Pencil and watercolour sketch of countryside scene:

• [on the reverse of sketch] 'On the Mole - foot of Box hill. (underlined) Unfinished rough sketch 1856. (underlined)' (pencil note)

Ink sketch of building:

• [on drawing] 'Mock Hall. May 1888' (ink note)

Three drawings:

• top: pen sketch of head of man.
  • [on drawing] 'Archaic Greek head bas relief, BC. 600. Hair represented by [drawing of hair texture] for curls - Beard by wavy lines-' (ink note)
• middle: pen sketch of vase
  • [on drawing] '"Owl-vase" Troy' (ink note)
• bottom: pencil sketch of warrior
  • [on drawing] 'Ægnia warrior, dying - Sculpture in the round fr Pediment of Temple circa B.C. 500.' (pencil note)

Two drawings:

• left: pencil sketch of statue of man.
  • [on drawing] 'Archaic Greek torso (male figure) showing extreme development of muscles.' (pencil note)
• right: ink drawing of Greek head.
  • [on drawing] 'This is a rude attempt at a female figure - the "wings" are arms. Archaic Greek head female - circa B. C. 600. curls represented by [drawing of curls] + tresses as ropes. The eye, though face is profile, is always given as in full face - as in Egyptian paintings' (ink notes)

Ink drawing of statue of seated figure from Kom Firin:

• [on drawing] 'Limestone statuette from Kom Afrin. in ABE's collection. Such work - archaic.' (ink note)

Handwritten letter with ink drawing of carving:

• [on drawing] 'Corner of the Via Augustales Pompeii. May 14th 1891. A.B.E. Saville Villa. August 25th /91. My own darling one - Tomorrow will be thy birthday, + a littly sketch is all a poo' Owl has to send thee - but Owl thinks that perhaps a wee littly sketch from Pompeii, done from the one made when poo' Owl was such a very very poo' Owl, will please thee more than a more valuable gift. My precious one, I am so glad thou art in a beautiful place for thy birthday, + getting fine air, + mountains, and good walks - even though thou art far distant from thy poo' poo' Owl. God bless thee my own oney - + I hope thou wilt have many, many birthdays, + happy years between each, + that thy Owl may live ~~thee~ to give thee less anxiety + more happiness for the future. I have walked to the end of the promenade this morning, + back, before luncheon - the first time I have taken a real good walk so early. It had been pouring in torrents all the morning, + I thought, as it was then holding up, I had better make the most of it. I felt all the better for it, + ate a capital luncheon when I came in. ' I enclose a very satisfactory letter from Petrie - satisfactory both as to the [?] + the Haworths. I [?] hope he will stick to it (woodside, I mean) + not put it off till he has no time left for it. I tried, in writing to him, to let him see by a sort of sidelight, that I deemed it of real importance - + yet not to make too much of it. I did not want to make him feel the painful weight of obligation - + yet I tried that he should gather that I was grave about it. He is so very sharp, that I fancy he wd. not fail to seize a shade of meaning, however slight. He has returned Goodyear's cutting, so I now send it to thee - but I want it back for the Haworths, who have not yet seen it. Baby's little drawing of the tablet is very good - very good indeed. I am sure the oney could draw well with a little teaching + application. How curious the recumbent figure in the "pinked" shroud is, at the bottom!' (ink note)

Ink sketch of head:

• [on drawing] 'Poor Ribert has just heard her step-son died at 9.30 this morning.' (ink note)

Ink drawing of man:

• [on drawing] 'Mr Facing-Both-Ways' (ink note)

Printed image in colour of cherub.

Handwritten letter with ink drawing of owl:
' I send it to thee to read, will a 'return' [?] [?]? Will thy Owl what S. Chester charges thee for the amulets. I cannot find the string of scarabs that came to me with the rest of Sir. E. Wilsons little collection - + am troubled. I should be so sorry if they were p[?]ing mislaid or lost, like Petrie's things. My sweet, own, darling baby lover-bird, goodbye. Thy poor, lonely, fond, crippled little Martyred Owl' (in ink).

Ink drawing of Sion in Switzerland above beginning of letter:
'April 9th / 88 My own love - I have first verified the addresses on about 200 Reports - + done up a lot of copies of [?]' (in ink)

Printed invitation to the Egypt Exploration Fund's Annual General Meeting with pencil drawing of head of Ti pasted on reverse:

• [on mount] 'Ti (underlined) - a priest + landowner of Memphis. Vth Dynasty.' (ink note)

Pencil drawing of Percy Shelley's grave:

• [on drawing] 'Shelley's grave. Rome. Feby. 20th 1857.' (pencil note)
• [on mount] 'Shelley's grave, Rome. 1857.' (pencil note)

Pencil drawing of the Ponte Vecchio:

• [on drawing] 'The Ponte Vecchio Florence' (pencil note)
• [on mount] 'The old bridge Florence 1859.' (pencil note)

Pencil drawing of landscape at Albano:

• [on mount] 'Old houses at Albano. Nr Rome. 1857.' (pencil note)

Ink drawing of bells ringing.

Ink drawing of woman:

• [on drawing] 'She's all my fancy painted her' (ink note)

Ink drawing of Monte Gennaro:

• [on verso] 'Monte Gennaro (the Mons Lucretilis of Horace) from Monte Mario Rome - 1872' (ink note)

Ink drawing of man:

• [on drawing] 'Pictorial biography (underlined) of AB.E. The only Man I ever really loved.' (ink note)

Ink drawing of man:

• [on drawing] 'Pictorial Biography of A. B. E. My Last Love' (ink note)

Ink drawing of man in profile:

• [on drawing] 'Pictorial Biography of A. B. E. (underlined) My first (underlined) Love. No 1.' (ink note)

Ink drawing of man:

• [on drawing] 'He was a Man. Take him for all in all, we shall not look upon his like again.' (ink note)

Pencil drawing of sitting scribe.

Handwritten poem:
'To his mummy, (who is older than he) -

What shall I call thee? Mummy, - Sweetheart mine,
Where shall I find thee?... if in truth I dare
To disinter thee from the desert plain
And carry off thy body to afar.

Where shall I find thee? Burrowing with my hands
Tale[?] deep in the earth, as when they seek to meet
Some prised treasure. Yes, to far off lands
we'll travel now this summer fair my sweet.

Thy home shall be some great museum, framed
With all the splendours art can cast around,
Where thou shalt soon midst wond'ring peoples stand,
Nor think x [?] more to lie in native ground.

Yes come, I know, thou wilt! For well nigh due
Is now another find; since two days past
Have not seen a portrait, and anew
I seek to find another love at last.

I waked last night from dreams of finds, and lo!
Five new tombs have we opened now today,
And sure in one of them, deep down, full low,
Thy smiling face is lying! Come away!

Away dear love to meet and greet the sun,
Which yet thou hast not seen for ages past,
When thou lay down, Europe had scarce begun
To run its course, which thou shalt see at last.

Swift, swift, we'll travel by Northern shore
Dear lady! from the drowsy East fly fast,
Darkness + ignominy are no more,
Thy treasured features now are mine at last.

Hawara

W.m.F.P.
With many apologies to A.B.E.

Watercolour of dormer window with washing in Basel:

• [on drawing] 'Basle July 16th 1891' (ink note)

Envelope and pencil drawing of carving of people dressing themselves:

• [on drawing] From the Portal of St Gallus. Basel Minster - Aug 26th /62. The Dead putting on their clothes at the sound of the last Trumpet.' (pencil note)
  [on envelope] 'Miss Amelia B. Edwards, The Larches, Westbury-on-Trym, Near Bristol. NOT to be sealed.' (printed).

Ink drawing of man walking:

• [on recto of drawing] 'Mr Smith ascending the Kobel-alp.' (pencil note)
• [on mount] 'or "The British Tourist ascending the Kobel-alp.' (ink note)
• [on verso of drawing] 'Amelia B. Edwards' (underlined) (pencil note)

Ink drawing of woman and crocodile:

• [on drawing] 'The Larches, Westbury-on-Trym, Nr. Bristol.' (printed) 'Act the Third (underlined) "''Tis distance lends enchantment to the view." May 1. 1888.' (ink note)

• [on label] 'With the compliments of the Acting Keeper of the Department of Western Art, Ashmolean Museum, Oxford' (printed) '3 Albums brought down from upper Library by Mrs. Gunn. They seem to be Griffith, one having F.II. G. (underlined) inside.' (pencil note)