luxor temple is visible. On the bottom edge of the mount is a handwritten note in ink: 'Ferry at Thebes - Temple of Luxor'.

Loose mounted pencil drawing of a view of the river Nile, with the island of Philae and the temple remains visible in the distance. In the foreground is a boat with two men close to the rivers edge. On the bottom edge of the mount is a handwritten note in ink: 'Island of Phil[ae]'.

Loose mounted pencil drawing of a view of a large tree, with the island of Philae and the temple remains visible in the distance. Trajan's kiosk is also notable in the background. On the top right corner of the paper is a small handwritten note: 'File. primo giorno'.
On the bottom edge of the mount is a handwritten note in ink: 'Island of Philae'.

Loose mounted pencil drawing of the temple of Isis at Philae, including the north enclosure wall of the Temple of Arsenuphis with First Court area and the first pylon of the Isis temple in the background. In the foreground are several figures facing towards the artist, while another male figure stands closer to the enclosure wall structure. On the bottom edge of the mount is a handwritten note in ink: 'Temple in the Island of Philae'.